Her fresh perspective on present-day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans. Keshavarz introduces readers to two modern Iranian women writers whose strong and articulate voices belie the stereotypical perception of Iranian women as voiceless victims in a country of villains. She follows with a lively critique of the recent best-seller Reading Lolita in Tehran: A Memoir in Books, which epitomizes what Keshavarz calls the New Orientalist narrative, a view marred by stereotype and prejudice more often tied to current geopolitical conflicts than to an understanding of Iran. Blending in firsthand glimpses of her own life--from childhood memories in 1960s Shiraz to her present life as a professor in America--Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity. With a scholar's expertise and a poet's hand, she helps amplify the powerful voices of contemporary Iranians and leads readers toward a deeper understanding of the country's past and present.In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans. She warns against the rise of what she calls the New Orientalist narrative, which thrives on stereotype and prejudice and is often tied to current geopolitical conflict rather than an understanding of Iran. Keshavarz offers a lively critique of the best-seller Reading Lolita in Tehran, which she says epitomizes this New Orientalist attitude. Blending in firsthand glimpses of her own life, Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity.

    Yet media interest and extensive coverage has tended to hinder rather than help our understanding of Iran as an idea, an identity, and a people, leading to a superficial understanding of what is a complex and nuanced political culture and civilization. This Very Short Introduction presents a radical reinterpretation of Iranian history and politics, placing the Islamic Revolution in the context of a century of political change and social transformation. By considering the various factors that have contributed towards the construction of the idea of Iran and the complex identity of Iranians themselves, Ali Ansari steers a clear path towards a more realistic understanding for us all.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

    Drawn from the first-hand accounts of eyewitnesses, Roy Mottahedeh's account of Islam and politics in revolutionary Iran is widely regarded as one the best records of that turbulent time ever written.

    is a sweeping saga that tells the story of the Soleymans, an Iranian Jewish family tormented for decades by Raphael's Son, a crafty and unscrupulous financier who has futilely claimed to be an heir to the family's fortune. Forty years later in contemporary Los Angeles, Raphael's Son has nearly achieved his goal--until he suddenly disappears, presumed by many to have been murdered. The possible suspects are legion: his long-suffering wife; numerous members of the Soleyman clan exacting revenge; the scores of investors he bankrupted in a Ponzi scheme; or perhaps even his disgruntled bookkeeper and longtime confidant.Award-winning novelist Gina B. Nahai pulls back the curtain on a close-knit community that survived centuries of persecution in Iran before settling and thriving in the United States, but now finds itself divided to the core by one of its own members. By turns hilarious and affecting, The Luminous Heart of Jonah S. examines the eternal bonds of family and community, and the lasting scars of exile.

    Their collective goal is to counter the many existing cultural and political clich�s about Iran. Some of the pieces concern feminism, sexuality, or eroticism under the Islamic Republic; others are unorthodox political testimonies or about race and religion. Almost all these contributors have broken artistic and cultural taboos in their work.Journalist Reza Aslan, author of No God But God, explains why Iran is not a theocracy but, rather, a mullahcracy. Mehrangiz Kar, a lawyer and human rights activist who was jailed in Iran and is currently a fellow at Harvard's Kennedy School of Government, argues that the Iranian Revolution actually engendered the birth of feminism in Iran. Journalist Azadeh Moaveni reveals the underground parties and sex culture in Tehran, while Gelareh Asayesh, author of Saffron Sky, writes poignantly on why Iranians are not considered white in America, even though they think they are. Poet and writer Naghmeh Zarbafian expounds on the surreal experience of reading censored books in Iran, while Roya Hakakian, author of Journey from the Land of No: A Girlhood Caught in Revolutionary Iran, recalls the happy days of Iranian Jews. With a sharp, incisive introduction by Lila Azam Zanganeh, this diverse collection will alter what you thought you knew about Iran.My Sister, Guard Your Veil; My Brother, Guard Your Eyes aims to corrode fixed ideas and turns cultural and political clich�s on their heads . . . Iranians themselves live in a complex and schizophrenic reality, at a surreal crossroads between political Islam and satellite television, massive national oil revenues, and searing social inequalities.--From the Introduction by Lila Azam ZanganehContributors include: Azar Nafisi, author of the best-selling Reading Lolita in Tehran, Marjane Satrapi, author of Persepolis, Shirin Neshat, internationally acclaimed visual artist, Abbas Kiarostami, award-winning filmmaker of Taste of Cherry, Shohreh Aghdashloo, Oscar nominee for House of Sand and Fog, Azadeh Moaveni, author of Lipstick Jihad

    Its method is two-fold. First it presents five important lectures on Persian poetry given by Pir-o-Murshid Inayat Khan, who brought Sufis to the West. Then it offers fresh translations by the poet Coleman Barks of some of the poetry Inayat Khan discusses, designed to provide readers with ready access to at least a sample of this wondrous literature, still not easy to find in English. Thus the book presents a brief, but reasonably comprehensive, introduction to one of the great literatures of the world, until recently ignored in the West.

