We Africans in America have been socially engineered to reject our past, and far too many of us live in a state of suspended animation.

    Ben will stop at nothing to save his son, but what awaits him is an evil, more dangerous and insidious than he could have ever anticipated. Into the Lion’s Den is a fast-paced action thriller, a compelling saga of the love of family and the indomitable will to survive in the face of an implacable malevolence.

    Her long dark auburn hair cascaded over her shoulders and her pale, attractive face, wide set eyes and full sensuous lips took his breath away. Robert could not help staring at her in frank amazement. He found it difficult to equate this alluring woman with the tall, awkward girl he vaguely remembered while a young boy at Fairlee Manor in Scotland.* * *Action, adventure and erotic entanglements loom large in young Robert Hamilton’s future as he seeks to make his fortune in the rough and tumble world of the Johannesburg goldfields in the closing years of the nineteenth century.Robert’s business interests and adventures in the wilds of South Africa, bring him into close contact with the Boer peoples of the Transvaal Republic. As the threat of a British invasion looms large over the country, his support for the Boer cause finds him on the opposing side to his fellow uitlanders – foreigners. He is dismayed to discover that both of his brothers have enlisted in Canadian regiments ready to fight on the side of Britain in the Anglo-Boer War.

    It describes the violent rise of King Shaka and his colorful successors under whose leadership the warrior nation built a fearsome fighting reputation without equal among the native tribes of South Africa. It also examines the tactics and weapons employed during the numerous intertribal battles over this period. They then became victims of their own success in that their defeat of the Boers in 1877 and 1878 in the Sekhukhuni War prompted the well-documented British intervention.Initially the might of the British Empire was humbled as never before by the surprising Zulu victory at Isandlwana but the 1879 war ended with the brutal crushing of the Zulu nation. But, as Adrian Greaves reveals, this was by no means the end of the story. The little known consequences of the division of Zululand, the Boer War, and the 1906 Zulu Rebellion are analyzed in fascinating detail. An added attraction for readers is that this long-awaited history is written not just by a leading authority but also, thanks to the coauthor’s contribution, from the Zulu perspective using much completely fresh material.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    When three western aidworkers are stranded here - a place where poets carry Kalashnikovs and rebel commanders wear pink dressing gowns- their presence brings hope and danger in equal measure. An ominous ode to Africa's violent beauty, Something is Going to Fall Like Rain is also a life-affirming reminder that love and happiness can co-exist with famine and conflict.

    It is in the heart of the southern midlands of KwaZulu-Natal, Alan Paton country, and it is true that “… from there, if there is no mist, you look down on one of the fairest scenes of Africa.” Later I will tell you more about that landscape, and of how it changed during the course of my investigations; a spectacular backdrop of giant shapes and colours when I first saw it, a myriad dramas of human anger and violence when I left …’In the spring of 1999, in the beautiful hills of the Kwa-Zulu-Natal midlands, a young white farmer is shot dead on the dirt road running from his father’s farmhouse to his irrigation fields. The murder is the work of assassins rather than robbers; a single shot behind the ear, nothing but his gun stolen, no forensic evidence like spent cartridges or fingerprints left at the scene.Journalist Jonny Steinberg travels to the midlands to investigate. Local black workers say the young white man had it coming. The dead man’s father says that the machinery of a political conspiracy has been set into motion, that he and his neighbours are being pushed off their land.Initially thinking that he is to write about an event in the recent past, Steinberg finds that much of the story lies in the immediate future. He has stumbled upon a festering frontier battle, the combatants groping hungrily for the whispers and lies that drift in from the other side. Right from the beginning, it is clear that the young white man is not the only one who will die on that frontier, and that the story of his and other deaths will illuminate a great deal about the early days of post-apartheid South Africa.Sifting through the betrayals and the poisoned memories of a century-long relationship between black and white, Steinberg takes us to a part of post-apartheid South Africa we fear to contemplate.Midlands is about the midlands of the heart and mind, the midlands between possession and dispossession, the midlands between the past and present, myth and reality. Midlands is a tour de force of investigative journalism.

    Now, for the first time in North America, we step back to her extraordinarily assured debut about a widowed Muslim mother living in Aberdeen who falls in love with a Scottish secular academic. Sammar is a Sudanese widow working as an Arabic translator at a Scottish university. Since the sudden death of her husband, her young son has gone to live with family in Khartoum, leaving Sammar alone in cold, gray Aberdeen, grieving and isolated. But when she begins to translate for Rae, a Scottish Islamic scholar, the two develop a deep friendship that awakens in Sammar all the longing for life she has repressed. As Rae and Sammar fall in love, she knows they will have to address his lack of faith in all that Sammar holds sacred. An exquisitely crafted meditation on love, both human and divine, The Translator is ultimately the story of one woman’s courage to stay true to her beliefs, herself, and her newfound love.

