A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was taken from the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan.

    The pale and secretive Lavinia wanders through the woods, Asenath is a precocious teenager with an attitude, and the Ancient Egyptian pharaoh Nitocris has found a new body in distant America. And do you have time to hear a word from our beloved mother Shub-Niggurath?Defiant, destructive, terrifying, and harrowing, the women in She Walks in Shadows are monsters and mothers, heroes and devourers. Observe them in all their glory. Iä! Iä!TABLE OF CONTENTS“Bitter Perfume” Laura Blackwell“Violet is the Color of Your Energy” Nadia Bulkin“Body to Body to Body” Selena Chambers“Magna Mater” Arinn Dembo“De Deabus Minoribus Exterioris Theomagicae” Jilly Dreadful“Hairwork” Gemma Files“The Head of T’la-yub” Nelly Geraldine García-Rosas (translated by Silvia Moreno-Garcia)“Bring the Moon to Me” Amelia Gorman“Chosen” Lyndsey Holder“Eight Seconds” Pandora Hope“Cthulhu of the Dead Sea” Inkeri Kontro“Turn out the Lights” Penelope Love“The Adventurer’s Wife” Premee Mohamed“Notes Found in a Decommissioned Asylum, December 1961″ Sharon Mock“The Eye of Juno” Eugenie Mora“Ammutseba Rising” Ann K. Schwader“Cypress God” Rodopi Sisamis“Lavinia’s Wood” Angela Slatter“The Opera Singer” Priya Sridhar“Provenance” Benjanun Sriduangkaew“The Thing in The Cheerleading Squad” Molly Tanzer“Lockbox” E. Catherine Tobler“When She Quickens” Mary Turzillo“Shub-Niggurath’s Witnesses” Valerie Valdes“Queen of a New America” Wendy N. Wagner

    Vicious beasts stalk our twisted pasts. Lost souls haunt our deepest regrets. They are the blood on our hands. They are the obsessions in our heads. They are the vengeance in our hearts. They are the chilling shadows in the night. They are Miscreations: Gods, Monstrosities & Other Horrors. Edited by Bram Stoker Award-winning editors Doug Murano and Michael Bailey. Featuring a foreword by Alma Katsu, and illustrations throughout by HagCult.Contents: * Foreword (Miscreations: Gods, Monstrosities & Other Horrors) • essay by Alma Katsu * A Heart Arrythmia Creeping Into a Dark Room / short fiction by Michael Wehunt * Matryoshka / short fiction by Joanna Parypinski * Butcher's Blend / short fiction by Brian Hodge * Operations Other Than War / short fiction by Nadia Bulkin * One Day of Inside/Out / short fiction by Linda D. Addison * One Last Transformation / short fiction by Josh Malerman * Brains / short fiction by Ramsey Campbell * You Are My Neighbor / short fiction by Max Booth, III * The Vodyanoy / short fiction by Christina Sng * Imperfect Clay / short fiction by Lisa Morton * Spectral Evidence (2017) / short story by Victor LaValle * Ode to Joad the Toad [Antiquity] / short fiction by Laird Barron * Only Bruises Are Permanent / short fiction by Scott Edelman * My Knowing Glance / short fiction by Lucy A. Snyder * Paper Doll Hyperplane / short fiction by R. B. Payne * Not Eradicated in You / short fiction by Bracken MacLeod * Resurrection Points (2014) / novelette by Usman T. Malik * The Old Gods of Light / short fiction by Christina Sng * Sounds Caught in Cobwebs / short fiction by M. E. Bronstein * Umbra Sum / short fiction by Kristi DeMeester * A Benediction of Corpses / short fiction by Stephanie M. Wytovich * The Making of Asylum Ophelia / short fiction by Mercedes M. Yardley * Frankenstein's Daughter / short fiction by Theodora Goss .

    A space between spaces. When the Mara Corday, an aged freighter, enters the Graveyard of the Atlantic, nightmares become real. The crew finds themselves trapped in a realm where time doesn't exist and unimaginable horrors dwell. Lost in a becalmed sea, in a netherworld where evil manifests itself in hideous forms, the survivors of the Mara Corday have an eternity to find a way out - if they aren't killed first by the creatures stalking them.(Description from back cover of trade paperback)

    Monique learns that the hard way after her girlfriend Donna vanishes without a trace. Only after the disappearances of several other impoverished women does Monique hear the rumors. A taloned monster stalks the city’s underground and snatches victims into the dark.Donna isn’t missing. She was taken.To save the woman she loves, Monique must descend deeper than the known underground, into a subterranean world of enigmatic cultists and shadowy creatures. But what she finds looms beyond her wildest fears—a darkness that stretches from the dawn of time and across the stars.

