In a series of personal essays they often reveal as much about themselves and their work as they do about the books that they love.

    Each work of literature featured here is a seminal work key to understanding and appreciating the written word.The featured works have been handpicked by a team of international critics and literary luminaries, including Derek Attridge (world expert on James Joyce), Cedric Watts (renowned authority on Joseph Conrad and Graham Greene), Laura Marcus (noted Virginia Woolf expert), and David Mariott (poet and expert on African-American literature), among some twenty others.Addictive, browsable, knowledgeable--1001 Books You Must Read Before You Die will be a boon companion for anyone who loves good writing and an inspiration for anyone who is just beginning to discover a love of books. Each entry is accompanied by an authoritative yet opinionated critical essay describing the importance and influence of the work in question. Also included are publishing history and career details about the authors, as well as reproductions of period dust jackets and book designs.

    After the death of her only child, 73 handwritten notebooks came to light, from single jots to lists, to full outlines of memorable plots and characters, plus grocery and schedule memos from a bountiful creative mind - a complex web of connections to unravel and link. Actual notebook page reproductions. 2 unpublished Hercule Poirot short stories: "The Capture of Cerebrus", and "The Incident of the Dog's Ball".

    Long suffering under Christopher's unfaithful ways, Rosemary is tried, convicted and executed. Ten years later, Jon Nunn, the detective who cracked the case, becomes convinced that the wrong person was put to death. Along with financier Tony Olsen, he plans to gather everyone who was there the night Christopher died and finally uncover the truth about what happened that fateful evening. Could it have been the ne'er do well brother Peter Hausen, interested in his sister's trust fund having got through his own; the curatorial assistant Justine Olengard, used and betrayed by Christopher; the artist Belle who turned down his advances only to see her career suffer a setback; or someone else all together? No Rest for the Dead is a thrilling, page-turning accomplishment that only the very best thriller writers could achieve.

    And if any is left, I buy food and clothing." — --Desiderius Erasmus — Those who share Erasmus's love of those curious bundles of paper bound together between hard or soft covers know exactly how he felt. These are the people who can spend hours browsing through a bookstore, completely oblivious not only to the passage of time but to everything else around them, the people for whom buying books is a necessity, not a luxury. A Passion for Books is a celebration of that love, a collection of sixty classic and contemporary essays, stories, lists, poems, quotations, and cartoons on the joys of reading, appreciating, and collecting books.This enriching collection leads off with science-fiction great Ray Bradbury's Foreword, in which he remembers his penniless days pecking out Fahrenheit 451 on a rented typewriter, conjuring up a society so frightened of art that it burns its books. This struggle--financial and creative--led to his lifelong love of all books, which he hopes will cosset him in his grave, "Shakespeare as a pillow, Pope at one elbow, Yeats at the other, and Shaw to warm my toes. Good company for far-travelling."Booklovers will also find here a selection of writings by a myriad of fellow sufferers from bibliomania. Among these are such contemporary authors as Philip Roth, John Updike, Umberto Eco, Robertson Davies, Nicholas Basbanes, and Anna Quindlen; earlier twentieth-century authors Christopher Morley, A. Edward Newton, Holbrook Jackson, A.S.W. Rosenbach, William Dana Orcutt, Robert Benchley, and William Targ; and classic authors such as Michel de Montaigne, Gustave Flaubert, Petrarch, and Anatole France.Here also are entertaining and humorous lists such as the "Ten Best-Selling Books Rejected by Publishers Twenty Times or More," the great books included in Clifton Fadiman and John Major's New Lifetime Reading Plan, Jonathan Yardley's "Ten Books That Shaped the American Character," "Ten Memorable Books That Never Existed," "Norman Mailer's Ten Favorite American Novels," and Anna Quindlen's "Ten Big Thick Wonderful Books That Could Take You a Whole Summer to Read (but Aren't Beach Books)."Rounding out the anthology are selections on bookstores, book clubs, and book care, plus book cartoons, and a specially prepared "Bibliobibliography" of books about books.Whether you consider yourself a bibliomaniac or just someone who likes to read, A Passion for Books will provide you with a lifetime's worth of entertaining, informative, and pleasurable reading on your favorite subject--the love of books.A Sampling of the Literary Treasures in A Passion for BooksUmberto Eco's "How to Justify a Private Library," dealing with the question everyone with a sizable library is inevitably asked: "Have you read all these books?"Anatole Broyard's "Lending Books," in which he notes, "I feel about lending a book the way most fathers feel about their daughters living with a man out of wedlock."Gustave Flaubert's Bibliomania, the classic tale of a book collector so obsessed with owning a book that he is willing to kill to possess it.A selection from Nicholas Basbanes's A Gentle Madness, on the innovative arrangements Samuel Pepys made to guarantee that his library would survive "intact" after his demise.Robert Benchley's "Why Does Nobody Collect Me"--in which he wonders why first editions of books by his friend Ernest Hemingway are valuable while his are not, deadpanning "I am older than Hemingway and have written more books than he has."George Hamlin Fitch's extraordinarily touching "Comfort Found in Good Old Books," on the solace he found in books after the death of his son.A selection from Anna Quindlen's How Reading Changed My Life, in which she shares her optimistic view on the role of reading and the future of books in the computer age.Robertson Davies's "Book Collecting," on the difference between those who collect rare books because they're valuable and those who collect them because they love books, ultimately making it clear which is "the collector who really matters."