    An original epic fantasy novella by Stephen Aryan focusing on a fan-favourite character from Battlemage: the gruff and mysterious warrior know as Vargus.

    Sifaalgar is a story about different Human from different regions.Bushra Saeed very beautifully focused on the characterization.The main theme of this novel revolves around one of the elements of life SIFAAL(In urdu) means Soil.Soil is one of the most important element in the human life.It is one of the basic elements present in Human,Life,Earth and everywhere.Sifaalgar is a story of all the ups and downs that are embedded in Human Psychology,Faith and beliefs due to social,cultural or religious pressure.She depicted the society as a Kumhaar(in urdu) means Potter.This potter is present in different forms,different relation in form of a mother,father,teacher,friend,leader...Sifaalgar is a story of characters belonging to 2 different eras.Both eras are entirely different and Bushra Saeed depicted the plot,the characterization,the scene depiction so wonderfully that one can hardly find any flaw in it.Main Protagonists of Sifaalgar includes Ibraheem,Ahmed(Grant),Parniyaan,Alba Marsello,Umar,Sofia and Hakeem Begum all belongs to different eras have got different priorities about life but they are knitted so wonderfully that one cannot leave the book unread.In short Sifaalgar is a book which actually reduced my thirst for reading a fine piece of Literature after a very very long time.

    . .Judy Nunn's latest bestselling novel will take you from the cotton mills of England to the magnificent theatres of Melbourne, on a scintillating journey through the golden age of Australian showbusiness.'So, Will, are you going to come with me and my team of merry performers to the sunny climes of Australia, where the crowds are already queuing and the streets are paved with gold?'In the second half of the 19th century, Melbourne is a veritable boom town, as hopefuls from every corner of the globe flock to the gold fields of Victoria.And where people crave gold, they also crave entertainment.Enter stage right- brothers Will and Max Worthing and their wives Mabel and Gertie. The family arrives from England in the 1880s with little else but the masterful talents that will see them rise from simple travelling performers to sophisticated entrepreneurs.Enter stage left- their rivals, Carlo and Rube. Childhood friends since meeting in a London orphanage, the two men have literally fought their way to the top and are now producers of the bawdy but hugely popular 'Big Show Bonanza'. The fight for supremacy begins.Waiting in the wings- Comedy, tragedy, passion and betrayal; economic depression, a pandemic and the horrors of World War One...

    The essays in this book challenge that view, arguing that Khomeini and his Islamic movement should be seen as a form of Third World political populism—a radical but pragmatic middle-class movement that strives to enter, rather than reject, the modern age.Ervand Abrahamian, while critical of Khomeini, asks us to look directly at the Ayatollah's own works and to understand what they meant to his principal audience—his followers in Iran. Abrahamian analyzes political tracts dating back to 1943, along with Khomeini's theological writings and his many public statements in the form of speeches, interviews, proclamations and fatwas (judicial decrees). What emerges, according to Abrahamian, is a militant, sometimes contradictory, political ideology that focuses not on issues of scripture and theology but on the immediate political, social, and economic grievances of workers and the middle class.These essays reveal how the Islamic Republic has systematically manipulated history through televised "recantations," newspapers, school textbooks, and even postage stamps. All are designed to bolster the clergy's reputation as champions of the downtrodden and as defenders against foreign powers. Abrahamian also discusses the paranoia that permeates the political spectrum in Iran, contending that such deep distrust is symptomatic of populist regimes everywhere.

    In an era of escalating tensions in the Middle East, his defiant moral voice and eloquent account of a national struggle for freedom and democracy against the overwhelming backdrop of U.S. military hegemony fills a crucial gap in our understanding of this country.