    As the years passed, the two grew closer, swapping stories about coloureds and zulus, life in Riverlea and Soweto, pass laws, politics and falling in love.

    . . London was good. Is good. I love London. But . . .” 1994 The world is about to change. The first truly democratic election in South Africa’s history is about to unite Nelson Mandela’s rainbow nation at the ballot box. And, across the world, those in exile, those who could not return home, those who would not return home, wait. Watch and wait . . . London Martin O’Malley isn’t one of those watching and waiting. He is too busy trying to figure out if Germaine Spencer really is the girl for him and why his best friend is intent on ruining every relationship he gets involved in. And then . . . And then Germaine is pregnant and suddenly the world really has changed for Martin O’Malley. South Africa A land of opportunity. A place where a young black man with an MSc from the London School of Economics could have it all, would have it all. But what does Martin O’Malley, London born and bred with an Irish surname, really know about his mother’s country? His motherland. A land he has never seen.

    My older sister Fikile’s last breath before she dies is nothing of the sort. There is no rattling noise at the back of her throat. No relentless twitching. No clinging to life. Fikile dies with no more fuss than a switch of a light bulb.” With her sister, Fikile, dead from breast cancer, her father long gone, her mother emerging from years of slumber, and her younger brother, Mbuso, consumed with rage that refuses to settle, Anele Mabuza has no choice but to collect herself and grow up. Or does she? Because, if truth be told, she has not signed up to be her family's caretaker. Surely her dreams are valid? The Ones with Purpose is a remarkable story of family, disappointment, sacrifice, forgiveness, and love.

    If you're not careful you'll get insane just like your mother. Your mother was a white woman. They had to lock her up, as she was having a child by the stable boy who was a native." It is never clear to Elizabeth whether the mission school principal's cruel revelation of her origins is at the bottom of her mental breakdown. She has left South Africa with her son and is living in the village of Motabeng, the place of sand, in Botswana where there are no street lights at night. In the darkness of this country where people turn and look at her with vague curiosity as an outsider she establishes an entirely abnormal relationship with two men. A mind-bending book which takes the reader in and out of sanity.

    Spoiled Rachel struggles to establish her independence and learns to love across the cultural divide; conservative Seema attempts to end a relationship that has become increasingly abusive; and street-savvy Nomsa finally accepts a past that she has spent a lifetime denying. Coping with rogue snakes, gang assassinations, and the public's denial of AIDS, these women demonstrate what it takes to be a doctor in South Africa.

    Short stories set in the South Africa of Alan Paton's "Cry The Beloved Country"Stories:Debbie Go Home; Ha'penny; The Divided House; Life for a Life;Death of a Tsotsi; The Worst Thing of his Life; The Waste Land; A Drink in the Passage; Sponono; The Elephant-Shooter

    But for a one small boy in the leafy northern suburbs of Johannesburg ... his beloved housekeeper is serving fish fingers for lunch.This is the tale of Hamish Charles Sutherland Fraser – chorister, horse rider, schoolboy actor and, in his dreams, 1st XV rugby star and young ladies’ delight. A boy who climbs trees in the spring and who loves a girl named Reggie.An odd child growing up in a conflicted, scary, beautiful society.A young South African who hasn’t learnt the rules.

    For EmPee, it is love at first sight, but the caged woman is not free to love anyone back: she is the property of Monsieur Duval, proprietor of Duval Ethnological Expositions. And so begins one of Zakes Mda’s most striking stories, one that depicts terrible historical injustices and indignities, while at the same time celebrating the vigour and ingenuity of the creative spirit, and the transformative power of love.In an already-great pantheon of Mda love stories and classic gems, this may be his most powerful work yet.Fourie Botha, publisher of local fiction for Penguin Random House, says: ‘A new novel by Zakes Mda is always a glorious event. We are honoured that Prof. Mda will publish this wonderful and important book with Umuzi.’A recipient of the Order of Ikhamanga, Zakes Mda was born in the Eastern Cape in 1948. He is the author of the famous novels Ways of Dying and The Heart of Redness, among many others, and his work has been translated into 20 languages. He spent his early childhood in Soweto, and finished his school education in Lesotho, where he joined his father in exile. Mda has studied and worked in South Africa, Lesotho, the United Kingdom, and the United States, and is a prolific writer, not only of novels, but also of plays, poems, and articles for academic journals and newspapers. His creative work includes paintings, and theatre and film productions. He is based in Athens, Ohio, in the United States, where he spends his time writing and teaching. His memoir, Sometimes There Is a Void, was published in 2011 and his most recent novel, Little Suns, won the Barry Ronge Fiction Prize.