Her entire life turned upside down as a series of strange dreams launched her on a quest that would forever consume her heart, mind and soul.This 25th anniversary edition contains a new afterword by a Western friend of Bilquis and a new appendix on how the East enriches the West.

    She tells her story of spiritual exhaustion, her journey alone into the wilderness for three days, and the renewal she was blessed to experience. Now with reflection guide for reading groups.

    Winner chose to become an Orthodox Jew. But even as she was observing Sabbath rituals and studying Jewish law, Lauren was increasingly drawn to Christianity. Courageously leaving what she loved, she eventually converted. In Girl Meets God, this appealing woman takes us through a year in her Christian life as she attempts to reconcile both sides of her religious identity.Here readers will find a new literary voice: a spiritual seeker who is both an unconventional thinker and a devoted Christian. The twists and turns of Winner’s journey make her the perfect guide to exploring true faith in today’s complicated world.

    When Communist China invaded Tibet in 1950, it embarked on a program of “reform” that would eventually affect all of Tibet’s citizens and nearly decimate its ancient culture. In 1967, the Chinese destroyed monasteries across Tibet and forced thousands of monks into labor camps and prisons. Gyatso spent the next 25 years of his life enduring interrogation and torture simply for the strength of his beliefs. Palden Gyatso’s story bears witness to the resilience of the human spirit, and to the strength of Tibet’s proud civilization, faced with cultural genocide.

    In 1971, at age twenty-five, Galdikas left the placid world of American academia for the remote jungles of Indonesian Borneo. Living with her husband in a primitive camp, she became surrogate mother to a "family" of ex-captive orangutans - and gradually adjusted to the blood-sucking leeches, swarms of carnivorous insects, and constant humidity that rotted her belongings in the first year. Her first son spent the early years of his life at Camp Leakey with adopted orangutans as his only playmates. The wild orangutans Galdikas studied and the ex-captives she rehabilitated became an extended family of characters no less vivid than her human companions. Throatpouch, a huge and irritable grouch, fought off rivals for the right to claim adolescent Priscilla as his mate. Handsome Cara at first tried to rid the forest of its human intruder by hurling dead branches at Galdikas from the canopy above. Little Sugito, rescued from a cramped cage and returned to the jungle claimed Galdikas as his mother and clung to her fiercely, night and day, for months. A groundbreaking chronicler of the orangutans' life cycle, Galdikas also describes the threats that increasingly menace them: the battles with poachers and loggers, the illicit trade in infant orangutans, the frustrations of official bureaucracy. Her story is a rare combination of personal epiphany, crucial scientific discovery, and international impact - a life of human and environmental challenge. Reflections of Eden is the third act of a drama that has captivated the world: the story of a pioneering primatologist, a world leader in conservation, and a remarkable woman.

    I’ve triedto listen to it, and follow it, and trust it.It’s been devastating at times, intoxicatingat others, heartbreaking and maddeningand euphoric——how do you make senseof this experience we’re having here onthis ball of rock hurtling through spaceat 67,000 miles an hour?There are big questions: Everythingis made of particles and atoms, and theuniverse has been expanding for thirteenbillion years?And then there are those other questions, about the people and places andevents that have shaped us.HOWEVER MASSIVE ANDCOSMIC IT ALL IS, IT’S ALSOREALLY, REALLY PERSONAL.AND SPIRITUAL.THAT’S THE WORD FOR IT.That’s the sense I’ve been followingfor a while now——this awareness thatthere’s something bigger happening inthe depth and complexity and struggleof life, something that connects us all,reminding us that it all matters and it’sall headed somewhere.Part memoir, part confession, partextended riff on the endlessly evolvingnature of reality, Everything Is Spiritualis an invitation to see what you’ve beena part of this whole time.

    Humans looking for wholeness, looking for Jesus.Painting beauty where it seems none exists, Midnight Jesus helps readers transcend their own struggles, showing how truth can come from the strangest places. They will meet people like• Skeeter and Wookie, two homeless guys who show that community happens wherever there is shared need and a willingness to give• Pastor Ponder who holds an altar call after his sermon at the psych ward and says it's the best church service he’s ever had• Kat, the tattooed hairdresser who dreams about Jesus and longs for spiritual connection, who shows that you can’t judge a book by its cover• Jesus, who makes an invisible cameo in every storyAs Blaine writes, “I am one wrecked and dirty treasure, but God still decides I am worth the effort to save.” Jamie Blaine is the kind of writer whose view of the commonplace transforms life into the transcendent.

