But there’s a catch. She must return to the mindset that bound her to him. The mindset the killer still seeks from her.But choosing to help Daniels and Remalla will not only risk her life but also her heart, when she falls for one of them, drawing the attention of the man she’s driven to capture.After losing everything, can she find the courage to face the murderer who took it all away, and who is eager to do it again?First Cut is the first book in the new series from award-winning author J. T. Bishop featuring Detectives Gordon Daniels and Aaron Remalla. If you love gripping suspense, enticing romance, charismatic characters, and a story that will keep you up at night, then pick up First Cut today.

    Now, no one remembers her hardworking life and her grand dreams--but she remembers. She remembers everything. Emma Rose still walks the coves and cliffs of her village, one hundred years after her death . . . and she doesn't plan on leaving.But when a determined hunter arrives with instructions to "clean" Emma Rose out of her haunt, the stately Lambry mansion, death suddenly isn't the worst fate imaginable. Emma Rose refuses to be hounded from the only place she's ever found peace, even if it means waging a war on the living . . . and the dead.Lyrical and haunting, this spellbinding American ghost story alternates between Emma Rose's life and afterlife as the past and present become entwined in a compelling tale of love, loss, and tenacity over a century in the making.

    Her new home is tucked away at the edge of a cemetery, surrounded on all sides by gravestones: some recent, some hundreds of years old, all suffering from neglect.And in the darkness, she can hear the unquiet dead whispering.The cemetery is alive with faint, spectral shapes, led by a woman who died before her time... and Keira, the only person who can see her, has become her new target. Determined to help put the ghost to rest, Keira digs into the spirit's past life with the help of unlikely new friends, and discovers a history of deception, ill-fated love, and murder.But the past is not as simple as it seems, and Keira's time is running out. Tangled in a dangerous web, she has to find a way to free the spirit... even if it means offering her own life in return.

    An elderly woman who knows that death is close, but learns how to cheat it... A child with a dangerous friend who happens to be invisible... A ghost who can't stop reliving his suicide over and over again... People you'll wish you never have to meet, and stories you'll never forget. Skilfully translated into English for the very first time, these chilling tales from master storyteller Ratnakar Matkari are bound to keep readers of all ages up at night. With every page you turn, you'll be looking over your shoulder to make sure no one's there. Look again. Maybe there is!

    Now three generations of women must navigate their chilling new reality in this moving exploration of identity, cycles of abuse, and hope. Chelsea Martin appears to be the perfect housewife: married to her high school sweetheart, the mother of two daughters, keeper of an immaculate home. But Chelsea's husband has turned their house into a prison; he has been abusing her for years, cutting off her independence, autonomy, and support. She has nowhere to turn, not even to her narcissistic mother, Patricia, who is more concerned with maintaining the appearance of an ideal family than she is with her daughter's actual well-being. And Chelsea is worried that her daughters will be trapped just as she is--then a mysterious illness sweeps the nation. Known as The Violence, this illness causes the infected to experience sudden, explosive bouts of animalistic rage and attack anyone in their path. But for Chelsea, the chaos and confusion the virus causes is an opportunity--and inspires a plan to liberate herself from her abuser.

    

    The dream rushes back to me. We were falling, clutching at each other, with twisting darkness all around us... The girl looks up at me and I realize I've stopped walking and am staring at her. I see something in her eyes, something like recognition.AIMEEAnd in that second I know, absolutely know, that something in my life has changed irrevocably. This is the guy from my dreams. Right here. And we are going to have to do something, save something, together. I just don't know what.TOGETHERAlan and Aimee have just met, but already they are bound to each other by something they can't quite name. Something that rattles the windows, haunts the waters... and threatens to tear them apart before they get a chance to find out what their connection means.

    Sadly, Nina’s uterus refuses to cooperate. One drunken evening, Nina asks Georgie for the ultimate favour: would she carry a baby for her? Georgie says yes – and spends the next nine months wondering why!With intense bacon-and-egg roll cravings and distant memories of what her feet look like, Georgie tries to keep it all together in her dream job as the editor of Jolie magazine. Her love life’s a mess – and sauvignon blanc’s off the menu – leaving Georgie to deal with twists in her life she never expected.

    R. James is best remembered for his ghost stories which are widely regarded as among the finest in English literature. One of James' most important achievements was to redefine the ghost story for the new century by dispensing with many of the formal gothic trappings of his predecessors, and replacing them with more realistic contemporary settings.According to James, a story must "put the reader into the position of saying to himself: 'If I'm not careful, something of this kind may happen to me!'"

