A man travels to his son’s school to deal with the fallout of a violent attack and to make sure his son will not lose his college place. But what exactly has his son done? And who is to blame? A young woman trying to make it in LA, working in a clothes shop while taking acting classes, turns to a riskier way of making money but will be forced to confront the danger of the game she’s playing. And a family coming together for Christmas struggle to skate over the lingering darkness caused by the very ordinary brutality of a troubled husband and father.These outstanding stories examine masculinity, male power and broken relationships, while revealing – with astonishing insight and clarity – those moments of misunderstanding that can have life-changing consequences. And there is an unexpected violence, ever-present but unseen, in the depiction of the complicated interactions between men and women, and families. Subtle, sophisticated and displaying an extraordinary understanding of human behaviour, these stories are unforgettable.

    And the discovery of her corpse—by a group of children playing near the irrigation canals—propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.Like Roberto Bolano’s 2666 or Faulkner’s greatest novels, Hurricane Season takes place in a world filled with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more terrifying and more terrifyingly real the deeper you explore it.

    “But a real cowboy is hard to find these days, even in the West.”In Pam Houston’s “bright, edgy, and ruefully self- aware” (Boston Globe) collection of stories, we meet smart women who are looking for the love of a good man, and men who are wild and hard to pin down. Our heroines are part daredevil, part philosopher, all acute observers of the nuances of modern romance.“[Houston] takes women into grand spaces, both emotional and physical, and isolates them until there’s nothing left to do but sit down and take a hard look at one’s soul” (Los Angeles Times). Cowboys Are My Weakness is an “exhilarating” (Washington Post) and realistic look at men and women— together and apart.

    instead, she finds her plans wrecked by her best friend's deaf-mute son, thrust into her reluctant care. But when a shared lottery ticket nets the two of them over 40 million kroner, she and the boy head off on a road trip across iceland, taking in cucumber-farming hotels, dead sheep, and any number of her exes desperate for another chance. Blackly comic and uniquely moving, Butterflies in November is an extraordinary, hilarious tale of motherhood, relationships and the legacy of life's mistakes.

    In eleven chapters, "Kalpa Imperial"'s multiple storytellers relate the story of a fabled nameless empire which has risen and fallen innumerable times. Fairy tales, oral histories and political commentaries are all woven tapestry-style into Kalpa Imperial: beggars become emperors, democracies become dictatorships, and history becomes legends and stories. But this is much more than a simple political allegory or fable. It is also a celebration of the power of storytelling. Gorodischer and translator Ursula K. Le Guin are a well-matched, sly and delightful team of magician-storytellers. Rarely have author and translator been such an effortless pairing. "Kalpa Imperial" is a powerful introduction to the writing of Angelica Gorodischer, a novel which will enthrall readers already familiar with the worlds of Le Guin.Selected for the "New York Times" Summer Reading list.* "The dreamy, ancient voice is not unlike Le Guin's, and this collection should appeal to her fans as well as to those of literary fantasy and Latin American fiction."--"Library Journal" (Starred Review)"There's a very modern undercurrent to the Kalpa empire, with tales focusing on power (in a political sense) rather than generic moral lessons. Her mythology is consistent--wide in scope, yet not overwhelming. The myriad names of places and people can be confusing, almost Tolkeinesque in their linguistic originality. But the stories constantly move and keep the book from becoming overwhelming. Gorodischer has a sizeable body of work to be discovered, with eighteen books yet to reach English readers, and this is an impressive introduction."--"Review of Contemporary Fiction""Borges and Cortazar are alive and well."--"Bridge Magazine""Those looking for offbeat literary fantasy will welcome "Kalpa Imperial: The Greatest Empire That Never Was, " by Argentinean writer Angelica Gorodischer. Translated from the Spanish by Ursula Le Guin, this is the first appearance in English of this prize-winning South American fantasist."--"Publishers Weekly""It's always difficult to wrap up a rave review without babbling redundant praises. This time I'll simply say "Buy this Book!""--"Locus""The elaborate history of an imaginary country...is Nabokovian in its accretion of strange and rich detail, making the story seem at once scientific and dreamlike."--"Time Out New York""Kalpa Imperial" has been awarded the Prize "Mas Alla" (1984), the Prize "Sigfrido Radaelli" (1985) and also the Prize Poblet (1986). It has had four editions in Spanish: Minotauro (Buenos Aires), Alcor (Barcelona), Gigamesh (Barcelona), and Planeta Emece Editions (Buenos Aires).Praise for the Spanish-language editions of "Kalpa Imperial" "Angelica Gorodischer, both from without and within the novel, accomplishes the indispensable function Salman Rushdie says the storyteller must have: not to let the old tales die out; to constantly renew them. And she well knows, as does that one who met the Great Empress, that storytellers are nothing more and nothing less than free men and women. And even though their freedom might be dangerous, they have to get the total attention of their listeners and, therefore, put the proper value on the art of storytelling, an art that usually gets in the way of those who foster a forceful oblivion and prevent the winds of change."--Carmen Perilli, "La Gaceta," Tucuman"At a time when books are conceived and published to be read quickly, with divided attention in the din of the subway or the car, this novel is to be tasted with relish, in peace, in moderation, chewing slowly each and every one of the stories that make it up, and digesting it equally slowly so as to properly assimilate it all."--Rodolfo Martinez"A vast, cyclical filigree . . . Gorodischer reaches much farther than the common run of stories about huge empires, maybe because she wasn't interested in them to begin with, and enters the realm of fable, legend, and allegory."--Luis G. Prado, "Gigamesh," Barcelona