    D. Warren confronts the strangest case of her career in this exclusive eBook short story by the #1 New York Times bestselling author.D. D. Warren was pretty sure she'd seen it all. Then a man walks into police headquarters, attempting desperately to convince the squad that he's dead. Explaining to him that he's very much alive, they finally send him on his way . . . and then hours later, he turns up actually dead. And it's on D. D. Warren to figure out how and why the dead man died . . . twice.Plus: an early look at Gardner's next riveting thriller, Never Tell.

    In the prequel to Reichs’s upcoming thriller Bones Never Lie, Tempe takes a much-needed vacation—but murder follows wherever she goes.   Although a trip to Florida is supposed to be about rest and relaxation, there’s no such thing as a day off for Dr. Temperance Brennan. She has come to visit her friend, a dedicated ornithologist who’s researching the threat that intrusive Burmese pythons pose to indigenous bird species in the Everglades. While sorting through the stomach of an eighteen-foot specimen, they make a disturbing discovery: bones that are unmistakably human. And when Tempe spots the telltale signs of murder by a very different kind of predator, she’s drawn into a case with its roots in the darkest depths of the swamp.   Features a preview of the highly anticipated new Temperance Brennan novel, Bones Never Lie!

    Rich, cheating financier Frank Howard wants his wife dead, and he's willing to pay Billie Earl Johnson whatever it takes, to the tune of $750,000. When his bullet misses the mark, Billie Earl and Frank will turn on each other in a fight for their lives . . . MOTHER OF ALL MURDERS. Dee Dee Blancharde is a local celebrity. Television reports praise her as a single mother who tirelessly cares for her wheelchair-bound, chronically ill daughter. But when the teenaged Gypsy Rose realizes she isn't actually sick and Dee Dee has lied all these years, Gypsy Rose exacts her revenge . . .

    Professional. Perfect. Dead. Respected scientist Dr Eleanor Costello is found hanging in her immaculate home: the scene the very picture of a suicide.TOO LATE TO HIDEDCS Frankie Sheehan is handed the case, and almost immediately spots foul play. Sheehan, a trained profiler, is seeking a murderer with a talent for death.TOO CLOSE TO BREATHEAs Frankie strives to paint a picture of the killer, and their victim, she starts to sense they are part of a larger, darker canvas, on which the lines between the two blur.Olivia Kiernan's debut is a bold, brilliant thriller that will keep you guessing and leave you breathless.

