At a glance, Kathleen looks like an unkempt, aged vagabond who tramps the roads carrying all her worldly possessions in a grubby tapestry bag. Her only friend is the mangy old dog who accompanies her; the sum of her life is in the diaries she so zealously guards. Yet close up, Rosie can see that Kathleen has a gracious beauty - the 'look' of a respectable lady of means.In hospital, fighting for her life, yet moved by Rosie's care and compassion, Kathleen entrusts the diaries to her, urging her to look at them. There, in the soft glow of the lamp, Rosie reads a heartrending tale of stolen dreams, true love, heartache and loss. A tale that, somehow, must have a happy ending . . .

    Here is their story as re-imagined by Thomas Pynchon, featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, major caffeine abuse. We follow the mismatch'd pair—one rollicking, the other depressive; one Gothic, the other pre-Romantic—from their first journey together to the Cape of Good Hope, to pre-Revolutionary America and back, through the strange yet redemptive turns of fortune in their later lives, on a grand tour of the Enlightenment's dark hemisphere, as they observe and participate in the many opportunities for insanity presented them by the Age of Reason.

    The Rajput kingdom of Mewar is at the height of its power. It is locked in war with the Sultanates of Delhi, Gujarat and Malwa. But there is another deadly battle being waged within Mewar itself. who will inherit the throne after the death of the Maharana? The course of history, not just of Mewar but of the whole of India, is about to be changed forever. At the centre of Cuckold is the narrator, heir apparent of Mewar, who questions the codes, conventions and underlying assumptions of the feudal world of which he is a part, a world in which political and personal conduct are dictated by values of courage, valour and courtesy; and death is preferable to dishonour. A quintessentially Indian story, Cuckold has an immediacy and appeal that are truely universal.

    Over the course of a single convoluted week, he threatens to execute a duck, has his nose slashed by a feminist poet, discovers that his secretary writes better fiction than he does, suspects his wife of having an affair with his dean, and finally confronts his philandering elderly father, the one-time king of American Literary Theory, at an abandoned amusement park.Such is the canvas of Richard Russo's Straight Man, a novel of surpassing wit, poignancy, and insight. As he established in his previous books -- Mohawk, The Risk Pool, and Nobody's Fool -- Russo is unique among contemporary authors for his ability to flawlessly capture the soul of the wise guy and the heart of a difficult parent. In Hank Devereaux, Russo has created a hero whose humor and identification with the absurd are mitigated only by his love for his family, friends, and, ultimately, knowledge itself.Unforgettable, compassionate, and laugh-out-loud funny, Straight Man cements Richard Russo's reputation as one of the master storytellers of our time.From the Hardcover edition.

    In the state of Kerala, on the southernmost tip of India, a skyblue Plymouth with chrome tailfins is stranded on the highway amid a Marxist workers' demonstration. Inside the car sit two-egg twins Rahel and Esthappen, and so begins their tale. . . .Armed only with the invincible innocence of children, they fashion a childhood for themselves in the shade of the wreck that is their family—their lonely, lovely mother, Ammu (who loves by night the man her children love by day), their blind grandmother, Mammachi (who plays Handel on her violin), their beloved uncle Chacko (Rhodes scholar, pickle baron, radical Marxist, bottom-pincher), their enemy, Baby Kochamma (ex-nun and incumbent grandaunt), and the ghost of an imperial entomologist's moth (with unusually dense dorsal tufts).When their English cousin, Sophie Mol, and her mother, Margaret Kochamma, arrive on a Christmas visit, Esthappen and Rahel learn that Things Can Change in a Day. That lives can twist into new, ugly shapes, even cease forever, beside their river "graygreen." With fish in it. With the sky and trees in it. And at night, the broken yellow moon in it.The brilliantly plotted story uncoils with an agonizing sense of foreboding and inevitability. Yet nothing prepares you for what lies at the heart of it.The God of Small Things takes on the Big Themes—Love. Madness. Hope. Infinite Joy. Here is a writer who dares to break the rules. To dislocate received rhythms and create the language she requires, a language that is at once classical and unprecedented. Arundhati Roy has given us a book that is anchored to anguish, but fueled by wit and magic.

