Her drive, her ambition, her independence. She’s an enigma, and people often hate what they don't understand. But, to William, she's the perfect woman, and he will stop at nothing to solve the mystery of her.Cara is a top law student in London. She's got her life together and is dead set on realising her ambitions, so finding a romantic partner is not among her priorities – at least for now. Besides, she’s whole all on her own – she doesn’t need a man in order to feel complete. With loyal, genuine friends, a supportive family and an overall comfortable lifestyle, Cara is happy with her life as it is. So, when William crosses her path, it throws a real spanner in the works.The dashing lawyer boasts the most merciless tongue Cara has ever come across, whether it’s in debate or in bed. Blunt and sharply clever, he ticks every box, and even adds some of his own – things Cara never knew she desired in a man. Before long, he puts her convictions on trial, and he drives a ferocious prosecution. Cara finds it hard to resist him, but being together could have disastrous consequences. If William wins the trial, she may lose more than just her heart.Packed with complex characters, steamy scenes and cheeky dialogue, The Night series is sure to bring you on a journey of laughter, frustration, tears, and deep reflections you won't forget anytime soon. Warning:  This is not your typical romance story. Consider skipping this book if you’re looking for a wholesome, comfortable read. The characters are very flawed and are written that way intentionally, as this series has a particular focus on character complexity and development. It is not a plot-driven story.This book contains several sexually explicit scenes. It is intended for mature audiences.Skin of the Night is the first book in The Night series. Books 3 & 4 haven't been published yet.

    Its Philosophy 101 for everyone who knows not to take all this heavy stuff too seriously. Some of the Big Ideas are Existentialism (what do Hegel and Bette Midler have in common?), Philosophy of Language (how to express what its like being stranded on a desert island with Halle Berry), Feminist Philosophy (why, in the end, a man is always a man), and much more. Finally it all makes sense!

    But this is no ordinary mummy. Not only is it dressed in the manner of a commoner, it also contains a few blood cells that only seem dormant. Becky Ryan, a museum researcher, receives a macabre message from her father, just before he is found dead and follows the clues to uncover what is either a massive hoax, or the greatest ever discovery in the history of mankind. What she uncovers is beyond her wildest dreams…..and darkest nightmares

    She is headed for the Panopticon, a home for chronic young offenders. She can't remember what’s happened, but across town a policewoman lies in a coma and Anais’s school uniform is covered in blood.Raised in foster care from birth and moved through twenty-three placements before she even turned seven, Anais has been let down by just about every adult she has ever met. Now a counter-culture outlaw, she knows that she can only rely on herself. And yet despite the parade of horrors visited upon her early life, she greets the world with the witty, fierce insight of a survivor.Anais finds a sense of belonging among the residents of the Panopticon – they form intense bonds, and she soon becomes part of an ad hoc family. Together, they struggle against the adults that keep them confined. When she looks up at the watchtower that looms over the residents though, Anais knows her fate: she is an anonymous part of an experiment, and she always was. Now it seems that the experiment is closing in.Named one of the best books of the year by the Times Literary Supplement and the Scotsman, The Panopticon is an astonishingly haunting, remarkable debut novel. In language dazzling, energetic and pure, it introduces us to a heartbreaking young heroine and an incredibly assured and outstanding new voice in fiction.

    To Annabel, he is an awakening from the darkness that has engulfed her since Daniel's birth. To her son, a solitary boy caught up in the mythical world of fairy-tales, he is perhaps a prince in disguise or a magical woodchopper. But Daniel often struggles to tell the difference between fantasy and reality, and Hans has plans to spin a special sort of web to entrap mother and son for his own needs.

    For the first time in one edition, Richard Laymon's acclaimed Beast House Series: The Cellar, The Beast House, The Midnight Tour and Friday Night in Beast House.The deeper you go into the Beast House, the darker the nightmares become. If you have nerves of steel and are looking for excitement and adventure, why not take the tour? But don't even think about going into the cellar...

