On her way to deliver a basket of food to her sick grandmother, Elisabeth encounters a sly wolf.Book Details: Format: Library Binding Publication Date: 6/1/1982 Pages: 32 Reading Level: Age 5 and Up

    A young boy searches for his father, but before he can claim his heritage he must first prove his worthiness by passing through the four ceremonial chambers: the kiva of lions, the kiva of snakes, the kiva of bees, and the kiva of lightning. Striking in its simplicity and grace, Arrow to the Sun vividly evokes the Native American reverence for the source of all life--the Solar Fire.Winner of the Caldecott

    A new rendition of a beloved classic by award-winning author/illustrator team Jim Aylesworth and Barbara McClintock.Run! Run! Fast as you can! You can't catch me! I'm the Gingerbread Man! I've run from a husband! I've run from a wife! I've run from a butcher with a carving knife! I've run from a cow, and a muddy old sow, and I'll run from you, too! I can! I can!Jim Aylesworth's fresh, spirited tale --- to be read LOUD out loud --- and Barbara McClintock's expressive, exquisitely drawn characters combine to create a glorious new rendition of the favorite story about that sassy but delicious little cookie.

    It comes as no surprise that a wolf is able to blow down the first two pigs' houses. When the wolf can't blow down the third pig's brick house, everyone comes together and the fun begins. The first two pigs give him potato chips and sody-pop, and the third pig makes everyone a healthy meal. Since only one pig has a house left, the other two pigs and the wolf move in with her. The somewhat bad wolf is no longer hungry.

    Coretta Scott King Honor Book Thunder Rose vows to grow up to be more than just big and strong, thank you very kindly--and boy, does she ever! But when a whirling storm on a riotous rampage threatens, has Rose finally met her match? Jerdine Nolen's wondrous tale and Kadir Nelson's outstanding illustrations bring to life this larger-than-life story about a resilient young girl who overcomes adversity even in the face of mother nature.

    Never fear, this smart cookie has a plan to outfox the fox. Will it work? Let's just say that the ending is sweet for everyone. Ernst's familiar art, here placed against gingham-check backgrounds, utilizes the oversize format to best advantage, with large characters leaping out of their frames. On the cover, the candy-studded Gingerbread Girl with licorice-whip hair stares boldly out at readers. Kids won?t be able to resist following her inside. Booklist

    In resourceful and humorous fashion, Elizabeth finds the dragon, outsmarts him, and rescues Ronald--who is less than pleased at her un-princess-like appearance. Full color.

    She single-handedly defeats the fearsome bear known as Thundering Tarnation, wrestling him from the top of the Great Smoky Mountains to the bottom of a deep lake. Caldecott Medal-winning artist Paul O. Zelinsky's stunning folk-art paintings are the perfect match for the irony, exaggeration, and sheer good humor of this original tall tale set on the American frontier.A Caldecott Honor BookAn ALA Notable BookA Time magazine Best Book of the YearA New York Times Best Illustrated Children's Book of the YearWinner of the Boston Globe/Horn Book AwardA Publishers Weekly Best Book of the Year

    With roots in American slave tales, Tops & Bottoms celebrates the trickster tradition of using one’s wits to overcome hardship. “As usual, Stevens’ animal characters, bold and colorful, are delightful. . . . It’s all wonderful fun, and the book opens, fittingly, from top to bottom instead of from side to side, making it perfect for story-time sharing.”--BooklistThis title has been selected as a Common Core Text Exemplar (Grades 2-3, Stories)

    . . . It's all done with a commendable amount of taste, imagination, and style."--School Library Journal (starred review)"A beautifully convincing tale."--The New York Times Book Review"Using elements of traditional Japanese art, the illustrator has made marvelously imaginative pictures."--The Horn Book"Lent's pictures are a lively blend of finely detailed, delicate drawings and rip-roaring good humor."--The Boston Globe"A good read-aloud with lots of suspense."--LearningAwards: ALA Notable Children's Book Child Study Association Book of the Year The Horn Book Fanfare

    The tale of how a father with his magic wand and a boy with his music triumph over the giant Abiyoyo is based on a South African lullaby and folk story.

    . . and a Dinosaur who happened to be visiting from Norway.One day--for no particular reason--they decided to tidy up their house, make the beds, and prepare pudding of varying temperatures. And then--for no particular reason--they decided to go...someplace else. They were definitely NOT setting a trap for some succulent, unsupervised little girl.Definitely not!This new take on a fairy-tale classic is so funny and so original--it could only come from the brilliant mind of Mo Willems.

    It had fountains of cool, refreshing water to quench the thirst of the desert, and storytellers to bring the people together. But as the kingdom grew, the people forgot the dangers of the desert, and they forgot about the storytellers, too. All but one young boy, who came to the Great Square for a drink and found something that quenched his thirst even better: wonderful stories. As he listened to the last storyteller recount the Endless Drought, and the Glorious Blue Water Bird, he discovered the power of a tale well told. Acclaimed illustrator Evan Turk has created a stunning multidimensional story within a story that will captivate the imagination and inspire a new generation of young storytellers.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    "Children will delight in the cunning way that Fiona triumphs over the leprechaun king, as well as in the rhythmic language of this well-told tale." - Kirkus Reviews