In 'The Day of the Locust', talented young artist Tod Hackett has been brought to Hollywood to work in the design department of a major studio. He discovers a surreal world of tarnished dreams, where violence and hysteria lurk behind even the most glittering facade. Liberty and freedom have been turned into a bizarre nightmare in 'The Dream Life of Balso Snell', which focuses on the personal despair and disintegration of its protagonist, the poet Balso.

    Popular in the Renaissance, these stories have been less familiar in later centuries. Translations of the Greek stories were not readily available in English before B.P. Reardon’s excellent volume. Nine complete stories are included here as well as ten others, encompassing the whole range of classical themes: ideal romance, travel adventure, historical fiction, and comic parody. A new foreword by J.R. Morgan examines the enormous impact this groundbreaking collection has had on our understanding of classical thought and our concept of the novel.

    Her life is made tolerable by her love for her child. Nell Dunn is the author of Up the Junction which won the John Llewellyn Rhys Memorial Prize, and the play and film Steaming".

    It is the story of Herr Seldersen—a Jewish store owner modeled on Keilson's father, a textile merchant and decorated World War I veteran—along with his wife and son, Albrecht, and the troubles they encounter as the German economy collapses and politics turn rancid.The book was banned by the Nazis in 1934. Shortly afterward, following his editor's advice, Keilson emigrated to the Netherlands, where he would spend the rest of his life.Life Goes On is an essential volume for readers of Keilson's later work. At the age of one hundred, with his one copy of the first edition of Life Goes On in hand, Keilson told The New York Times that he would love to see his first novel reissued, and translated as well. "Then you would have my whole biography," he told them. He died at the age of one hundred and one.

    On the surface it deals with what happens to two youngsters left for a night alone on their parents’ farm, but like The Ice Palace and other great novels by Vesaas, the themes are far deeper: How difficult the road is from I to you or we, even when love is involved.

    But there was another dimension to Donne's life and writing that, if less well known, is no less profound and beautiful. Born into an aristocratic Catholic family, Donne joined the Church of England at the age of twenty-one out of fear of persecution. At the age of forty-three, he gave up his preoccupations with secular prestige and devoted himself utterly to religion. It was eight years later when, battered with fever, the deaths of his beloved wife, several of his children, and many dear lifelong friends, he composed Devotions upon Emergent Occasions. There is both trauma and great drama in this extended meditation on the meaning of mortality, the possibility of salvation, and the true nature of the passage of eternal life. With a new introduction by poet and biographer Andrew Motion, one of the most revered books of Christian devotion speaks to us again of the higher aspirations of man and the always-present possibility of a relationship with God. This long out of print edition also contains Donne's last sermon, "Death's Duel" as well as the short colorful biography of him written by his contemporary Izaak Walton.

    Powys thought Porius his masterpiece, but because of the paper shortage after World War II and the novel's lengthiness, he could not find a publisher for it. Only after he cut one-third from it was it accepted. This new edition not only brings Porius back into print, but makes the original book at last available to readers. Set in the geographic confines of Powys's own homeland of Northern Wales, Porius takes place in the course of a mere eight October days in 499 A.D., when King Arthur - a key character in the novel, along with Myrddin Wyllt, or Merlin - was attempting to persuade the people of Britian to repel the barbaric Saxon invaders. Porius, the only child of Prince Einion of Edeyrnion, is the main character who is sent on a journey that is both historical melodrama and satirical allegory. A complex novel, Porius is a mixture of mystery and philosophy on a huge narrative scale, as if Nabokov or Pynchon tried to compress Dostoevsky into a Ulyssean mold. Writing in The New Yorker, George Steiner has said of the abridged Porius that it "combines [a] Shakespearean-epic sweep of historicity with a Jamesian finesse of psychological detail and acuity. Faulkner's Absalom, Absalom!, which I believe to be the American masterpiece after Melville, is a smaller thing by comparison." This new, and first complete, edition of the novel substantiates both Steiner's judgement and Powys's claim for Porius as his masterpiece.

    So argues Efraim Karsh in this highly provocative book. Rejecting the conventional Western interpretation of Middle Eastern history as an offshoot of global power politics, Karsh contends that the region’s experience is the culmination of long-existing indigenous trends, passions, and patterns of behavior, and that foremost among these is Islam’s millenarian imperial tradition.The author explores the history of Islam’s imperialism and the persistence of the Ottoman imperialist dream that outlasted World War I to haunt Islamic and Middle Eastern politics to the present day. September 11 can be seen as simply the latest expression of this dream, and such attacks have little to do with U.S. international behavior or policy in the Middle East, says Karsh. The House of Islam’s war for world mastery is traditional, indeed venerable, and it is a quest that is far from over.

    This novel is a fictionalized autobiography of the author's boyhood in the the countryside of Provence, told through the eyes of a child.

    Deconstruction, poststructuralist Marxism, new historicism, radical feminism, cultural studies, recovered-memory theory, and postcolonialism, among other methods, take their shots at the poor stuffed bear and Frederick Crews takes his well-considered, wildly funny shots at them. His aim, as ever, is true.

    A gothic epic. Decadence and horror in late 19th Century urban life from the 'poet of doom'.

    Lopez Jr. explores the origins of this 2,500-year-old religion and traces its major developments up to the present, focusing not only on the essential elemenmts common to all schools of Buddhism but also revealing the differences among the major traditions. Beginning with the creation and structure of the Buddhist universe, Lopez explores the life of the Buddha, the core Buddhist tenets, and the development of the monastic life and lay practices. Combining brilliant scholarship with fascinating stories -- contemporary and historical, sometimes miraculous, sometimes humorous -- this rich and absorbing volume presents a fresh and expert history of Buddhism and Buddhist life.

    The Plum in the Golden Vase or, Chin P'ing Mei is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch'ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form--not only from a specifically Chinese perspective but in a world-historical context.With the possible exception of The Tale of Genji (1010) and Don Quixote (1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in the earlier Chinese fiction tradition, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.

    With Mirabell? You call my blood into my face with mentioning that traitor. She durst not have the confidence. I sent her to negotiate an affair, in which if I'm detected I'm undone. If that wheedling villain has wrought upon Foible to detect me, I'm ruined. O my dear friend, I'm a wretch of wretches if I'm detected.

    So much of what you need to know is already defined for you. You know that your script needs to be a certain short length, with a certain small number of characters. You know that your choice of scenes is limited to your show’s standing sets and maybe one or two swing sets or outside locations. You know how your characters behave and how they’re funny, either because you invented them or because you’re writing for a show where these things are already well established. Sitcom is easy and sitcom is fun. Sitcom is the gateway drug to longer forms of writing. It’s a pretty good buzz and a pretty good ride, a great way to kill an afternoon, or even six months. And now, thanks to comedy writing guru John Vorhaus (author of THE COMIC TOOLBOX: HOW TO BE FUNNY EVEN IF YOU'RE NOT), writing situation comedy is easier than ever. In THE LITTLE BOOK OF SITCOM, you'll find a whole trove of tools, tricks and problem-solving techniques that you can use -- now, today -- to be the sitcom writer of your wildest dreams. Ready to write? Ready to have fun? THE LITTLE BOOK OF SITCOM is the big little book for you.