Stripper Lessons is perhaps O'Brien's most interior and intense novel, a powerful story of one man's obsessive search to belong. Here is the dark and simple life of Carroll, a middle-aged, unmarried, friendless man whose only joy is watching beautiful women dance. Terribly shy and unable to socialize with the people around him, Carroll's fascination with the women at his favorite club is totally innocent-he finds solace in the routine, the rules, and the predictability of the action. But when his desire for a particular dancer takes him one step too far, his entire life threatens to crumble.

    The catastrophe is confined to Bellona, and most of the inhabitants have fled. But others are drawn to the devastated city, among them the Kid, a white/American Indian man who can't remember his own name. The Kid is emblematic of those who live in the new Bellona, who are the young, the poor, the mad, the violent, the outcast--the marginalized.

    JonesCold snap by Thom JonesDoe season by David Michael KaplanPatriotic by Janet KauffmanGirl by Jamaica KincaidTerritory by David LeavittThe kind of light that shines on Texas by Reginald McKnightYou're ugly, too by Lorrie MooreThe management of grief by Bharati MukherjeeMeneseteung by Alice MunroGhost girls by Joyce Carol OatesThe things they carried by Tim O'BrienThe shawl by Cynthia OzickBrokeback Mountain by Annie ProulxStrays by Mark RichardIntensive care by Lee SmithThe way we live now by Susan SontagTwo kinds by Amy TanFirst, body by Melanie Rae ThonAble, Baker, Charlie, Dog by Stephanie VaughnNineteen fifty-five by Alice WalkerFever by John Edgar WidemanTaking care by Joy Williams

    Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. I Am a Beautiful Monster is the first definitive edition in English of Picabia's writings, gathering a sizable array of Picabia's poetry and prose and, most importantly, providing a critical context for it with an extensive introduction and detailed notes by the translator. Picabia's poetry and prose is belligerent, abstract, polemical, radical, and sometimes simply baffling. For too long, Picabia's writings have been presented as raw events, rule-breaking manifestations of inspirational carpe diem. This book reveals them to be something entirely different: maddening in their resistance to meaning, full of outrageous posturing, and hiding a frail, confused, and fitful personality behind egoistic bravura. I Am a Beautiful Monster provides the texts of of Picabia's significant publications, all presented complete, many of them accompanied by their original illustrations.

    Cannonball continues in McElroy's tradition of intricately woven story lines and extreme care regarding the placement of each and every word. A novel where the sentences matter as much as the overall story.

    In the title story, a father looks back on the legend of the cherished family dog whose divided loyalties mirrored the fragmenting of his marriage. In "Christmas Party," a young man entertains dark thoughts as he watches his newly remarried ex-wife leading the life he once imagined they would share. "A Former Marine" asks, to chilling effect, if one can ever stop being a parent. And in the haunting, evocative "Veronica," a mysterious woman searching for her missing daughter may not be who she claims she is.Moving between the stark beauty of winter in upstate New York and the seductive heat of Florida, A Permanent Member of the Family charts with subtlety and precision the ebb and flow of both the families we make for ourselves and the ones we're born into, as it asks how we know the ones we love and, in turn, ourselves. One of our most acute and penetrating authors, Banks's virtuosic writing animates stories that are profoundly humane, deeply—and darkly—funny, and absolutely unforgettable.Russell Banks is one of America's most prestigious fiction writers, a past president of the International Parliament of Writers, and a member of the American Academy of Arts and Letters. His work has been translated into twenty languages and has received numerous prizes and awards, including the Commonwealth Writers' Prize. He lives in upstate New York and Miami, Florida.

    In six stories and the novella, Bounty, Saunders introduces readers to people struggling to survive in an increasingly haywire world.

    Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one. Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars.Bruno Schulz's untimely death at the hands of a Nazi stands as one of the great losses to modern literature. During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted and influential writers.

    Lehane Fiction collection Six-Book Set For a limited time get six of Dennis Lehane's books in one easy-to-order package, including Lahane's now classic Mystic River.

    For the reader uninitiated in the deadly world of her canon, this collection offers the first serious introduction to her remarkable range and psychological insight.With an introduction provided by Joan Schenkar—author of the acclaimed biography The Talented Miss Highsmith—Patricia Highsmith: Selected Novels and Short Stories continues the remarkable renaissance of this literary master. Even with her first novels, Highsmith tore at the very fabric of 1950s middle-class society, revealing the stark emotional brutality that lurked beneath the sunny facade of Eisenhower suburbia.Chosen by Joan Schenkar, the selections in this book—two iconic American novels and a trove of her most representative short stories—char the virtuosic range of Highsmith's voice, as she deftly leaps from suspense to horror, from biting social satire to deeply moving psychological drama. In Strangers on a Train (1950)—Highsmith's debut novel about the inspiration for the classic Hitchcock film—a casual conversation between acquaintances devolves into a tangled web of murder, desperation, and manipulation. This thriller provides as thorough an examination of guilt and obsession as can be found in contemporary literature. Highsmith's second novel, The Price of Salt (1952), is a seductive tale of sexual obsession that demonstrates the astounding versatility of Highsmith's insight into human nature, and has only recently begun to receive commensurate literary recognition. Written during the intensely creative period of her late twenties, The Price of Salt blends Highsmith's richly figured language with the then scandalous subject of lesbian love. The accompanying thirteen short stories demonstrate Highsmith's mastery of the short story form and reveal her to be as fine a craftsman as any American twentieth-century novelist.This volume introduces a new generation to the haunting fiction of one of our most underappreciated literary geniuses.

    Compiled by Dave Eggers and students from his San Francisco writing center, it is "both uproarious and illuminating" (Publishers Weekly).

    "The work is deeply felt...Bernstein has been there and brought it back. Bernstein is a writer." [William S. Burroughs]

    Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

    Stokes Company, February 24, 1938.

    In eight tragi-comic stories, Einstein's Beach House: Stories features ordinary men and women rising to life's extraordinary challenges.