These brave men and women stand up to the darkness, stare it right in the eye, and give it the finger. These are the stories of those who rage against the night, stories of triumph, sacrifice, and bravery in the face of overwhelming evil. Rage Against the Night features the megastars of dark fantasy and horror—including Stephen King, Ramsey Campbell, Peter Straub, Chelsea Quinn Yarbro, F. Paul Wilson, Jonathan Maberry, Scott Nicholson, Nancy Holder, Sarah Langan, and many, many more.

     Books change lives, and if you have any doubts on that score, you need only dip into this joyous celebration of reading by 65 people who have distinguished themselves in various fields, from sports, to cooking, to journalism and the arts. In brief and lively essays, the contributors— wrestlers, actors, singers, monks, Nobel Prize winners, chefs, politicians, writers—tell about the single book that changed the way they see themselves and the world around them. A sampling of contributors includes: Elizabeth Berg on The Catcher in the Rye; Harold Bloom on Little, Big; Steven Brill on The Making of the President, 1960; Da Chen on The Count of Monte Cristo; Maureen Corrigan on David Copperfield; Nelson DeMille on Atlas Shrugged; Tomie dePaola on Kristin Lavransdatter; Anita Diamant on A Room of One’s Own; Linda Fairstein on The Adventures of Sherlock Holmes; Sebastian Junger on Bury My Heart at Wounded Knee; Wally Lamb on To Kill a Mockingbird; John McCain on For Whom the Bell Tolls; Lisa Scottoline on Angela’s Ashes; Susan Vreeland on To Kill a Mockingbird; and many more. . . .

    Americans are not reading enough, they say, or reading the right books, in the right way. In this book, Alan Jacobs argues that, contrary to the doomsayers, reading is alive and well in America. There are millions of devoted readers supporting hundreds of enormous bookstores and online booksellers. Oprah's Book Club is hugely influential, and a recent NEA survey reveals an actual uptick in the reading of literary fiction. Jacobs's interactions with his students and the readers of his own books, however, suggest that many readers lack confidence; they wonder whether they are reading well, with proper focus and attentiveness, with due discretion and discernment. Many have absorbed the puritanical message that reading is, first and foremost, good for you--the intellectual equivalent of eating your Brussels sprouts. For such people, indeed for all readers, Jacobs offers some simple, powerful, and much needed advice: read at whim, read what gives you delight, and do so without shame, whether it be Stephen King or the King James Version of the Bible. In contrast to the more methodical approach of Mortimer Adler's classic How to Read a Book (1940), Jacobs offers an insightful, accessible, and playfully irreverent guide for aspiring readers. Each chapter focuses on one aspect of approaching literary fiction, poetry, or nonfiction, and the book explores everything from the invention of silent reading, reading responsively, rereading, and reading on electronic devices. Invitingly written, with equal measures of wit and erudition, The Pleasures of Reading in an Age of Distraction will appeal to all readers, whether they be novices looking for direction or old hands seeking to recapture the pleasures of reading they first experienced as children.

    The text also contains 11 complete works such as Oroonoko, Jane Eyre, The Ballad of the Sad Cafe, The Awakening and Caryl Churchill's play, Top Girls.

    Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted.As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist.This volume includes a foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.

    Asking and answering some very specific questions about what goes on in her novels, he reveals the inner workings of their greatness.In twenty short chapters, each of which explores a question prompted by Austen's novels, Mullan illuminates the themes that matter most in her beloved fiction. Readers will discover when Austen's characters had their meals and what shops they went to; how vicars got good livings; and how wealth was inherited. What Matters in Jane Austen? illuminates the rituals and conventions of her fictional world in order to reveal her technical virtuosity and daring as a novelist. It uses telling passages from Austen's letters and details from her own life to explain episodes in her novels: readers will find out, for example, what novels she read, how much money she had to live on, and what she saw at the theater.Written with flair and based on a lifetime's study, What Matters in Jane Austen? will allow readers to appreciate Jane Austen's work in greater depth than ever before.

    (In fact, he says, in certain situations reading the book is the worst thing you could do). Using examples from such writers as Graham Greene, Oscar Wilde, Montaigne, and Umberto Eco, he describes the varieties of "non-reading"—from books that you've never heard of to books that you've read and forgotten—and offers advice on how to turn a sticky social situation into an occasion for creative brilliance. Practical, funny, and thought-provoking, How to Talk About Books You Haven't Read is in the end a love letter to books, offering a whole new perspective on how we read and absorb them. It's a book for book lovers everywhere to enjoy, ponder, and argue about—and perhaps even read.Pierre Bayard is a professor of French literature at the University of Paris VIII and a psychoanalyst. He is the author of Who Killed Roger Ackroyd? and of many other books. Jeffrey Mehlman is a professor of French at Boston University and the author of a number of books, including Emigré New York. He has translated works by Derrida, Lacan, Blanchot, and other authors.