    Nearly two decades later, he would be received into the Catholic Church. In From Fire, by Water, he recounts this unlikely passage, from the strident Marxism and atheism of a youth misspent on both sides of the Atlantic to a moral and spiritual awakening prompted by the Mass. At once a young intellectual’s finely crafted self-portrait and a life story at the intersection of the great ideas and events of our time, the book marks the debut of a compelling new Catholic voice.“Sohrab Ahmari is emerging as one of the finest minds and writers of his generation, and the story of his conversion recounted here will stay with the reader for a very long time.” —Archbishop Charles J. Chaput, from the Foreword"[A] striking memoir." —Ross Douthat, The New York Times“Lives — indeed, as I believe, eternal destinies — will be changed by this book. I wish every angry young man who hates God could read this moving, challenging personal confession of a still-young man who has been where they are, and who gained wisdom and release.” —Rod Dreher, The American Conservative“If I could, I would order a copy for everyone graduating college this year. An urgent and compelling account of the search for truth.” —Ed Condon, Catholic News Agency“The author’s extraordinary gift for writing truly approaches, as best as one can at any given time, a true account of the incomparable beauty of the reality he recounts.” —Raymond Leo Cardinal Burke“Relentlessly honest, deeply moving, Sohrab Ahmari’s story of his intellectual and spiritual journey from dismissive disbelief to vibrant Catholic faith — a journey propelled by some intriguing companions, including Nietzsche, Camus, and Koestler — is food for both mind and soul and an important testimony to the invigorating power of truth.” —George Weigel, Author, Witness to Hope and The End and the Beginning“This book is a testimony of Eucharistic triumph. God seeks us and will transform us if we let Him. Sohrab Ahmari’s beautiful memoir will help all of us trust in God alone better.” —Kathryn Jean Lopez, Editor-at-Large of National Review “Remarkable. . . . From Fire, by Water is a spiritual memoir perfectly suited to our time.” —Jonathan V. Last, Commentary“[B]rave, honest and often very dramatic . . . a powerful story, powerfully told.” — The Tablet “Ahmari’s memoir took me to places I have never been, and gave me a fresh look at people and places that seemed very familiar. Most especially, Ahmari’s book explored a restless human heart, searching and seeking, until, quite unexpectedly, coming to rest in the Lord.” —JD Flynn, Catholic News Agency“Buy Sohrab’s superb book for its story of personal faith but also its revelations of life under a farcical theocracy.” —Tim Stanley, The Catholic Herald“If you're going to write a book about your religious conversion it'd better be a great yarn. And if you're going to write a memoir while you’re still in your early thirties you'd better be a great writer. In From Fire, by Water, Sohrab Ahmari has both boxes checked. . . . Ahmari is a precise and evocative writer, which makes From Fire, by Water easy reading and good reading.”—Matthew Hennessey, The University Bookman“Memoirs written by people who are still in their thirties are almost never of interest to anyone. Sohrab Ahmari’s, however, is a grand exception.” —Robert P. George, McCormick Professor of Jurisprudence, Princeton University“A thought-provoking story . . . a breath of fresh air . . .The author is a gifted wordsmith, ably portraying a variety of colorful scenes and scenarios — physical and philosophical.”—Lela Gilbert, Newsmax“[A] forthright and well-written spiritual memoir.” —Hannah Niemeier, The New Criterion“His book offers a long, candid, and unsparing look at the young Ahmari, at the Shi'ite Muslim society into which he was born in Iran, and the secular America where he came into maturity.” —Philip F. Lawler, Catholic Culture“From Fire, By Water is a book that I would place in the hands of any young, over-confident, over-zealous skeptic. It's a book that college-age kids need to read as they flirt, perhaps for the first time, with new ideas that sound avant-garde and rebellious for rebellion's sake, but only end up disappointing.” —Andrew Walker, The Public Discourse“[E]loquent prose and a compelling story.” —Madeleine Kearns, National Review“An arresting sort of modern-day permutation of St. Augustine’s Confessions. Like Augustine’s spiritual autobiography, Ahmari’s compellingly written memoir is punctuated with soul-aches and poignant laments for misspent time. It brims with final awe at the irruption of grace into a soul so wounded by sin.” —Julia Meloni, Crisis Magazine“A wonderful read for anyone who is seeking a deeper meaning to life, whether they be persons of devout faith or of none at all.” —Christine Rousselle, The Washington Examiner“An engaging account of [Ahmari’s] journey to faith. . . . extraordinary talents as a writer.” —R.R. Reno, First Things“Ahmari writes beautifully, and the story he tells is fascinating. . . . Although Ahmari’s context is a different one from [Thomas] Merton’s, more than once while reading the book I saw correlations between their autobiographies.” —Gregory Hillis, America“I thought From Fire, By Water was a story about conversion. But it's far more than that. It's about the journey of civilization and the great problems of our time.” —Seth Frantzman, The Jerusalem Post

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    He warns that great case must be taken in this day of search and upheaval to examine the prevailing movements that promise solutions for humanity.Marxism, which holds special appeal for the world's oppressed peoples and those sensitive to their suffering because of its emphasis on justice, merits particularly close scrutiny. Shari'ati analyzes its roots in materialism, its relation to the Hegelian dialectric, its preoccupation with matters of production, the sources of its diametrical opposition to Islam, Marx's objection to religion, and other crucial aspects to Marxism.But his attention is not confined to Marxism alone. He discusses the established religions, bourgeois liberalism, and existentialism, beginning with their fundamental notions of man. He examines the characteristic refusal of the major freedom-seeking movements of the nineteenth and twentieth centures to accept any spiritual dimension in man. Throughout hs inquiry, Shari'ati offers comparisons with the ideology of Islam, drawing upon the principles and precepts contained in the Qur'an as well as cultural material from the history of Islamic society. Gradually and eloquently, he expounds his persoai view of Islam as the philosophy of human liberation.

     Two royal brothers find themselves in the midst of an ancient struggle. One brother is on the hunt of a dreaded order of assassins deep in the barbarian kingdoms of old. The other refuses to be a pawn and seeks to walk his own path. Both are the instruments of destiny. An enemy that lurks in the shadows will strike out at the Free Nations threatening the very foundation holding them together and bringing them to the brink of war. Haven of Shadows is the first book in the Broken Crown trilogy, an epic fantasy that features fast-paced action and a breathtaking world of high adventure.