46 color illustrations.

    This anthology gathers the work of great writers such as Geoffrey Chaucer, Lewis Carroll, John Milton, Edgar Allan Poe, and many more. The Book of Prefaces offers an unusual and unprecedented look at literature, a treat for any reader.

    It explores the world of books and the enormous impact reading has had on the lives of people, the courses of nations, and the enrichment of life.

    For book lovers, a visit to the Big Easy isn't complete without whiling away the hours in an antiquarian bookstore in the French Quarter or stepping out on a literary walking tour. Perhaps only among the oak-lined avenues, Creole town houses, and famed hotels of New Orleans can the lust of "A Streetcar Named Desire", the zaniness of "A Confederacy of Dunces", the chill of "Interview with the Vampire", and the heartbreak of Walker Percy's "Moviegoer" begin to resonate.Susan Larson's revised and updated edition of The Booklover's Guide to New Orleans not only explores the legacy of Tennessee Williams and William Faulkner, but also visits the haunts of celebrated writers of today, including Anne Rice and James Lee Burke. This definitive guide provides a key to the books, authors, festivals, stores, and famed addresses that make the Crescent City a literary destination.

    This book focuses attention primarily on the physical aspects of the binding and its construction principles. It is an expanded version of a series of lectures delivered by the author while Visiting Professor at the University of Amsterdam in 1987, supplemented with the results of ten years of intensive research in major libraries on the Continent, the United Kingdom and the USA. It surveys the evolution of binding structures from the introduction of the codex two thousand years ago to the close of the Middle Ages. Part I reviews the scanty physical evidence from the Mediterranean heritage, the early Coptic, Islamic and Ethiopian binding structures and their interrelation with those of the Byzantine realm. Part II is devoted to a detailed analysis of Western binding techniques, distinguishing the carolingian, romanesque and gothic wooden-board bindings as the main typological entities; their structure and function is compared with those of contemporary limp bindings. The book is illustrated with over 200 drawings and photographs and contains a comprehensive bibliography.

    Until one day when she knocks over a pile of them and unleashes all the adventures, animals, and excitement inside them.

    Willard Carroll draws from his private collection of more than 10,000 museum quality pieces to offer a glimpse of Baum's creations and their influence on popular culture.

    The belief that no work of beauty created by humans should rival the wonders of their god is slowly consuming society, and the art once treasured is now despised. Boualem resists the new regime with quiet determination, using the shop and his personal history as weapons against puritanical forces. Readers are taken into the lush depths of the bookseller's dreams, the memories of his now empty family life, and his passion for literature, then yanked back into the terror and drudgery of his daily routine by the vandalism, assaults, and death warrants that afflict him."Books have been the compost in which Boualem's life ripened, to the point where his bookish hands and his carnal hands, his paper body and his body of flesh and blood very often overlap and mingle. In the end Boualem himself didn't see a clear distinction any more. He has met so many characters in books, he has come in contact with so many destinies that his own life would be nothing without them."Marketing plans for "The Last Summer of Reason":A percentage of proceeds go to ABFFE. Joint promotions with ABFFE and member stores, including highlight in "Bookselling This Week," Galley mailing & BookSense Galley Program participation National advertising Co-op availableTahar Djaout was considered one of the most promising writers of his generation, and was a firm believer in democracy. Djaout's murder wasattributed to the Islamic Salvation Front, who reported that he was killed because he "wielded a fearsome pen." He is the author of eleven books, including the novel "Les vigiles," which won the Prix Mediterrane.

    Beginner marblers will appreciate the step-by-step instruction, intermediate marblers can use the troubleshooting guide to solve problems, and advanced marblers will find ideas and techniques from around the world.

    Children's book lovers of all ages will not want to miss this unique behind-the-scenes tour spanning 60 years of picture-book illustration history.

    How could he tell them that he, a leading Indiana detective, was once a 19th-century portrait painter named Carroll Beckwith? Cops dismiss people with such claims as "kooks and screwballs."But could he prove it? Armed with an audiotape of his regression, Snow listed 28 things he clearly knew about Beckwith that could be proved or disproved -- if he could find the information. In the "just-the-facts" method of a police procedural, Commander Snow documents his painstaking two-year research. At the end of his detective work, Commander Snow proved 26 of his 28 points before coming to his shocking conclusion: that he actually lived the past life he described under hypnosis.Thrilling, credible, amazingly detailed, Looking for Carroll Beckwith reads like an award-winning piece of mystery fiction -- only it's true.

    He gained a reputation as an innovator whose bold literary adventures were tempered by exacting discipline. Berryman was also an active, prolific, and perceptive critic whose own experience as a major poet served to his advantage.Berryman was a protege of Mark Van Doren, the great Shakespearean scholar, and the Bard's work remained one of his most abiding passions -- he would devote a lifetime to writing about it. His voluminous writings on the subject have now been collected and edited by John Haffenden. This book shows that Berryman's interest in Shakespeare was that of an expert scholar who thought seriously and deeply about his subject.