    His estranged family—bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna—have arrived for their inheritance. But the Walkers are not alone. Prim Alice and the cynical Sandra, long dead former residents bound to the house, linger within its claustrophobic walls. Jostling for space, memory, and supremacy, they observe the family, trading barbs and reminiscences about their past lives. Though their voices cannot be heard, Alice and Sandra speak through the house itself—in the hiss of the radiator, a creak in the stairs, the dimming of a light bulb. The living and dead are each haunted by painful truths that will soon surface with explosive force. When a new ghost appears, and Trenton begins to communicate with her, the spirit and human worlds collide—with cataclysmic results.

    Through Cyrus, Jack receives a full education in all usual subjects―economics, literature, mathematics, history―as well as one unique skill useful to a person in Cyrus's position: assassination. With the help of Roland James, a man incapable of dying, Cyrus hones Jack into the perfect weapon to use against all who oppose him.It is not long, however, before Jack discovers that Cyrus and Roland are not the only ones living in Cyrus’s mansion. There, too, exists a mysterious creature in the depths of the house with supposed immortal magic. According to Roland, this creature is responsible for all the miraculous things Jack has witnessed throughout her childhood, including Roland’s resurrection. The creature, potent and powerful, only weakens in the presence of Cyrus’s red velvet box―a dark, enchanted tool that grants Cyrus his invincibility and ensures his reign.Lonely and terrified by her life in the cult, under Cyrus's neverending watch, Jack desperately pursues the mysterious being. When they finally meet, her world is turned upside down, as he offers her more than she could have ever expected―the possibility of escape and her own secret, magical power.

    except for a daughter of her very own. So when she sees Kim—heavily pregnant, glued to her phone and ignoring her eldest child in a busy shop—she does what anyone would do. She takes her. But little foul-mouthed Tonya is not the daughter that Mummy was hoping for.Meanwhile Kim is demonised by the media as a 'scummy mummy', who deserved to lose Tonya and ought to have her other children taken too. Haunted by memories of her own childhood and refusing to play by the media's rules, she begins to spiral, turning on those who love her.Though they are worlds apart, Mummy and Kim have more in common than they could possibly imagine. But it is five-year-old Tonya who is caught in the middle...

    Dunvegan School for Girls has been closed for many years. Converted into a family home, the teachers and students are long gone. But they left something behind...Sophie arrives at the old schoolhouse to spend the summer with her cousins. Brooding Cameron with his scarred hand, strange Lilias with a fear of bones and Piper, who seems just a bit too good to be true. And then there's her other cousin. The girl with a room full of antique dolls. The girl that shouldn't be there. The girl that died.

    Ranging from the Caribbean to Vietnam to the American Midwest and spanning decades of tumultuous history, these books are both unforgettable narratives and indelible portraits of people in extremis, struggling to survive in a world marked by grief, loss, pain, trauma, and homicidal madness. The four stories gathered here are offshoots of that larger fictional universe. Each one stands entirely on its own. Together, they shine a revelatory light on the mysteries and hidden corners of the novels that inspired them."Blue Rose" recounts a defining moment in the childhood of Koko's Harry Beevers, the moment when the ten-year-old Harry discovers his capacity for violence and brutality. "The Juniper Tree" describes, with almost unbearable clarity, a lonely young boy's encounter with adult betrayal, and with the darker aspects of human sexuality. "The Ghost Village" takes us to the phantasmagoric landscape of Vietnam, where the barriers between the living and the dead begin to dissolve, to mesmerizing effect. "Bunny is Good Bread" is arguably Straub's single most harrowing story. With relentless attention to detail, it anatomizes the creation of a human monster through abuse, cruelty, and neglect.These disturbing, beautifully written stories have a moral weight and emotional resonance that only the finest fiction achieves. They are the clear product of a master storyteller at the very top of his game. No one who reads them is likely to forget them, or come away unchanged.

    One Chance.When Lizzie's car crashes with her two daughters inside, she faces a terrible choice. And when she recovers from her injuries, she has to deal with the impact of that tragedy as well as the police investigation into it.As Lizzie and her family struggle to come to terms with the events of that night, things take an even darker turn. Just what did happen on that remote country road? Who is responsible? And can the family get through this together...Or will the truth finally tear them apart?A stunning, deeply emotional and beautifully realised cross between SOPHIE'S CHOICE and DAUGHTER.