This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this.CONTENTSErle Stanley Gardner: Come and Get ItFredric Brown: Cry SilencePeter Collison: Arson PlusFredrick Nebel: Doors in the DarkLester Dent: LuckDashiell Hammett: The Maltese FalconStewart Sterling: Ten Carats of LeadWyatt Blassingame: Murder Is Bad LuckTalmadge Powell: Her Dagger Before MeCharles G. Booth: One ShotRichard Sale: The Dancing RatsKatherine Brocklebank: BraceletsThomas Walsh: Diamonds Mean DeathRoul Whitfield: Murder in the RingWalter C. Brown: The Parrot That Wouldn’t TalkMerle Constiner: Let the Dead AloneCarrol John Daly: Knights of the Open PalmWilliam Cole: Waiting for RustyRamon Decolta: Rainbow DiamondsWilliam Rollins Jr.: The Ring on the Hand of DeathTheodore A. Tinsley: Body SnatcherD wight V. Babcock: Murder on the GaywayCleve F. Adams: The KeyWilliam Campbell Gault: The Bloody BokharaBrett Halliday: A Taste for CognacDay Keene: Sauce for the GanderW.T. Ballard: A Little DifferentCharles M. Green: The Shrieking SkeletonHank Searls: Drop Dead TwiceDale Clark: The Sound of the ShotFrederick C. Davis: Flaming AngelDon M. Mankiewicz: Odds on DeathNorvell Page: Those CatriniHugh B. Cave: Smoke in Your EyesRobert Reeves: Blood, Sweat and BiersWhitman Chambers: The Black BottleMilton K. Ozaki: The Corpse The Didn’t KickRaymond Chandler: Try the GirlNorbert Davis: Don’t You Cry for MeRay Cummings: T. McGuirk Steals A DiamondSteve Fisher: Wait For MeFrank Gruber: Ask Me AnotherHorcase McCoy: Dirty WorkJulius Long: Merely MurderJohn D. MacDonald: Murder in One SyllableH.H. Stinson: Three Apes from the EastD.L. Champion Death Stops PaymentRichard Connell: The Color of HonorBruno Fischer: Middleman for MurderRichard Deming: The Man Who Choose the DevilC.M. Kornbluth: Beer-Bottle PolkaCornell Wollrich: Borrowed Crime

    Cain uses his favorite form of narration, the first-person confessional, in relating this unusual tale of deceit, incest, and murder.Jess Tyler is a church-going mountain man. One day out of the blue, his estranged daughter, Kady, shows up at his cabin and starts throwing herself at him in a most undaughterly way. At least that's the way Jess tells it. Cain leaves a few hints that Jess may not be 100% accurate as a narrator. For example, he claims to be a God fearing teetotaler. Yet he quickly shows himself to be a seasoned expert when it comes to constructing and operating a commercial still.

    January cold coming in off two rivers. Hart is broke, freezing, looking for a place to lay low from the cops. If he can't find somewhere soon he might do something rash - like steal an overcoat and accept a wallet containing $11,000 from a man dying from gunshot wounds in the street. Whoever killed him might have a bed, though, even if that means hanging out with a bunch of thieves and drifters while the heat blows over. Lucky for Hart he's handy with his fists. And if he can use his looks and smarts to get in with the gang, maybe he can ride this out and score big on his own. Originally published in 1954, Black Friday is one of David Goodis's leanest, meanest melancholy thrillers. In the character of Hart, it features one of his classic, tortured romantic heroes, a man who becomes mired in circumstances from which there is no escape. In this edition, Black Friday is combined with short stories, unpublished since they were first written for pulp magazines in America over 50 years ago.

    Megan Abbott’s “Policy” was nominated for the Anthony Award and became the basis for her novel Queenpin, which won the 2008 Edgar Award.

    She owns a small motor-inn motel on a major highway in South Georgia. The summer heat is still strong in the waning days of October, and she is tired from a long summer season. As the evening progresses, Ginny’s motel begins to fill-up. There is Johnny Benton, a strange motel guest who insists on parking his car behind the motel, a would-be suitor named Don Ferris, a guest that is the catalyst for a long and frightening night, and then there is the dead husband whose long shadow is cast across Ginny’s life like a long heavy rain...

    Reginald Harlan, M.A. Of course Archer generally didn't like people whose names started with a single syllable. Harlan hired Lew to find his sister. A respectable school mistress that has run off with a bohemian artist type. But he finds more than what he expected when he has a corpse literally dumped on him!

    Hammett's continental op - tough, tired, intelligent, a snap-brimmed Sir Galahad with a Browning - was the prototype for a whole new tradition of private eye thrillers.Here are ten of his classic suspense stories from the twenties and thirties - selected and introduced by Lillian Hellman.