    Her perfect husband. She can feel it in her bones. He is perfect. Their home together in Arcadia Gardens is perfect. Everything is perfect.It's just that he's away so much. So often. He works so hard. She misses him. And he misses her. He says he does, so it must be true. He is the perfect husband and everything is perfect.But sometimes Sophia wonders about things. Strange things. Dark things. The look on her husband's face when he comes back from a long business trip. The questions he will not answer. The locked basement she is never allowed to enter. And whenever she asks the neighbors, they can't quite meet her gaze...But everything is perfect. Isn't it?

    Throughout the story Blackwood personifies the surrounding environment—river, sun, wind—and imbues them with a powerful and ultimately threatening character. Most ominous are the masses of dense, desultory, menacing willows, which "moved of their own will as though alive, and they touched, by some incalculable method, my own keen sense of the horrible.""The Willows" is one of Algernon Blackwood's best known short stories. American horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature. "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

    He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic, and earns the attention of things best left sleeping.A storm that might swallow the world is building in Brooklyn. Will Black Tom live to see it break?

    It is the story of Ned Covington, a ten-year-old boy, who explores an abandoned building near his home and what he finds there. Nominated for a World Fantasy Award it has been called "a touching, scary book" (Horror Literature: A Reader's Guide); and "a compelling humanist ghost story" (Penguin Encyclopedia of Horror and the Supernatural).

    Set in 1986 rural Oregon, Starr Creek features Heavy Metal teens, Christian biker gangs, and hopped up kids on 3-wheeled ATVs. They all collide when strange occurrences unveil an alien world inhabiting the Oregon woods.

    Gifted with a supple and mellifluous prose style, an imagination that can conjure up clutching terrors with seeming effortlessness, and a thorough knowledge of the rich heritage of weird fiction, Langan has already garnered his share of accolades. This new collection of nine substantial stories includes such masterworks as “Technicolor,” an ingenious riff on Poe’s “Masque of the Red Death”; “How the Day Runs Down,” a gripping tale of the undead; and “The Shallows,” a powerful tale of the Cthulhu Mythos. The capstone to the collection is a previously unpublished novella of supernatural terror, “Mother of Stone.” With an introduction by Jeffrey Ford and an afterword by Laird Barron.Table of ContentsIntroduction: Reading Langan, by Jeffrey FordKidsHow the Day Runs DownTechnicolor The Wide, Carnivorous SkyCity of the DogThe ShallowsThe Revel June, 1987. Hitchhiking. Mr. Norris. Mother of Stone Story Notes Afterword: Note Found in a Glenfiddich Bottle, by Laird BarronAcknowledgments

    Convicted of a crime he's almost completely sure he didn't commit, executed, reanimated, then pressed into service aboard a vast trawler on the terrible world of Ocean, he was set to spend his afterlife working until his mindless corpse fell apart. But now he's woken up, trapped in a rotting body, arm-deep in the stinking meat and blubber of a sea monster, and he's not happy. It's time for the dead to rise up. From the stench and brine of Ocean to the fetid jungle of Grand Amazon, Schneider's career as a revolutionary won't be easy. But sometimes a zombie's gotta do what a zombie's gotta do.

    P. Lovecraft. It forms part of the Cthulhu Mythos, using its motif of a malign undersea civilization. It references several shared elements of the Mythos, including place-names, mythical creatures and invocations.

    The natural world is a place of curves and softened edges, of gentle mists and welcoming spirals. Nature remembers deviation; nature does not forgive.For Harlowe Upton-Jones, life has never been a straight line. Shipped off to live with her paternal grandparents after a mysterious cult killed her mother and father, she has grown up chasing the question behind the curve, becoming part of a tight-knit teen detective agency. But “teen” is a limited time offer, and when her friends start looking for adult professions, it’s up to Harlowe to find them one last case so that they can go out in a blaze of glory.Welcome to Spindrift House.The stories and legends surrounding the decrepit property are countless and contradictory, but one thing is clear: there are people willing to pay a great deal to determine the legal ownership of the house. When Harlowe and her friends agree to investigate the mystery behind the manor, they do so on the assumption that they’ll be going down in history as the ones who determined who built Spindrift House—and why. The house has secrets. They have the skills. They have a plan. They have everything they need to solve the mystery.Everything they need except for time. Because Spindrift House keeps its secrets for a reason, and it has no intention of letting them go.Nature abhors a straight line.Here’s where the story bends.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.