. . In a quest for a simpler life, Helen and Nate have abandoned the comforts of suburbia to take up residence on forty-four acres of rural land where they will begin the ultimate, aspirational do-it-yourself project: building the house of their dreams. When they discover that this beautiful property has a dark and violent past, Helen, a former history teacher, becomes consumed by the local legend of Hattie Breckenridge, a woman who lived and died there a century ago. With her passion for artifacts, Helen finds special materials to incorporate into the house--a beam from an old schoolroom, bricks from a mill, a mantel from a farmhouse--objects that draw her deeper into the story of Hattie and her descendants, three generations of Breckenridge women, each of whom died suspiciously. As the building project progresses, the house will become a place of menace and unfinished business: a new home, now haunted, that beckons its owners and their neighbors toward unimaginable danger.

    Three dead women watch from the shadows, bound to protect her from harm. But in the woods a gunman waits, convinced that Eden is destined to follow her wicked great-grandfather--an African magician with the power to curse the living and raise the dead.Now Eden must decipher the secret of the ghostly trio before a new enemy more dangerous than the fanatical assassin destroys what is left of her family. She will sift through lies in a Georgian ante-bellum mansion and climb through the haunted ruins of a 19th century hospital, desperately seeking the truth that will save her beloved aunt from the curse that threatens her life.

    . . When New York journalist and recently bereaved mother Charlotte “Charlie” Cates begins to experience vivid dreams about children she’s sure that she’s lost her mind. Yet these are not the nightmares of a grieving parent, she soon realizes. They are messages and warnings that will help Charlie and the children she sees, if only she can make sense of them.After a little boy in a boat appears in Charlie’s dreams asking for her help, Charlie finds herself entangled in a thirty-year-old missing-child case that has never ceased to haunt Louisiana’s prestigious Deveau family. Armed with an invitation to Evangeline, the family’s sprawling estate, Charlie heads south, where new friendships and an unlikely romance bring healing. But as she uncovers long-buried secrets of love, money, betrayal, and murder, the facts begin to implicate those she most wants to trust—and her visions reveal an evil closer than she could’ve imagined.A Southern Gothic mystery debut that combines literary suspense and romance with a mystical twist, The Gates of Evangeline is a story that readers of Gillian Flynn, Kate Atkinson, and Alice Sebold won't be able to put down.

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    Now, with his brilliant portrait of Luce, a young woman who inherits her murdered sister's troubled twins, Frazier has created his most memorable heroine.Before the children, Luce was content with the reimbursements of the rich Appalachian landscape, choosing to live apart from the small community around her. But the coming of the children changes everything, cracking open her solitary life in difficult, hopeful, dangerous ways.Charles Frazier is known for his historical literary odysseys, and for making figures in the past come vividly to life. Set in the twentieth century, Nightwoods resonates with the timelessness of a great work of art.

    Myer, the county's aged, sardonic lawman, still thinks it can prove itself -- when confronted by a strange family of drifters, the sheriff believes that the people of Red Bluff can be accepting, rational, even good.The opposite is true: this is a landscape of fear and ghosts - of regret and violence - transformed by the kudzu vines that have enveloped the hills around it, swallowing homes, cars, rivers, and hiding a terrible secret deeper still.Colburn, a junkyard sculptor who's returned to Red Bluff, knows this pain all too well, though he too is willing to hope for more when he meets and falls in love with Celia, the local bar owner. The Deep South gives these noble, broken, and driven folks the gift of human connection while bestowing upon them the crippling weight of generations. With broken histories and vagabond hearts, the townsfolk wrestle with the evil in the woods - and the wickedness that lurks in each and every one of us.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    From the story about a beautiful young woman who shows up thirsty in the bathtub of the Frangipani Hotel in Saigon many years after her first sighting there, to a young woman in Houston who befriends an old Vietnamese man she discovers naked behind a dumpster, to a truck driver asked to drive a young man with an unnamed ailment home to die, to the story of two American sisters sent to Vietnam to visit their elderly grandmother who is not what she appears to be, these stories blend the old world with the new while providing a new angle of insight into the after-effects of the war on a generation of displaced Vietnamese immigrants as well as those who remained in Vietnam.

    Now, with The Ghost Orchid, a narrative that seamlessly weaves together the past and the present, Goodman creates her most lyrical and haunting work to date. For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Cradled in silence, inspired by the rough beauty of overgrown gardens and crumbling statuary, these chosen few fashion masterworks–and have cemented Bosco’s reputation as a premier artists’ colony. This season, five talented artists-in-residence find themselves drawn to the history of Bosco, from the extensive network of fountains that were once its centerpiece but have long since run dry to the story of its enigmatic founder, Aurora Latham, and the series of tragic events that occurred more than a century ago.Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple’s children, lost the winter before in a diphtheria epidemic. But when a séance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams’ only surviving child. The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she’s not alone: biographer Bethesda Graham uncovers stunning revelations about Milo and Corinth; landscape architect David Fox discovers a series of hidden tunnels underneath the gardens; poet Zalman Bronsky hears the long-dry fountain’s waters beckoning him; and novelist Nat Loomis feels something lingering just out of reach.After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.From the Hardcover edition.

