Fletcher Hanks worked for only a few years in the earliest days of the comic book industry (1939-1941). Because he worked in a gutter medium for second-rate publishers on third-rate characters, his work has been largely forgotten. But among aficionados he is legendary. At the time, comic books were in their infancy. The rules governing their form and content had not been established. In this Anything Goes era, Hanks' work stands out for its thrilling experimentation. At once both crude and visionary, cold and hot as hell, Hanks' work is hard to pigeon hole. One thing is for certain: the stuff is bent. Hanks drew in a variety of genres depicting science-fiction saviors, white women of the jungle, and he-man loggers. Whether he signed these various stories "Henry Fletcher" or "Hank Christy" or "Barclay Flagg" there is no mistaking the unique outsider style of Fletcher Hanks.Cartoonist Paul Karasik (co-adapter of Paul Auster's City of Glass, and co-author of The Ride Together: A Memoir of Autism in the Family) has spent years tracking down these obscure and hard to find stories buried in the back of long-forgotten comic book titles. Karasik has also uncovered a dark secret: why Hanks disappeared from the comics scene. This book collects 15 of his best stories in one volume followed by an afterword which solves the mystery of "Whatever Happened to Fletcher Hanks," the mysterious cartoonist who created a hailstorm of tales of brutal retribution...and then mysteriously vanished.2008 Eisner Award WINNER: Best Archival Collection/Project — Comic Books2008 Eisner Award Nominee: Best Short Story, "Whatever Happened to Fletcher Hanks?" by Paul Karasik

    It won the Guardian First Book Award 2001, the first graphic novel to win a major British literary prize.It is the tragic autobiography of an office dogsbody in Chicago who one day meets the father who abandoned him as a child. With a subtle, complex and moving story and the drawings that are as simple and original as they are strikingly beautiful, Jimmy Corrigan is a book unlike any other and certainly not to be missed.**ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

    In a dazzling work of graphic fiction, a surreal journey through a wonderland eerily like real life, The Book of Leviathan chronicles an infant's investigations into life's great mysteries. Endowed with a preternatural interest in metaphysics and philosophy, yet as confused as any innocent by the vagaries of adult behavior, little Levi bears the added burden of living in a world that can literally change at the stroke of a pen.Aided by a wise pet ("Cat") and a favorite toy ("Bunny"), Levi encounters a frothing ectoplasmic Hegel and a woefully off-the-mark Freud. In less heady adventures, Levi contemplates why his parents disappear at night (and whether he is wholeheartedly pleased when they return each morning); the regrettable liberties taken with the English language; and the relationship between Bennetton and Pablo Neruda.Peter Blegvad's Book of Leviathan assembles the cream from Levi and Cat's adventures, published in The Independent on Sunday newspaper in the twilight years of the old Millennium. Blegvad's darkly humorous work has been described by Matt Groening as "one of the weirdest things I've ever stared at". Quirky and referential, dark and droll by turn, it follows the faceless baby Levi's journeys into and out of the world. They are escapes, but as some sage once observed, only a jailer would consider the term "escapist" pejorative.

    He weighed five pounds, six ounces at birth—that's big for a kitten!—and right from the start showed a passion for Italian food. The restaurant owner, forced to choose between Garfield and closing his doors for lack of pasta, sold Garfield to a pet store. Garfield thought he was a goner until Jon Arbuckle walked in the door. The rest is history.

    And paperbacks! And ebooks! And bookstores! And libraries! Book Love is a gift book of comics tailor-made for tea-sipping, spine-sniffing, book-hoarding bibliophiles. Debbie Tung’s comics are humorous and instantly recognizable—making readers laugh while precisely conveying the thoughts and habits of book nerds. Book Love is the ideal gift to let a book lover know they’re understood and appreciated.

    His brash, confident, undulating artwork sent a shock wave through the comics world for its unique, fully formed aesthetic.From its opening pages, Ant Colony immerses the reader in a world that is darkly existential, with false prophets, unjust wars, and corrupt police officers, as it follows the denizens of a black ant colony under attack from the nearby red ants. On the surface, it’s the story of this war, the destruction of a civilization, and the ants’ all too familiar desire to rebuild. Underneath, though, Ant Colony plumbs the deepest human concerns—loneliness, faith, love, apathy, and more. All of this is done with humor and sensitivity, exposing a world where spiders can wreak unimaginable amounts of havoc with a single gnash of their jaws.DeForge’s striking visual sensibility—stark lines, dramatic color choices, and brilliant use of page and panel space—stands out in this volume.

    Crumb's Kafka is a vibrant biography that examines this Czech writer and his works in a way that a bland texbook never could! R. Crumb's Kafka goes far beyond being explication or popularization or survey. It's a work of art in its own right, a very rare example of what happens when one very idiosyncratic artist absorbs another into his worldview without obliterating the individuality of the absorbed one. Crumb's art is filled with Kafka's insurmountable neuroses. They are all there: Gregor Samsa's sister, the luscious Milena Jesenska, the Advacate's "nurse" Leni, Olda and Frieda, and the ravishing Dora Diamant-drawn in that mixture of self-commandtantalizing knowingness, and sly sexuality, that amazonian randines and thick-limbed physicality that is Crumb.Crumb's idiosyncratic illustrations add a new dimension to the already idiosyncratic world of Kafka. Includes adaptations of "The Judgment," "The Trial," "The Castle," "A Hunger Artist," and "The Metamorphosis."