    But if you’re mad enough to decide that you do, Wendig will be your gonzo-esque guide, from the technical advice about structure, query letters and submissions, to dealing with agents and editors and how to make your characters do as they’re damn well told, he’s full of good advice. Like a cursing, booze-soaked Virgil to your Dante, let him show you around.Buy this book, your editor will thank you.”-- Jenni Hill, Editor, Solaris BooksWant to become a novelist? A screenwriter? An all-around freelance penmonkey? Don’t know the difference between beats, scenes, sequences and acts? Not sure where to begin your edit, or how to query an agent, or what liquor goes best with the madness of being a writer? Then CONFESSIONS OF A FREELANCE PENMONKEY is all yours.CONFESSIONS is a collection of 50+ essays on the subject of writing and the writing life. It covers a wide array of subjects, from technical advice to discussions of publishing versus self-publishing to what to do if you wake up pantsless and ink-stained in the basement of a Tijuana bookstore. Equal parts hilarious, insane, profane, and profound, CONFESSIONS will take you through the many trials and tribulations of the penmonkey’s moonbat existence, offering advice every step of the way.Features popular TERRIBLEMINDS essays: …“Beware of Writer”…“Drop That Pen, Grab A Hammer: Building The Writer’s Platform”…”Exposing Yourself: Do You Write For Free?”…“No, Seriously, I’m Not F**king Around, You Really Don’t Want To Be A Writer”…“The Penmonkey’s Paean”… “Why Your Novel Won’t Get Published”…“Why You Won’t Finish That Novel”And more!(TERRIBLEMINDS has been named one of the top 101 websites for writers by WRITER’S DIGEST magazine!)What others have said:"Chuck Wendig has done what so many authors desperately need and will never admit: offered a phenomenal book about the real world of writing, and made it reachable and readable by anyone. An absolute must-read for anyone even thinking of dabbling with words for a living.”-- Karina Cooper, Author of Blood of the Wicked"Chuck Wendig's Confessions of a Freelance Penmonkey is full of the kind of writing advice I wish I'd gotten in school. Practical, brutally honest, and done with the kind of humor that will make it stick in your brain. Whether you're a veteran writer or new to the craft, you'll find something useful in here. Plus he says ‘f**k’ a lot, so, you know, there's that."-- Stephen Blackmoore, author of City of the Lost"In Confessions of a Freelance Penmonkey, Chuck Wendig hammers out writing and career advice that's always brave, profane, creative, clever, and honest. And don't forget hilarious. You'll never laugh so hard learning so much." -- Matt Forbeck, game designer and author of Vegas Knights“When a writer hits cynical, drunken, mother-hugging rock bottom, that's when they need Chuck Wendig's raw, no-holds barred advice. This is not for the faint of heart. But then again, neither is writing.”-- Mur Lafferty, host of ISBW (I Should Be Writing) podcast, editor of Escape Pod, author of Playing For Keeps"Despite being irreverent, vulgar, and funny, Chuck Wendig is also surprisingly profound. From one wordslinger about another, Chuck is the real deal and every prospective or working writer should read Confessions of a Freelance Penmonkey. Hell, the ‘Writer's Prayer’ alone is worth the price of admission."-- Jennifer Brozek, Author of The Little Finance Book That Could “If you want to be a better writer, or just want to be inspired by one of the best takes on writing I’ve ever read, do yourself a favor and buy Confessions.”-- Daniel Ames, author of Feasting at the Table of the Damned

    "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have insinuated themselves into our collective imagination.Here are more than twenty of Matheson's most memorable tales of fear and paranoia, including:"Duel," the nail-biting tale of man versus machines that inspired Steven Spielberg's first film;"Prey," in which a terrified woman is stalked by a malevolent Tiki doll, as chillingly captured in yet another legendary TV moment;"Blood Son," a disturbing portrait of a strange little boy who dreams of being a vampire;"Dress of White Silk," a seductively sinister tale of evil and innocence.Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, these and many other stories, more than demonstrate why he is rightfully regarded as one of the finest and most influential horror writers of our generation.

    A New Dawn gives it to them, inviting readers to join some of their favorite YA authors as they look at the series with fresh eyes and fall in love with Edward, Bella and the rest of Forks, Wash., all over again.Edited by bestselling author Ellen Hopkins, A New Dawn is packed with the same debates readers engage in with friends: Should Bella have chosen Edward or Jacob? How much control do Meyer’s vampires and werewolves really have over their own lives? The collection also goes further: Is Edward a romantic or a (really hot) sociopath? How do the Quileute werewolves compare to other Native American wolf myths? What does the Twilight series have in common with Shakespeare? With contributions from Megan McCafferty, Cassandra Clare, Rachel Caine and many more, A New Dawn answers these questions and more for a teen (and adult!) audience hungry for clever, view-changing commentary on their favorite series.