    As a gift for her husband, Alyssa Bradford approaches Eric Shaw to make a documentary about her father-in-law, Campbell Bradford, a 95-year-old billionaire whose past is wrapped in mystery. Eric grabs the job even though there are few clues to the man's past -- just the name of his hometown and an antique water bottle he's kept his entire life. In Bradford's hometown, Eric discovers an extraordinary history -- a glorious domed hotel where movie stars, presidents, athletes, and mobsters once mingled, and hot springs whose miraculous mineral water cured everything from insomnia to malaria. Neglected for years, the resort has been restored to its former grandeur just in time for Eric's stay. Just hours after his arrival, Eric experiences a frighteningly vivid vision. As the days pass, the frequency and intensity of his hallucinations increase and draw Eric deeper into the town's dark history. He discovers that something besides the hotel has been restored -- a long-forgotten evil that will stop at nothing to regain its lost glory. Brilliantly imagined and terrifyingly real, So Cold the River is a tale of irresistible suspense with a racing, unstoppable current.

    One night in Waterloo, Iowa, with young policeman Virgil Holt watching from the audience, she swaps her trademark saw for a fire ax. Is it a new version of the illusion, or an all-too-real murder? When Arden’s husband is found lifeless beneath the stage later that night, the answer seems clear.But when Virgil happens upon the fleeing magician and takes her into custody, she has a very different story to tell. Even handcuffed and alone, Arden is far from powerless—and what she reveals is as unbelievable as it is spellbinding. Over the course of one eerie night, Virgil must decide whether to turn Arden in or set her free… and it will take all he has to see through the smoke and mirrors.

    Once, a family disappeared there. And now Constance Langton has inherited this dark place as well as the mysteries surrounding it. Having grown up in a house marked by the death of her sister, Constance is no stranger to mystery, secrets, and the dark magic around us. Her father was distant. Her mother was in perpetual mourning for her lost child. In a desperate attempt to coax her mother back to health, Constance took her to a seance hoping she would find supernatural comfort. But tragic consequences followed, leaving her alone in the world-- alone with Wraxford Hall. Saddled with this questionable bequest, she must find the truth at the heart of all these disappearances, apparitions, betrayal, blackmail, and villainy, even if it costs her life. John Harwood's second novel delivers on the great promise proven by his first with this gripping mystery set in the heart of Victorian England.

     In the winter of 1928, still seeking some kind of resolution to the horrors of World War I, Freddie is traveling through the beautiful but forbidding French Pyrenees. During a snowstorm, his car spins off the mountain road. Dazed, he stumbles through the woods, emerging in a tiny village, where he finds an inn to wait out the blizzard. There he meets Fabrissa, a lovely young woman also mourning a lost generation. Over the course of one night, Fabrissa and Freddie share their stories. By the time dawn breaks, Freddie will have unearthed a tragic, centuries-old mystery, and discovered his own role in the life of this remote town.

    When a grandfather she never knew bequeaths her a house and 60 acres of land in Sweetwater, Tenn., a restless young artist leaves New York to recover her past and rethink her future. Cassie Simon's mother Ellen died when Cassie was only three; raised in Boston by her grieving father, she never knew her maternal relatives. Unprepared for the thick veil of mystery that surrounds them, Cassie is especially bewildered by her brusque grandmother, whom rumor credits with hiding a terrible secret about Ellen's death. In alternating sections told from their respective points of view, Cassie and her grandmother fight their separate battles to cope with the truth about the tragedy. Kline perfectly renders each woman's voice: Cassie's, probing and often uncertain, propels the narrative and creates an appropriate level of psychological suspense; the grandmother's quavers with the weight of memory as Cassie's search forces her beyond family myth to a painful and perhaps dangerous truth. The result is a powerful, immensely readable tale of loyalty and betrayal, family and memory, made fresh by Kline's often beautiful and always lucid prose.

    Alistair Gellis—rich, handsome, scarred by World War I, and obsessed with ghosts—has been summoned to investigate the spirit of nineteen-year-old maid Maddy Clare, who is haunting the barn where she committed suicide. Since Maddy hated men in life, it is Sarah's task to confront her in death. Soon Sarah is caught up in a deperate struggle. For Maddy's ghost is real, she's angry, and she has powers that defy all reason. Can Sarah and Alistair's assistant, the rough, unsettling Matthew Ryder, discover who Maddy was, where she came from, and what is driving her desire for vengeance—before she destroys them all?