To read the words therein is to release a hideously unspeakable force...Rigorously made on an almost absent budget in the backwoods of Tennessee, the film was a phenomenal success--the true definition of "cult film"--launching the careers of its director, Sam Raimi; producer, Bob Tapert; and star, Bruce Campbell. It also spawned two deliriously different and wildly inventive sequels, The Evil Dead II: Dead By Dawn, and Army of Darkness, which have won over legions of fright fans around the globe. At last, acclaimed film critic Bill Warren takes us on a no-holds-barred behind-the-scenes tour of the making of the three films, including exclusive interviews with key cast and crew; rare and previously unpublished photographs, story-boards, and concept sketches; harrowing tales of hardship, discomfort, and practical jokes; and much more. Enough to keep any puss-oozing deadite drooling through the night.

    Cunningham, Robert Englund, Adrienne King, Betsy Palmer and Tom Savini- iconography, including Jason, the hockey mask, and a body count in the hundreds

    For the first time in 25 years, the cast and crew of all five films in this franchise reveal the stories behind the movies, offering their own opinions and details about life on the sets of some of the most fraught productions in cinema history. Supported by dozens of cast and crew members, The Complete History of the Return of the Living Dead features hundreds of previously unreleased behind-the-scenes photographs and exclusive artwork. This eye-catching, comprehensive book is the ultimate celebration of The Return of the Living Dead franchise and all those who contributed to its creation.

    This time, Muir surveys 300 films from the 1980s. From backwards psychos (Just Before Dawn) and yuppie-baiting giant rats (Of Unknown Origin), to horror franchises like Friday the 13th and Hellraiser, as well as nearly forgotten obscurities such as The Children and The Boogens, Muir is our informative guide through 10 macabre years of silver screen terrors. Muir introduces the scope of the decade's horrors, and offers a history drawing parallels between current events and the nightmares unfolding on cinema screens. Each of the 300 films is discussed with detailed credits, a brief synopsis, a critical commentary, and where applicable, notes on the film's legacy beyond the 80s. Also included is the author's ranking of the 15 best horror films of the 80s.

    Alien.This exciting book takes you right behind the scenes of Alien and talks to the key people involved, including H. R Giger and director Ridley Scott. It shows every creative stage, through designs and sketches, models and costumes, that went into such a unique vision of the future, and graphically demonstrates why the movie won an Oscar for its visual effects.

    Covering hundreds of movies from America, Europe and Asia, this history chronicles the zombie's on-screen evolution from Caribbean bogeyman to flesh-eating corpse.

    Working closely with Fangoria’s experts, including Editor in Chief Anthony Timpone, Adam Lukeman has compiled a must-have guide for casual horror fans and hardcore horror junkies with Fangoria’s 101 Best Horror Films You’ve Never Seen. With a brief synopsis for each of the included films, lists of cast and crew, “Terror Trivia,” and little-known facts about these lesser-known but must-see gems, Fangoria’s 101 Best Horror Films You’ve Never Seen offers a feast of gruesome information. Featured here are flicks that were dumped by their distributors or were initially flops, like Cherry Falls, Manhunter, and Pumpkinhead, foreign winners such as Cronos, The Vanishing, and Funny Games, and straight-to-video sleepers waiting to be discovered, including Shadowbuilder, Jack Be Nimble, and Nomads. There are even surprise entries directed by industry giants—movies like George A. Romero’s Day of the Dead, Brian De Palma’s Sisters, or Dario Argento’s Opera—that are frequently overshadowed by the filmmakers’ other, better-known works but are worthy of further examination. Entertaining and informative, Fangoria’s 101 Best Horror Movies You’ve Never Seen offers more than a hundred reasons to look beyond the often ho-hum Hollywood hype fests . . . when you’re really in the mood to feel your flesh crawl.From the Trade Paperback edition.

    One of the most prolific and popular authors in the world, Stephen King has become part of pop culture history. But who is the man behind those tales of horror, grief, and the supernatural? Where do these ideas come from? And what drives him to keep writing at a breakneck pace after a thirty year career? In this unauthorized biography, Lisa Rogak reveals the troubled background and lifelong fears that inspire one of the twentieth century's most influential authors.

    Broccoli’s Eon Productions has navigated the ups and downs of the volatile British film industry, enduring both critical wrath and acclaim in equal measure for its now legendary James Bond series. Latterly, this family-run business has been crowned with box office gold and recognized by motion picture academies around the world. However, it has not always been smooth sailing. Changing tax regimes forced 007 to relocate to France and Mexico; changing fashions and politics led to box office disappointments; and changing studio regimes and business disputes all but killed the franchise while the rise of competing action heroes displaced Bond’s place in popular culture. But against all odds the filmmakers continue to wring new life from the series, and 2012’s Skyfall saw both huge critical and commercial success, crowning 007 as the undisputed king of the action genre. Some Kind of Hero recounts this remarkable story, from its origins in the early 1960s right through to the present day, and draws on hundreds of unpublished interviews with the cast and crew of this iconic series.