    In over 30 essays, written over 20 years, one of the world's great story-tellers meditates on story-telling. Warm, funny, generous, entertaining, and above all, deeply considered, they offer thoughts on a wide variety of topic, including the origin and composition of Philip's own stories, the craft of writing and the story-tellers who have meant the most to him. The art of story-telling is everywhere present in the essays themselves, in the instantly engaging tone, the vivid imagery and the striking phrases, the resonant anecdotes, the humour and learnedness. Together, they are greater than the sum of their parts.

    I write poetry... I believe poetry is a primal impulse within all of us. I believe we are all capable of it and furthermore that a small, often ignored corner of us positively yearns to try it. —Stephen Fry, The Ode Less Travelled Stephen Fry believes that if one can speak and read English, one can write poetry. Many of us have never been taught to read or write poetry and think of it as a mysterious and intimidating form. Or, if we have been taught, we remember uncomfortable silence when an English teacher invited the class to "respond" to a poem. In The Ode Less Travelled, Fry sets out to correct this problem by giving aspiring poets the tools and confidence they need to write poetry for pleasure. Fry is a wonderfully engaging teacher and writer of poetry himself, and he explains the various elements of poetry in simple terms, without condescension. His enjoyable exercises and witty insights introduce the concepts of Metre, Rhyme, Form, Diction, and Poetics. Aspiring poets will learn to write a sonnet, on ode, a villanelle, a ballad, and a haiku, among others. Along the way, he introduces us to poets we've heard of, but never read. The Ode Less Travelled is a lively celebration of poetry that makes even the most reluctant reader want to pick up a pencil and give it a try. BACKCOVER: Advanced Praise: “Delightfully erudite, charming and soundly pedagogical guide to poetic form… Fry has created an invaluable and highly enjoyable reference book.” —Publishers Weekly “A smart, sane and entertaining return to the basics… If you like Fry’s comic manner… this book has a lot of charm… People entirely fresh to the subject could do worse than stick with his cheerful leadership.” —The Telegraph (UK) “…intelligent and informative, a worthy enterprise well executed.” —Observer (UK) "If you learn how to write a sonnet, and Fry shows you how, you may or may not make a poem. But you will unlock the stored wisdom of the form itself." —Grey Gowrie, The Spectator (UK) “…intelligent and informative, a worthy enterprise well executed.” —Observer (UK)

    An anthology including the short story Nona by Stephen King.CONTENTS"Naples" Avram Davidson (Winner of the World Fantasy Award for Best Short Fiction)"The Little Voice" Ramsey Campbell"Butcher's Thumb" William Jon Watkins"Where All the Songs Are Sad" Thomas F. Monteleone"Splinters" R. A. Lafferty"Picture" Robert Bloch"The Nighthawk" Dennis Etchison"Dead Letters" Ramsey Campbell"A Certain Slant of Light" Raylyn Moore"Deathlove" Bill Pronzini"Mory" Michael Bishop"Where Spirits Gat Them Home" John Crowley"Nona" Stephen King

    His chilling mythology established a gateway between the known universe and an ancient dimension of otherworldly terror, whose unspeakable denizens and monstrous landscapes - dread Cthulhu, Yog-Sothoth, the Plateau of Leng, the Mountains of Madness - have earned him a permanent place in the history of the macabre.In Tales of the Cthulhu Mythos, a pantheon of horror and fantasy's finest authors pay tribute to the master of the macabre with a collection of original stories set in the fearsome Lovecraft tradition.Contents:- Iä! Iä! Cthulhu Fhtagn! (1990) by Jim Turner [as by James Turner] - The Call of Cthulhu (1928) by H.P. Lovecraft- The Return of the Sorcerer (1931) by Clark Ashton Smith- Ubbo-Sathla (1933) by Clark Ashton Smith- The Black Stone (1931) by Robert E. Howard- The Hounds of Tindalos (1929) by Frank Belknap Long- The Space-Eaters (1928) by Frank Belknap Long- The Dweller in Darkness (1944) by August Derleth- Beyond the Threshold (1941) by August Derleth- The Shambler from the Stars (1935) by Robert Bloch- The Haunter of the Dark (1936) by H.P. Lovecraft- The Shadow from the Steeple (1950) by Robert Bloch- Notebook Found in a Deserted House (1951) by Robert Bloch- The Salem Horror (1937) by Henry Kuttner- The Terror from the Depths (1976) by Fritz Leiber- Rising with Surtsey (1971) by Brian Lumley- Cold Print (1969) by Ramsey Campbell- The Return of the Lloigor (1969) by Colin Wilson- My Boat (1976) by Joanna Russ- Sticks (1974) by Karl Edward Wagner- The Freshman (1979) by Philip José Farmer- Jerusalem's Lot (1978) by Stephen King- Discovery of the Ghooric Zone (1977) by Richard A. LupoffCover illustration by John Jude Palencar

    It is literature which draws on popular culture, and engages in speculation about science, history, and all varieties of social relations. This volume brings together essays by scholars and practitioners of science fiction, which look at the genre from different angles. It examines science fiction from Thomas More to the present day; and introduces important critical approaches (including Marxism, postmodernism, feminism and queer theory).