    He loved a challenge. He pushed himself, and worked hard to help others realise their potential.In June 2009, Jim was diagnosed with cancer and given nine months to live. The diagnosis caught him by surprise - he was 43, healthy and fit - and he didn't have time for illness. He was a busy father, husband, brother, mentor, businessman and president of Melbourne Football Club.Knowing his odds weren't good, Jim gave his all to trying to beat the disease. He embraced life, and made his journey public. His ability to use mind over matter, to never give in, to overcome pain, to believe in himself and his will to succeed gave him two extra years on the prognosis. He defied expectations time and time again.Unflinching in its honesty, this is an extraordinary insight into a man who lived fearlessly, with a vision for how to achieve the best life possible. Jim Stynes' legacy is an inspiring story about getting the most out of every single day, whatever you do.

    Books tell you what to believe.Books explain the world around you.What if a book had been written to explain a world constructed for you?What if that world suddenly fell apart?Calamity Leek needs a new book, but she's going to have to write it herself.

    Only when Lieutenant Larry Foggia is assigned to the case does the true horror of the killer's motive come to light.

    An inveterate womaniser and rogue, he and his gang make a living on the wrong side of the law, avoiding the heavily armed flying frigates of the Coalition Navy. With their trio of ragged fighter craft, they run contraband, rob airships and generally make a nuisance of themselves. So a hot tip on a cargo freighter loaded with valuables seems like a great prospect for an easy heist and a fast buck. Until the heist goes wrong, and the freighter explodes. Suddenly Frey isn't just a nuisance anymore - he's public enemy number one, with the Coalition Navy on his tail and contractors hired to take him down. But Frey knows something they don't. That freighter was rigged to blow, and Frey has been framed to take the fall. If he wants to prove it, he's going to have to catch the real culprit. He must face liars and lovers, dogfights and gunfights, Dukes and daemons. It's going to take all his criminal talents to prove he's not the criminal they think he is ...

    Nora, at first, recounts nothing that Effie really wants to hear--like who her real father was. Effie tells various versions of her life at college, where in fact she lives in a lethargic relationship with Bob, a student who never goes to lectures, seldom gets out of bed, and to whom Klingons are as real as Spaniards and Germans.But as mother and daughter spin their tales, strange things are happening around them. Is Effie being followed? Is someone killing the old people? And where is the mysterious yellow dog?In a brilliant comic narrative which explores the nonsensical power of language and meaning, Kate Atkinson has created another magical masterpiece.

    But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even what little humanity and dignity the work still has.The Pale King remained unfinished at the time of David Foster Wallace's death, but it is a deeply compelling and satisfying novel, hilarious and fearless and as original as anything Wallace ever undertook. It grapples directly with ultimate questions--questions of life's meaning and of the value of work and society--through characters imagined with the interior force and generosity that were Wallace's unique gifts. Along the way it suggests a new idea of heroism and commands infinite respect for one of the most daring writers of our time.

    They ask us to think about our relationship to desire and exploitation. They are both nostalgic for, and exhausted by, the pursuit of an endless summer.‘The intricate politics woven into Tibble’s poetry give her writing strength and purpose.’ —Winnie Siulolovao Dunn, Cordite Poetry Review‘Tibble speaks about beauty, activism, power and popular culture with compelling guile, a darkness, a deep understanding and sensuality.’ —Hinemoana Baker‘The poetry is utterly agile on the beam of its making. There is brightness, daring and sure-footedness.’ —Paula Green, NZ Poetry Shelf‘It demonstrates the power of all paradigm-shifting books – which is to fold up previously knotty stumbling blocks like they are furniture left out in the rain, and then replace it with an enlarged space.’ —John Freeman, LitHubTayi Tibble (Te Whānau ā Apanui/Ngāti Porou) was born in 1995 and lives in Wellington. Her first book, Poūkahangatus, won the Jessie Mackay Best First Book of Poetry Award in 2019.

    Well known for writing out the heartache and melancholia, this title explores the softer side of Savage, one not many are privileged to. She pours over the pages with a full love, one returned. You'll find no sadness or unrequited feelings in here. This is the real, heartfelt musings of a woman in love.

    For Lucy Ashton and Edgar Ravenswood, acts of heroism are thwarted and love is doomed by social, political and historical division. This edition restores the action to the years of uncertainty and political flux before the Union of Scotland and England in 1707, rather than after, as Scott's later revision had placed it.