    Here then, from the well-thumbed pages of 'Black Mask' and 'Dime Detective Magazine', are eight of his finest stories including 'The Man Who Liked Dogs', 'The Lady in the Lake' and 'Bay City Blues'. Sharper than a hoodlum's switchblade, more exciting than an unexpected red-head and stronger than a double shot of whisky, they are packed full of the punchy poetry and laconic wit that makes Chandler the undisputed master of his genre.'Anything Chandler writes about grips the mind from the first sentence' Daily Telegraph 'One of the greatest crime writers, who set standards others still try to attain' Sunday Times'Chandler is an original stylist, creator of a character as immortal as Sherlock Holmes' Anthony BurgessBest-known as the creator of the original private eye, Philip Marlowe, Raymond Chandler was born in Chicago in 1888 and died in 1959. Many of his books have been adapted for the screen, and he is widely regarded as one of the very greatest writers of detective fiction. His books include The Big Sleep, The Little Sister, Farewell, My Lovely, The Long Good-bye, The Lady in the Lake, Playback, Killer in the Rain, The High Window and Trouble is My Business.

    Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best.Including:• Three stories by Raymond Chandler, Cornell Woolrich, Erle Stanley Gardner, and Dashiell Hammett.• Complete novels from Carroll John Daly, the man who invented the hard-boiled detective, and Fredrick Nebel, one of the masters of the form.• A never before published Dashiell Hammett story.• Every other major pulp writer of the time, including Paul Cain, Steve Fisher, James M. Cain, Horace McCoy, and many, many more of whom you’ve probably never heard.• Three deadly sections–The Crimefighters, The Villains, and Dames–with three unstoppable introductions by Harlan Coben, Harlan Ellison, and Laura LippmanFeaturing:• Plenty of reasons for murder, all of them good.• A kid so smart–he’ll die of it.• A soft-hearted loan shark’s legman learning–the hard way–never to buy a strange blonde a hamburger.• The uncanny “Moon Man” and his mad-money victims.

    In these stories Highsmith is at her most scathing as she draws out the mystery and menace of her once ordinary subject.

    Fifteen years on the inside for a victimless crime, under the care of a warden whose penchant for violence is legendary -- surely nothing could be worse. But when an unbelievably Samaritan act by a psychologist he's never met places Cosgrove in the care of Roland "Doc" Luther, Cosgrove's not so sure he hasn't traded the frying pan for the fire after all. On the one hand, Doc claims that Cosgrove owes him nothing, and seems at times like the most decent man alive. But at other times, Doc's potential for cruelty seems unimaginable. As it turns out, freedom's not as freeing as he thought it would be -- especially when it might end up getting him killed.

    Hitler has just conquered Poland, but life in London continues much as it did in peacetime, albeit a little more restricted since the introduction of petrol rationing. No bombs have been dropped on the city as yet, but the population go about their daily business under the constant threat of German air raids, and a blackout remains in force at night. For Scotland Yard and the criminal fraternity, however, it is business as usual. When a pawnbroker’s assistant is wounded by a gunman wearing a gasmask, it appears to be a straightforward case of a bungled armed robbery, but as Hawker proceeds with his investigation, the more facts he uncovers the more confusing the affair becomes. A red-headed soldier, a missing gun, a dead cat, an empty violin case and a damaged violin are only a few of the threads that have to be unravelled before he can wrap up the case – with a little help from Sherlock Holmes.

    Living in Nevada, bothered by nobody, he runs a little gas station, gets in a lot of fishing, and might even be falling for a local girl. Then, out of the blue, his past comes back to haunt him. Blackmailed into doing just one more job, he's forced to revisit the life he fled—in particular, the seductive Mumsie McGonigle. It's not long before Bailey realizes that a trap has been set for him. The novel, scripted by the author, went on in the hands of Jacques Tourneur to become the cinema's most celebrated work of "film noir," starring Robert Mitchum, Kirk Douglas, and Jane Greer.The Film Ink series presents the novels that inspired the work of some of the most celebrated directors of our time. While each novel is first and foremost a classic in its own right, these books offer the dedicated cinephile a richer understanding of the most illustrious films of American and European cinema.

    One day Richard decides to make an ambitious film, which turns into a fiasco. Enraged, he exacts revenge on all who have crossed him.

    . . it doesn’t take detecting skills to discover the gem. And every story dazzles . . . These stories, in prose both elegant and compelling, get to the heart of why people do what they do.” — USA TodayThe Best American Mystery Stories 2014 will be selected by “writing powerhouse” (USA Today) Laura Lippman. With her popular Tess Monaghan series and her New York Times best-selling standalone novels, Lippman has greatly expanded the boundaries of modern mystery fiction and psychological suspense.