    Romero's classic 1968 film, Night of the Living Dead, launched a new era of gut-munching mayhem, relentelessly terrorizing the hearts of moviegoers and launching the zombie movie phenomenon. Screenwriter John A. Russo turned the flesh-eating frenzy into two horrific, blood-drenched novels. . . Night Of The Living Dead A cemetery in rural Pennsylvania. A brother and sister putting flowers on their father's grave. A strange figure shambling toward them--eyes dead and teeth gnashing. So begins a night of endless terror that would live on in infamy. Seven strangers locked inside a small farmhouse fight off an army of walking corpses. Who will survive? And who will have their flesh devoured. . .? Return Of The Living Dead Not long after the first zombie outbreak, a bus crashes in a small American town. Local churchgoers rush to the scene to save the living--and destroy the dead. But they're too late. A terrifying new plague of undead has been unleashed. A new horde of victims has been infected. And this time, they are ravenous. . . Two great, gruesome zombie thrillers in one volume! John Russo wants everyone to know he's a really nice guy even though he loves to scare people. He started it by co-scripting the 1968 horror classic Night of the Living Dead, one of the greatest fright flicks of all time, ranked #18 on the Internet Movie Database's top 100 Scariest Movies. (In a fine example of showmanship and multi-tasking, Russo also played a zombie in the film.) He also wrote the screenplays and/or stories for Midnight, Santa Claws, The Majorettes, Return of the Living Dead, Bloodsisters, and Inhuman. Mr. Russo has authored fifteen terror-suspense novels, including Living Things, The Awakening, Voodoo Dawn, and Inhuman. His nonfiction books, Scare Tactics and Making Movies are considered bibles of independent filmmaking by film students and horror fans. Those who are not faint of heart will enjoy digging into this presentation of Night of the Living Dead and the original stark-and-dark version of Return of the Living Dead. Look for John Russo's upcoming cinematic shockfest Escape of the Living Dead, which is now in preproduction for a 2011 release. Mr. Russo resides in a suburb of Pittsburgh, PA. To his knowledge, none of his neighbors are zombies, though "there is that one guy around the corner who is rumored to have devoured the mailman a few years ago." "Truly harrowing." --Roger Ebert, Chicago Sun-Times

    From classic Hollywood masterpieces like M (1931) to the recent “torture porn” craze with flicks like the Saw franchise, this collection gives a master’s overview of the genre.

    Made specifically for the small screen, within the tight constraints of broadcasting standards, what these humble movies lacked in budget and star appeal, they made up for in other ways. Often they served as an introduction to genre films, particularly horror, mirroring their theatrical counterparts with a focus on sinister cults, women in prison, haunted houses and even animals in revolt. They were also a place to address serious contemporary issues - drugs, prostitution, sexual violence and justice -albeit in a cosy domestic environment. Production of telefilms continues to this day, but their significance within the history of mass media remains under-discussed. Are You in the House Alone? seeks to address this imbalance in a series of reviews and essays by fans and critics. It looks at many of the films, the networks and names behind them, and also specific genres - everything from Stephen King adaptations to superheroes to true-life dramas. So, kickback and crack open the TV guide once more for the event that is the Movie of the Week!

    The guide includes all the icons, from Boris Karloff to Wes Craven and Frankenstein to Freddie Kruger, including classics from Argentina, Pakistan, South Africa and the recent chillers from East Asia. The canon of fifty essential horror movies features The Cabinet of Dr Caligari and Switchblade Romance, via Psycho and The Exorcist. Everything you need to know is covered from festivals, adaptations, magazines and merchandise. The guide tells the stories behind the movies that have scared us throughout the twentieth century.

    Includes the Academy Award winning screenplay. The original controversial ending of the novel. Many exclusive photos never published before.

    Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today. This work traces the evolution of the slasher film from 1978 when it was a fledgling genre, through the early 1980s when it was one of the most profitable and prolific genres in Hollywood, on to its decline in popularity around 1986. An introduction provides a brief history of the Grand Guignol, the pre-cinema forerunner of the slasher film, films such as Psycho and The Texas Chainsaw Massacre, and cinematic trends that gave rise to the slasher film. Also explained are the slasher film's characteristics, conventions, and cinematic devices, such as the "final girl," the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the killer. The chapters that follow are devoted to the years 1978 through 1986 and analyze significant films from each year. The Toolbox Murders, When a Stranger Calls, the Friday the 13th movies, My Bloody Valentine, The Slumber Party Massacre, Psycho II, and April Fool's Day are among those analyzed. The late 90s resurrection of slasher films, as seen in Scream and I Know What You Did Last Summer, is also explored, as well as the future direction of slasher films.