    Scholastica monastery in Atchison, Kansas. The Benedictine sisters who invited Valente presented her with a view of monastic life and wisdom that brought spiritual healing to her fast-paced life--and promises to do the same for her readers. The first time Judith Valente arrived at Mount St. Scholastica monastery, she came prepared to teach a course on poetry and the soul. Instead, she found herself the student, taking lessons from the Benedictine sisters in the healing nature of silence, how to cultivate habits of mindful living, and the freeing reality that conversion is a lifelong process. With the heart of a poet and the eye of a journalist, she tells how her many visits and interviews with the Benedictine sisters forced her to confront aspects of her own life that needed healing--a journey that will invite readers to healing of their own. A beautiful and heartfelt work that crosses The Cloister Walk with Tuesdays with Morrie, Atchison Blue will resonate with readers of Thomas Merton, Henri Nouwen, Mary Gordon, and Anne Lamott.

    With nutritional anthropology at its core, Dancing Skeletons presents informal, engaging, and oftentimes dramatic stories that relate the author's experiences conducting research on infant feeding and health in Mali.Through fascinating vignettes and honest, vivid descriptions, Dettwyler explores such diverse topics as ethnocentrism, culture shock, population control, breastfeeding, child care, the meaning of disability and child death in different cultures, female circumcision, women's roles in patrilineal societies, the dangers of fieldwork, and facing emotionally draining realities. Readers will laugh and cry as they meet the author's friends and informants, follow her through a series of encounters with both peri-urban and rural Bambara culture, and struggle with her as she attempts to reconcile her very different roles as objective ethnographer, subjective friend, and mother in the field.

    Such a man was John Lathrop, a minister in the King's church, who, at the peril of his life, fought for religious freedom. This is the astounding biographical account of Lathrop's struggle and his ultimate exile to America. Winner of the National Freedom's Foundation Award

    His theories, which the French press has termed "l'hypothèse girardienne," have sparked interdisciplinary, even international, controversy. In The Scapegoat, Girard applies his approach to "texts of persecution," documents that recount phenomena of collective violence from the standpoint of the persecutor--documents such as the medieval poet Guillaume de Machaut's Judgement of the King of Navarre, which blames the Jews for the Black Death and describes their mass murder.Girard compares persecution texts with myths, most notably with the myth of Oedipus, and finds strikingly similar themes and structures. Could myths regularly conceal texts of persecution? Girard's answers lies in a study of the Christian Passion, which represents the same central event, the same collective violence, found in all mythology, but which is read from the point of view of the innocent victim. The Passion text provides the model interpretation that has enabled Western culture to demystify its own violence--a demystification Girard now extends to mythology.Underlying Girard's daring textual hypothesis is a powerful theory of history and culture. Christ's rejection of all guilt breaks the mythic cycle of violence and the sacred. The scapegoat becomes the Lamb of God; "the foolish genesis of blood-stained idols and the false gods of superstition, politics, and ideologies" are revealed.

    And in her new book, Help, Thanks, Wow, she has coalesced everything she knows about prayer to these fundamentals.It is these three prayers – asking for assistance from a higher power, appreciating what we have that is good, and feeling awe at the world around us – that can get us through the day and can show us the way forward. In Help, Thanks, Wow, Lamott recounts how she came to these insights, explains what they mean to her and how they have helped, and explores how others have embraced these same ideas.

    In this brief yet profound meditation on the meaning of the Seventh Day, Heschel introduced the idea of an "architecture of holiness" that appears not in space but in time. Judaism, he argues, is a religion of time: it finds meaning not in space and the material things that fill it but in time and the eternity that imbues it, so that "the Sabbaths are our great cathedrals."

    A beach body by summer. A trip to Disneyland around the corner. A promotion on the horizon. Everyone wants to believe that they are headed toward good, better, best. But what happens when the life you hoped for is put on hold indefinitely?Kate Bowler believed that life was a series of unlimited choices, until she discovered, at age 35, that her body was wracked with cancer. In No Cure for Being Human, she searches for a way forward as she mines the wisdom (and absurdity) of today's "best life now" advice industry, which insists on exhausting positivity and on trying to convince us that we can out-eat, out-learn, and out-perform our humanness. We are, she finds, as fragile as the day we were born.With dry wit and unflinching honesty, Kate Bowler grapples with her diagnosis, her ambition, and her faith as she tries to come to terms with her limitations in a culture that says anything is possible. She finds that we need one another if we're going to tell the truth: Life is beautiful and terrible, full of hope and despair and everything in between--and there's no cure for being human.

    16 line drawings.