    The nine stories that open the book show how fully formed Kinsey was from the beginning. The thirteen stories in the second part, written in the decade following her mother's death, feature Kit Blue, a younger version of Grafton herself, and reflect her troubled family life and the author's journey from anger to understanding and forgiveness.Between the sheets --Long gone --Parker shotgun --Non sung smoke --Falling off the roof --Poison that leaves no trace --Full circle --Little missionary work --Lying game --Eye for an I : justice, morality, the nature of the hard-boiled private investigator, and all that existential stuff --Woman capable of anything --That's not an easy way to go --Lost people --Clue --Night visit, corridor A --April 24, 1960 --Closet --Maple Hill --Portable life --Quarrel --Jessie --Death review --Letter from my father

    High-quality entries from the likes of Lee Child, Jeffery Deaver, and Ian Rankin, as well as from lesser-known authors such as Bill Beverly, elevate this above similar volumes."--Publishers WeeklyThe twenty brand new crime stories in this book have been specially commissioned to celebrate the tenth anniversary of CrimeFest, described by the Guardian as "one of the 50 best festivals in the world." Contributors come from around the world and include the legendary Maj Sj�wall who, together with partner Per Wahl��, was the originator of Nordic noir. The editors are Martin Edwards and Adrian Muller. Martin Edwards is responsible for many award-winning anthologies and Adrian Muller is one of the co-founders of CrimeFest.Contributors to Ten Year Stretch are: Bill Beverly, Simon Brett, Lee Child, Ann Cleeves, Jeffery Deaver, Martin Edwards, Kate Ellis, Peter Guttridge, Sophie Hannah, John Harvey, Mick Herron, Donna Moore, Caro Ramsay, Ian Rankin, James Sallis, Zo� Sharp, Yrsa Sigur�ard�ttir, Maj Sj�wall, Michael Stanley and Andrew Taylor.

    The contributors praise the way the series smartly spoofs that familiar chick-lit epiphany—I have a bad job and what I really want is a good man!—in Bounty Hunting as a Metaphor for Dating, Why Stephanie Should Quit Her Job … but Never Will, and Nothing Better than a Bad Boy Gone Good. Several essays veer from the chick-lit perspective and focus instead on the comic theme of luck and chance that ties Stephanie to the barroom gamblers and gangster meanies of her home town in Luck of the Italian?: Skill versus Chance.

    Kieran Finnegan, who still works there whenever she can, has become a criminal psychologist—a fitting reaction, perhaps, to her less-than-lawful past. Meanwhile, New York's Diamond District has been hit by a rash of thefts. No one's been killed—until now. FBI agent Craig Frasier is brought in to investigate; he and Kieran meet at a jewelry store in the middle of a heist. She's there to "unsteal" a flawless stone taken by her light-fingered youngest brother as an act of vengeance. He's there to stop the gang. But the police and FBI soon discover that there are two gangs of diamond thieves, the original and a copycat group of killers. And the second group seems to think their scheme is as flawless as the stones they steal. Thrown together by circumstance, drawn together by attraction, Kieran and Craig both end up working on the case. Unfortunately, there's more and more evidence that, somehow, the pub is involved. Because everyone goes to Finnegan's…

    But whoever this nameless woman was, and whatever befell her, is knowledge lost to another time. . . . Boston, 1830: In order to pay for his education, Norris Marshall, a talented but penniless student at Boston Medical College, has joined the ranks of local “resurrectionists”–those who plunder graveyards and harvest the dead for sale on the black market. Yet even this ghoulish commerce pales beside the shocking murder of a nurse found mutilated on the university hospital grounds. And when a distinguished doctor meets the same grisly fate, Norris finds that trafficking in the illicit cadaver trade has made him a prime suspect. To prove his innocence, Norris must track down the only witness to have glimpsed the killer: Rose Connolly, a beautiful seamstress from the Boston slums who fears she may be the next victim. Joined by a sardonic, keenly intelligent young man named Oliver Wendell Holmes, Norris and Rose comb the city–from its grim cemeteries and autopsy suites to its glittering mansions and centers of Brahmin power–on the trail of a maniacal fiend who lurks where least expected . . . and who waits for his next lethal opportunity.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.