    Written in what DeLillo calls "super-omniscience" the sentences sweep from young Cotter Martin as he jumps the gate to the press box, soars over the radio waves, runs out to the diamond, slides in on a fast ball, pops into the stands where J. Edgar Hoover is sitting with a drunken Jackie Gleason and a splenetic Frank Sinatra, and learns of the Soviet Union's second detonation of a nuclear bomb. It's an absolutely thrilling literary moment. When Bobby Thomson hits Branca's pitch into the outstretched hand of Cotter—the "shot heard around the world"—and Jackie Gleason pukes on Sinatra's shoes, the events of the next few decades are set in motion, all threaded together by the baseball as it passes from hand to hand."It's all falling indelibly into the past," writes DeLillo, a past that he carefully recalls and reconstructs with acute grace. Jump from Giants Stadium to the Nevada desert in 1992, where Nick Shay, who now owns the baseball, reunites with the artist Kara Sax. They had been brief and unlikely lovers 40 years before, and it is largely through the events, spinoffs, and coincidental encounters of their pasts that DeLillo filters the Cold War experience. He believes that "global events may alter how we live in the smallest ways," and as the book steps back in time to 1951, over the following 800-odd pages, we see just how those events alter lives. This reverse narrative allows the author to strip away the detritus of history and pop culture until we get to the story's pure elements: the bomb, the baseball, and the Bronx. In an epilogue as breathless and stunning as the prologue, DeLillo fast-forwards to a near future in which ruthless capitalism, the Internet, and a new, hushed faith have replaced the Cold War's blend of dread and euphoria.Through fragments and interlaced stories—including those of highway killers, artists, celebrities, conspiracists, gangsters, nuns, and sundry others—DeLillo creates a fragile web of connected experience, a communal Zeitgeist that encompasses the messy whole of five decades of American life, wonderfully distilled.

    There is Alice, the romantic but also an outcast; Lewis the priest, an irascible traditionalist; Francie, who has a desire to be loved; and Stacy, a young trainee looking for faith and direction.

    The narrator is the elderly Victor Maskell, formerly of British intelligence, for many years art expert to the Queen. Now he has been unmasked as a Russian agent and subjected to a disgrace that is almost a kind of death. But at whose instigation?As Maskell retraces his tortuous path from his recruitment at Cambridge to the airless upper regions of the establishment, we discover a figure of manifold doubleness: Irishman and Englishman; husband, father, and lover of men; betrayer and dupe. Beautifully written, filled with convincing fictional portraits of Maskell's co-conspirators, and vibrant with the mysteries of loyalty and identity, The Untouchable places John Banville in the select company of both Conrad and le Carre.Winner of the Lannan Literary Award for Fiction"Contemporary fiction gets no better than this... Banville's books teem with life and humor." - Patrick McGrath, The New York Times Book Review"Victor Maskell is one of the great characters in recent fiction... The Untouchable is the best work of art in any medium on [its] subject." -Washington Post Book World"As remarkable a literary voice as any to come out of Ireland; Joyce and Beckett notwithstanding." -San Francisco Chronicle

    A middle-aged bachelor, he has no interest in anything beyond the certificates of birth, marriage, divorce, and death, that are his daily routine. But one day, when he comes across the records of an anonymous young woman, something happens to him. Obsessed, Senhor José sets off to follow the thread that may lead him to the woman-but as he gets closer, he discovers more about her, and about himself, than he would ever have wished.The loneliness of people's lives, the effects of chance, the discovery of love-all coalesce in this extraordinary novel that displays the power and art of José Saramago in brilliant form.

    In each of these stories, Davis reveals an empathic, sometimes shattering understanding of human relationships.