    These texts comprise a vivid exploration of the poetics of the book, a multifaceted study nurtured by the literary and ethnographic scope of its editors' vision, that argues compellingly for the continued survival of this most mundane and metaphoric of artifacts. In a moment when irresponsibly inflammatory ravings about the demise of print rage through the cultural landscape, this collection offers serious reflection upon the real profundity of the book as a symbolic force within the poetic and spiritual imagination that remains the wellspring of human culture. Drawn from diverse realms--of avant-garde art, anthropology, textual criticism, literature, and speculative thought--this will be the definitive collection for decades to come--a volume whose very physical presence in the hand performs the rhetoric of its pages in offering its riches to the reader." - Johanna DruckerA Book of the Book consists of four sections: "Pre-faces" includes work by Rothenberg, Steve McCaffery, & bp Nichol, Keith A. Smith, Michael Davidson, Anne Waldman, Jacques Derrida, Edmond Jab�s (translated by Rosmarie Waldrop), among others; "The Opening of the Field" includes work by Gertrude Stein, William Blake, Susan Howe, Maurice Blanchot, Marjorie Perloff, Andr� Breton and Jerome McGann among others; "The Book is as Old as Fire & Water" includes work on Guruwari designs, novelty books, pattern poetry, celestial alphabets, among others, while "The Book to Come" presents work by Tom Phillips, Johanna Drucker, Alison Knowles, Charles Bernstein, Jess (a complete re-issue of his 1960 work "O!"), Ian Hamilton Finlay, Barbara Fahrner and many others.

    Pearl and her co-authors attempt to ease the process with this helpful guide to the most elusive genre. Covering 1,000 novels, many of them award winners, the book organizes titles according to their major appeal characteristics (e.g., language, setting, story, and character) as delineated by Saricks and Brown in their standard text, Readers' Advisory Service in the Public Library, 2d ed., (ALA, 1997). For each book there is a plot summary, indications on the book's suitability for book discussion groups, and recommendations of similar titles. Awards are cited as well, and all titles mentioned are indexed by title, author, and subject. Describing some of the best literature published in the United States and abroad in recent years, this book is an essential guide for readers' advisors, and a helpful collection development tool.

    This handy companion also covers all the best book-related markets, thrift shops, auctions, and fairs; major libraries and literary museums; sites of literary interest, academic courses, and literary walks; and the best book-related web sites. It is an outstanding reference, complete with a general, area, and subject index.

    She also explores the literary concepts that subsequently developed out of new commercial practices, such as the rise of the "classic" text and the marketing of uniform series editions.Ezell's interdisciplinary approach draws together the history of the book and cultural history. The result allows the reader a glimpse of literary life as practiced by "social" authors in the context of the development of commercial publishing and the formalization of copyright laws defining texts and authors. Ezell examines how early modern publishers went about choosing books to publish and why some groups of writers—"social" authors—were successful without relying on the growing publishing and bookselling industries. She concludes that, especially for writers living away from large cities, privately produced and circulated manuscripts remained the best means of transmitting literary or academic work and achieving recognition as an author. An underlying question, Ezell notes, is whether the Internet will inspire the reemergence of the "social" author, whose work can be circulated to readers without the assistance of a publishing firm.

    Today she is more popular than ever. Natalie Tyler captures the essence of this enthusiasm in a book that shuns obscure academic approaches and provides lively discussions about every one of Austen's novels and characters. Readers can experience the highlights of Austen's early writings, learn about the man who almost won her hand, and puzzle over what on earth she meant by the last line of Persuasion. Tyler includes quizzes, eye-catching illustrations, interviews with Austen scholars and lovers of her work-such as Jane Smiley, T. C. Boyle, and Miss Manners-plus a filmography, a bibliography, and browsable quotes and sidebars to create this wildly entertaining Austen companion.

    Each interview gives a unique take on major issues: Communism, segregation, the Cold War, the sexual revolution, the drug culture, by major personalities. Impolite Interviews presents perspectives as diverse as George Lincoln Rockwell (then head of the American Nazi Party) and spiritual master Ram Dass. Krassner offers readers an illuminating look at some of the most important figures of the second half of this century through the eyes of one of this era's most innovative journalists.

    From Little Nell to Miss Havisham, these girls and women speak to audiences today, making readers laugh and sometimes cry. The popular British actress Miriam Margolyes will be touring the world in 2012, the bicentenary of Dickens birth, with a one-woman show about Dickens' women, and this book accompanies the show by building on the script and expanding to include many more of the female characters Dickens described and analyzed so astutely in his novels. "Mrs Pipchin was a marvellous ill-favoured, ill-conditioned old lady, of a stooping figure, with a mottled face, like bad marble, a hook nose, and a hard grey eye, that looked as if it might have been hammered at on an anvil without sustaining any injury."

    She questions their ability to portray strong, independent women, and asks why the female authors often resort to the conventions of society, marrying the characters off into a life of domesticity.