    Traditional resources—home, parents, lovers, friends, even willpower—are not dependable. And so the characters in these short, compelling stories have learned to depend on small triumphs of wit, irony, and spirit.A widow, surrounded by a small menagerie, comes to terms with her veterinarian husband's death; a young woman entertains her dying friend with trivia and reaffirms her own life; in the aftermath of an abortion, a woman compulsively knits a complete wardrobe for a friend's baby. Buffeted by rude shocks, thwarted by misconnections, the characters recognize that anything can finally become a reason to live.

    “If you know exactly what you are going to get from the experience of reading a story, you probably wouldn’t go looking for it; you need, in order to be an open reader of fiction, to be willing. To cast a vote for what you love and then wait for the outcome,” writes Meg Wolitzer in her introduction. The Best American Short Stories 2017 casts a vote for and celebrates all that is our country. Here you’ll find a man with a boyfriend and a girlfriend, naval officers trapped on a submarine, a contestant on America’s Funniest Home Videos, and a gay man desperate to be a father—unforgettable characters waiting for an outcome, burning with stories to tell.Maidencane / Chad B. Anderson --Are we not men? / T.C. Boyle --God's work / Kevin Canty --A small sacrifice for an enormous happiness / Jai Chakrabarti --Arcadia / Emma Cline --Hog for sorrow / Leopoldine Core --Campoamor / Patricia Engel --Richard of York gave battle in vain / Danielle Evans --Ugly / Mary Gordon --The midnight zone / Lauren Groff --The Chicane / Amy Hempel --Tally / Noy Holland --Gabe Dove / Sonya Larson --Let's go to the videotape / Fiona Maazel --Ancient Rome / Kyle McCarthy --Last day on earth / Eric Puchner --Novostroïka / Maria Reva --Telemachus / Jim Shepherd --Gender Studies / Curtis Sittenfeld --Famous actor / Jess Walter

    Laced through with the humor, the empathy, and the rare and magical descriptive powers that have led Elizabeth McCracken’s fiction to be hailed as “exquisite” (The New York Times Book Review), “funny and heartbreaking” (The Boston Globe), and “a true marvel” (San Francisco Chronicle), these nine vibrant stories navigate the fragile space between love and loneliness. In “Property,” selected by Geraldine Brooks for The Best American Short Stories, a young scholar, grieving the sudden death of his wife, decides to refurbish the Maine rental house they were to share together by removing his landlord’s possessions. In “Peter Elroy: A Documentary by Ian Casey,” the household of a successful filmmaker is visited years later by his famous first subject, whose trust he betrayed. In “The Lost & Found Department of Greater Boston,” the manager of a grocery store becomes fixated on the famous case of a missing local woman, and on the fate of the teenage son she left behind. And in the unforgettable title story, a family makes a quixotic decision to flee to Paris for a summer, only to find their lives altered in an unimaginable way by their teenage daughter’s risky behavior.   In Elizabeth McCracken’s universe, heartache is always interwoven with strange, charmed moments of joy—an unexpected conversation with small children, the gift of a parrot with a bad French accent—that remind us of the wonder and mystery of being alive. Thunderstruck & Other Stories shows this inimitable writer working at the full height of her powers.