    His clothing, shoes, and watch were found abandoned near a freight line track in Central California. His jockey shorts and wallet were never found. The police have no clue, and Simon's wife had no warning that anything was wrong.Ella takes off on foot across much of California and Arizona, thinking she can find Simon using nothing but her knowledge of the way he might think. Her search leads her to the Navajo Nation in Arizona, where she is helped and befriended by three Native Americans and an aged paint horse named Yozzie.Ella has serious mental health issues, and Simon, who raised her, is still the most important person in her shaky world. Only maybe it's not as unstable as it looks from the outside. Maybe inside Ella, a core of unexpected strength is emerging. Maybe Ella is even stronger than the brother who held her family's lives together for so long.

    Chamoiseau's exquisitely rendered new novel is an adventure for all time, one that fearlessly portrays the demonic cruelties of the slave trade and its human costs in vivid, sometimes hallucinatory prose. Offering a loving and mischievous tribute to the creole culture of Martinique and brilliantly translated by Linda Coverdale, this novel takes us on a unique and moving journey into the heart of Caribbean history.

    On the Hawaiian island of Molokai, life goes on for the three young Ogata children after the death of their mother and subsequent emotional withdrawal of their grief and guilt-stricken "Poppy." The eldest at 13, Ivah is now responsible for the safety and well-being of tiny Maisie, vulnerable and mute since their mother's passing; and for Blu, her uncontainable brother whose desperate need for love has made him vulnerable to the most insidious of relationships.

    Assuming the role of amateur sleuth, Leszek embarks on a clue-finding mission that takes him from country to city, into the grimy offices of once-powerful bureaucrats, and face-to-face with the Catholic Church?s pious and impotent priests. And as Leszek moves closer to the truth, he is confronted with another strange mystery: the disappearance of stones from the foundations of the town?s oldest houses. The further Leszek is drawn into this mystery, the deeper into the past he must search for answers about his people, the grim tragedy of the Holocaust, and ultimately, his own identity.In the Memory of the Forest is a haunting, evocative novel that explores the impact of a murder on a community, and of history and the fate of the Jews in Poland during World War II on a people.

    On the eve of his fortieth birthday, Gabe takes his own history in hand in an attempt to reconcile a family shattered by his betrayal of his older brother, Michael. As Gabe contends with a host of personal demons, he recounts his lifelong love for his brother's wife, Myra--whose own demons threaten to overwhelm all three of them.

    Sparrow's dream is the World Lightweight Championship. But when he finally has it in his grasp he can't deliver the finishing punch. Sparrow's life falls apart, and fifteen years later he's a bum, a loser. Then something happens that convinces him that there are still things worth fighting for ...

    Now an all-new collection brings together three of her bestselling works: Snow in April; Wild Mountain Thyme; and Flowers in the Rain and Other Stories. These three titles have combined sales of over two million which makes this dramatically-charged, hardcover volume a sure bet winning fans everywhere. 624 pages.

    As the year passed and the children grew into their silent and difficult world, this palace became known as the Gang Mahal, or Dumb House. In his first novel, John Burnside explores the possibilities inherent in a modern-day repetition of Akbar`s investigations. Following the death of his mother, the unnamed narrator creates a twisted varient of the Dumb House, finally using his own children as subjects in a bizarre experiment. When the children develop a musical language of their own, however, their gaoler is the one who is excluded, and he extracts an appalling revenge.

    In "Miserere," a widowed librarian with an unspeakable secret undertakes an unusual and grisly role in the anti-abortion crusade. "Under the Pitons" is the harrowing story of a reluctant participant in a drug-running scheme and the grim and unexpected consequences of his involvement. The title story is a riveting account of the tangled lines that weave together the relationship of a father and his grown daughter.

    Comfort Woman is the story of Akiko, a Korean refugee of World War II, and Beccah, her daughter by an American missionary. The two women are living on the edge of society--and sanity--in Honolulu, plagued by Akiko's periodic encounters with the spirits of the dead, and by Beccah's struggles to reclaim her mother from her past. Slowly and painfully Akiko reveals her tragic story and the horrifying years she was forced to serve as a comfort woman to Japanese soldiers. As Beccah uncovers these truths, she discovers her own strength and the secret of the powers she herself possessed--the precious gifts her mother has given her.A San Francisco Chronicle bestseller In 1995, Nora Okja Keller received the Pushcart Prize for Mother Tongue, a piece that is part of Comfort Woman.