    And, for better or worse, I 'jotted' them down. It was only later, when perhaps I received an angry letter from someone, that it struck me: Hey! Someone's been reading my diary!"Gary Larson, from the preface to The Complete Far SideRevered by its fans as the funniest, most original, most "What the ... ?"-inspiring cartoon ever, The Far Side® debuted in January 1980 and enjoyed an illustrious 14 years on the worlds comics pages until Gary Larson's retirement in 1994. The Complete Far Side celebrates Gary's twisted, irreverent genius in this ultimate Far Side book, a lavish production, which takes its place alongside collector's-edition art books.A masterpiece of comic brilliance, The Complete Far Side contains every Far Side cartoon ever syndicated over 4,000 if you must know presented in (more or less) chronological order by year of publication, with more than 1,100 thathave never before appeared in a book. Also included are additional Far Side cartoons Larson created afterhis retirement: 13 that appeared in the last Far Side book, Last Chapter and Worse, and six cartoons that periodically ran as a special feature in The New York Times Science Times section as The Far Side of Science.Creator Gary Larson offers a rare glimpse into the mind of The Far Side®in quirky and thoughtful introductions to each of the 14 chapters. Complaint letters, fan letters, and queries from puzzled readers appear alongside some of the more provocative or elusive panels. Actor, author,and comedian Steve Martin offers his pithy thoughts in a foreword, and GaryLarson's former editor describes what it was like to be "the guy who could explain every Far Side cartoon."The Complete Far Side © 2003 by FarWorks, Inc. All Rights Reserved. The Far Side ® and the Larson ® signature are registered trademarks of FarWorks, Inc.

    Read the whole story of "Life in Hell "RM" ," from early prehistory to late last night.

    Enlisting the help of their closest friends and colleagues, Georges Braque, Pablo Picasso, Erik Satie, Alice B. Toklas, and Guillaume Apollinaire, they set out to put a stop to the ghastly murders. Filled with danger, art history, and daring escapes, this is a wildly ingenious murder-mystery ride through the origins of modern art.

    It's an acknowledged bit of wisdom that authors all learn at one time or another: Don't let your publisher write the promotional material. Words like "countless millions," "knee-slapping hilarious," and "cult following" are found peppering one's sacred book jacket like pigeon droppings on a statue of the Virgin Mary...which naturally is how I think of my work.The truth is that the only "cult following" my comic strip had when this book appeared consisted of my mother. Bless her heart, she still reads it daily. She'll hand the funny page to me, point to it, scrunch her eyes together and say, "Honey, what were you trying to say here?" If opus spits watermelon seeds at Milo, she'll say to me, "So this is a sort of comment on the watermelon industry?" So you see, to my publisher and to my mother, I remain a victim of unrealistic expectations.In the meantime, please accept my apologies for the way Opus is drawn within this volume. I had no experience drawing birds in 1982 and you will notice that his beak tends to randomly shrink or expand. To this day, my mother thinks it symbolically represented the changing fortunes of my bachelor love life. Maybe it did, Mom, and maybe it didn't.Berke BreathedAugust 1987

    Designing a suit for himself and taking the name "Kick-Ass," Dave decides to make his dreary existence more exciting - and maybe even help some people in the process. But with no special powers and outmatched by New York City's most hardened criminals, Kick-Ass might be in for a little more than he bargained for. With his super-hero secret identity gaining fans due to a popular viral video, and other masked vigilantes beginning to make their presence felt in the city, Dave knows that his extracurricular activity is dangerous, maybe even stupid - but he's got the itch, and it ain't going away.COLLECTING: Kick-Ass 1-8

    Bonus features include lost strips, sketches, and a behind-the-scenes interview by "Wondermark"'s David Malki. Also includes an introduction by Diablo Cody.

    The excitement is fulfilling. The year is 1973. A priceless book has been stolen from the Oakland Public Library. A crack team of Bookhunters (aka. library police) have less than three days to recover the stolen item. It’s a race against the clock as our heroes use every tool in their arsenal of library equipment to find the book and the mastermind who stole it.Will the detectives catch this scoundrel? Find out in Bookhunter, the greatest comic of the new millennium. What a roller coaster ride of excitement! What an unexpected twist takes place! Do not begin Bookhunter unless you are prepared to finish it in one sitting.

    Classics from the website, including “Dear Sriracha Rooster Sauce,” “What It Means When You Say Literally,” and “What We Should Have Been Taught in Our Senior Year of High School,” are featured alongside never-before-seen works of epic hilarity that will delight veteran and newbie Oatmeal fans alike.Matthew Inman’s first collection of The Oatmeal.com spent six weeks on the New York Times bestseller list and sold 200,000 copies. This pivotal and influential comic collection titled 5 Very Good Reasons to Punch a Dolphin in the Mouth introduced Samurai sword-wielding kittens and informed us on how to tell if a velociraptor is having pre-marital sex. Matthew's cat-themed collection How to Tell If Your Cat Is Plotting to Kill You is a #1 New York Times bestseller and has sold over 350,000 copies. Now with Why Grizzly Bears Should Wear Underpants, Inman offers a delicious, tantalizing follow-up featuring all new material that has been posted on the site since the publication of the first book plus never-before-seen comics that have not appeared anywhere.  As with every Oatmeal collection, there is a pull-out poster at the back of the book.In this second collection of over 50 comics, you'll be treated to the hilarity of "The Crap We Put Up with Getting On and Off an Airplane," "Why Captain Higgins Is My Favorite Parasitic Flatworm," "This Is How I Feel about Buying Apps," "6 Things You Really Don't Need to Take a Photo of," and much more. Along with lambasting the latest culture crazes, Inman serves up recurrent themes such as foodstuffs, holidays, e-mail, as well as technological, news-of-the-day, and his snarky yet informative comics on grammar and usage. Online and in print, The Oatmeal delivers brilliant, irreverent comic hilarity.