     In Magical Mr. Goat, a young girl's imaginary friend yearns to become "more than friends." In Unprotected, an unused prophylactic recalls his years spent trapped inside a teen boy's wallet. The stories in Simon Rich's new book are bizarre, funny, and yet...relatable. Rich explores love's many complications-losing it, finding it, breaking it, and making it-and turns the ordinary into the absurd. With razor-sharp humor and illustrations, and just in time for Valentine's Day, Rich takes readers for an exhilarating, hilarious ride on the rollercoaster of love.

    While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.The husband stitch --Inventory --Mothers --Especially heinous --Real women have bodies --Eight bites --The resident --Difficult at parties

    In “Commuter Army” – a sly commentary on the ludicrousness of war – a weapons supplier whose rifles cease functioning after just one shot becomes an unwilling conscript in a war zone. “The World is Tilting” imagines a floating city that slowly begins to sink on one side, causing its citizens to reorient their daily lives to preserve a semblance of normality. In “Rumors About Me”, an ordinary office worker finds himself the subject of intense media scrutiny, his every action documented in the tabloids. And in the title story, we learn just how obscenely absurd the environment on Planet Porno can seem to a group of hapless research scientists.With a sharp eye towards the insanities of contemporary life, Yasutaka Tsutsui crafts in Salmonella Men on Planet Porno an irresistible mix of imagination, satiric fantasy, and truly madcap hilarity.Contents:- The Dabba Dabba Tree- Rumours About Me- Don't Laugh- Farmer Airlines- Bear's Wood Main Line- The Very Edge of Happiness- Commuter Army- Hello, Hello, Hello!- The World is Tilting- Bravo Herr Mozart!- The Last Smoker- Bad for the Heart- Salmonella Men on Planet Porno

    Nowhere are these qualities more ingeniously brought together than in the works of short fiction she wrote throughout her life.Published to coincide with the centennial of her birth, The Complete Stories of Leonora Carrington collects for the first time all of her stories, including several never before seen in print. With a startling range of styles, subjects, and even languages (several of the stories are translated from French or Spanish), The Complete Stories captures the genius and irrepressible spirit of an amazing artist’s life.

    The stories in Thomas Pierce’s Hall of Small Mammals take place at the confluence of the commonplace and the cosmic, the intimate and the infinite. A fossil-hunter, a comedian, a hot- air balloon pilot, parents and children, believers and nonbelievers, the people in these stories are struggling to understand the absurdity and the magnitude of what it means to exist in a family, to exist in the world. In “Shirley Temple Three,” a mother must shoulder her son’s burden—a cloned and resurrected wooly mammoth who wreaks havoc on her house, sanity, and faith. In “The Real Alan Gass,” a physicist in search of a mysterious particle called the “daisy” spends her days with her boyfriend, Walker, and her nights with the husband who only exists in the world of her dreams, Alan Gass.  Like the daisy particle itself—“forever locked in a curious state of existence and nonexistence, sliding back and forth between the two”—the stories in Thomas Pierce’s Hall of Small Mammals are exquisite, mysterious, and inextricably connected. From this enchanting primordial soup, Pierce’s voice emerges—a distinct and charming testament of the New South, melding contemporary concerns with their prehistoric roots to create a hilarious, deeply moving symphony of stories.

    These stories are explorations of the extreme in human behaviour, where the bizarre chills the spine, and few authors can match Grabinski's depiction of seething sexual frenzy. The Dark Domain will introduce to English readers one of Europe's most important authors of literary fantasy.

    Time shifts from one consciousness to another in a hypnotic flow of dreams, desires, and memories, a world of ghosts dominated by the figure of Pedro Páramo - lover, overlord, murderer.Rulfo's extraordinary mix of sensory images, violent passions, and unfathomable mysteries has been a profound influence on a whole generation of Latin American writers, including Carlos Fuentes, Mario Vargas Llosa, and Gabriel García Márquez. To read Pedro Páramo today is as overwhelming an experience as when it was first published in Mexico back in 1955.