    On the Road with the Archangel is sure to continue this tradition with its powerful blend of humor, artistry, and insight into the nature of the human and the divine. Inspired by events in the apocryphal Book of Tobit, from the second century B.C., this is the magical tale of two families brought together, as no mere coincidence, by the devilishly clever archangel Raphael. One is the family of Tobit, a virtuous man who can no longer support his wife and son because of Raguel, the quiet, devoted father of Sarah whose pact with the demon Asmodeus has left her life in tragic shambles.Assuming human form, Raphael appears before Tabias, Tobit's devoted son, to help him retrieve his father's fortune hidden in a faraway city. Together, they embark on a miraculous journey in search of the answers to both families' prayers--a journey that is made challenging and delightful by Rapheal's artful efficiency.On the Road with the Archangel is a masterful combination of fluid writing, lyrical storytelling, and ancient truth blended with modern wisdom. And beneath it all lies a subtle, glowing meditation on the nature of the Holy.Hailed as "one of our most original storytellers" (USA Today), Pulitzer Prize-nominated author Frederick Buechner has written an extraordinary new novel that shines with the mystery and wonder of the divine. Drawn from the ancient apocryphal Book of Tobit, On the Road with the Archangel unravels the tale of a eccentric blind father and his somewhat bumbling song who journeys to seek his family's lost treasure. Narrated by the wry and resourceful archangel Raphael, Buencher's tale is a pure delight, alive with vivid characters, delightful adventures and wondrous revelations.

    It has a double narrative, part of which describes their childhood and shows the impact of the political changes and the violence of the late-1960s upon the people of Ulster, as the wholeness and coherence of early childhood gradually break down.

    Cross keeps a tally of residents' deaths, and Mrs. Bellamy decides she can't take it any more and slits her throat. Meanwhile, two newcomers also cause disturbance, as hidden pasts, unusual sexual preferences, and wickedly dark humor are mixed to delicious effect.

    "It's a great place to live, they say, if you like surprises: it's just like life, only different." Certainly a number of Rito's inhabitants--fewer than a hundred in all--are surprised to be living here. Red Ray, for instance, a wildly alcoholic lawyer who bought a dilapidated Victorian mansion in an attempt to rehabilitate his marriage and regain the affections of his wife and young son. After destroying those hopes with a spectacular final binge, Red established a drunk farm, Round Rock, on the ruins. There, one day at a time, he follows his new, unexpected calling.Many months after her husband decamped (almost immediately) for Los Angeles, Libby Daw still lives alone in their trailer, and finds herself even more rooted to the valley she dreams of escaping.And there's Lewis Fletcher, a sometime graduate student whose keen intelligence is sorely tested by his erratic behavior and current predicament. Without exactly knowing why, and entirely against his wishes--or by default and sheer good luck--he finds himself placed in Ray's care at Round Rock.As these people seek out or maintain their various niches in the valley, the peculiar history of the place asserts itself. An heiress descended from the original settlers, Billie Fitzgerald still acts as though she owns it all; devoted to her father and son, she obscures her mercurial emotions from even her closest friends. The past also returns with David Ibañez, whose family had harvested the groves for generations--and whose talents and secrets (and thus, he discovers, his future) are inextricably bound to the complex, close-knit town he thought he had left behind.With insight matched with artistry, Michelle Huneven traces the emerging destinies of these characters as each of them struggles for peace and equilibrium, even happiness and love, against hapless, all-too-human frailty and circumstance. A vivid evocation of landscape and community, Round Rock derives great power from psychological subtlety, and from affection for and profound understanding of lives strained or broken but on the mend. Fresh, remarkably mature, and constantly surprising, this astonishing debut wins both your trust and your heart.From the Hardcover edition.

    Be it a mysteriously misaddressed love letter or a girl's careless delivery of two helpless relatives into Nazi hands, the town's balance is ever tested, and ever tender. Here is a novel spanning eighty years -- years that bring factories and wars, store-bought cheese and city-trained teachers -- weaving the fates of the wives, mothers, and daughters in this remote corner of Austria. To quote Rosellen Brown, "the women in this haunting book are deeply and uniquely of their place, yet they speak (often wordlessly) of women's longings and satisfactions everywhere."

    Jonathan Lethem mined similar territory earlier this year in his delightful book, As She Climbed Across the Table, and now Winterson enters the lists with not one, but two physicists populating the pages of her equally wonderful book, Gut Symmetries. If you think about it, physics does make a good metaphor for love, encompassing as it does the principles of attraction, the exchange of energy, and unification. At the center of this meditation on "the intelligence of the universe" and "the stupidity of humankind" are Jove, a married physicist; Alice, a single physicist who becomes his mistress; and Stella, Jove's wife and later, Alice's lover. They meet on the QE2 and from there the three participants in the story take turns telling their versions of it. Gut Symmetries is a collage of memories, snippets of scientific theory, meditations on abstract concepts like truth, and the events surrounding Jove, Alice, and Stella's affair. This is a book that demands your attention, jumping as it does from one seemingly tangential topic to another; but whereas physics still seeks a grand unification theory (GUT) to explain how everything in the universe fits together, Winterson actually finds one of her own in this satisfyingly complete fictional world.

    At the center of the stories is Denny Ring, a young man nobody quite knows. Other characters include John Corey, a contractor who renovates old houses in New Haven, Connecticut; his younger brother Eugene, a volunteer at a soup kitchen; and his older brother Cameron, who is a lawyer specializing in obnoxious law. Johns assistant, Tom, is in love with his former English teacher, Ida Feldman, and Charlotte LoPresti, a social worker who interviews the Corey brothers and their aged father, is friends with Pam Shepherd, a social worker whos in charge of the house for psychiatric patients that John and Tom are renovating.

    The wife is released like a loose cannon into the lives of her three daughters, and chaos ensues.

    Radically original and surprising, comic and sensuous, Davenport's virtuoso talent charms us into a world both familiar and strange. Whether in the timelessness of deep woods or fleeing the bloody dreamscape of battle, Davenport's characters embody life's contradictions.

    It faces the problem of a hippy family in its midst and its gravest threat yet from a developer who has the potential to corrupt the values of the long-established farmers.

    Ella’s growing consciousness begins to shake the foundations of her life, and she comes to the realization that she is irrevocably changed—and that to be true to herself, she must make painful choices.First published in 1972, Ella Price's Journal is a deeply authentic literary rendering of a woman’s struggle to give voice to what Betty Friedan in The Feminine Mystique called “the problem that has no name,” and a novel that affirms the possibility of growth toward a richly intense and authentic life at any age.

    But changes, like the arrival of a new rector and a new doctor, William's unhappiness at his return to his job and the difficulty of coping with a new resident in their house, continue to challenge them.

    Then she is told that her father has hanged himself. His death brings back intense memories of her childhood and all that remains unspoken in her family. Zelda hides much from her mother, even the lover she would give anything to keep. With questions she can no longer ignore, Zelda for the first time begins to search for her father's truth and pieces together clues to his suffering. And by confronting her dark and disturbing memories, she opens up to intimacy with her family, with her lover, with herself.

    

    S. Merwin, Louis Simpson, Mark Strand, Jean Valentine, Richard Wilbur, and James Wright. Selected by Books for College Libraries (1988).

    The more we discover, the more incredible her sainthood seems. Who was Saint Josephine? Craven nun or fearless miracle worker? Pious role model or seductress? Illuminating Saint Josephine's story are the equally fantastical stories of eleven actual female saints: mad one-armed girls, beauties locked in towers, mothers who encourage their daughters' fatal anorexia, ingenues who seduce and dismember their fathers. Together the stories expose the historical conflict between female sexuality and religion, the roots of female roles in the church, and the troubled love between fathers and daughters. In original exploration of love, faith, and desire, Impossible Saints is a funny, disturbing, and utterly compelling novel about modern women who came before their time.

    One is arrogant, one is destructive and one is the beautiful catalyst that will begin the end. As they move ever closer, the destiny that began with their births accelerates. It will blow their lives apart.