As leading publishers and editors, they helped chronicle modernity as it was experienced by Sephardic Jews across the Ottoman Empire. The wars of the twentieth century, however, redrew the borders around them, in the process transforming the Levys from Ottomans to Greeks. Family members soon moved across boundaries and hemispheres, stretching the familial diaspora from Greece to Western Europe, Israel, Brazil, and India. In time, the Holocaust nearly eviscerated the clan, eradicating whole branches of the family tree.In Family Papers, the prizewinning Sephardic historian Sarah Abrevaya Stein uses the family's correspondence to tell the story of their journey across the arc of a century and the breadth of the globe. They wrote to share grief and to reveal secrets, to propose marriage and to plan for divorce, to maintain connection. They wrote because they were family. And years after they frayed, Stein discovers, what remains solid is the fragile tissue that once held them together: neither blood nor belief, but papers.With meticulous research and care, Stein uses the Levys' letters to tell not only their history, but the history of Sephardic Jews in the twentieth century.

    Here, Elaine Mokhtefi, a young American woman who had become involved in the struggle and worked with leaders of the Algerian Revolution, including Frantz Fanon, found a home. As journalist and translator, she lived among guerillas, revolutionaries, exiles and visionaries, was even present in the groundbreaking The Battle of Algiers.

    Winner of a 2004 PEN Translation Fund Award. "Yesterday I lost a country," Dunya Mikhail writes in The War Works Hard, a revolutionary work by an exiled Iraqi poether first to appear in English. Amidst the ongoing atrocities in Iraq, here is an important new voice that rescues the human spirit from the ruins, unmasking the official glorification of war with telegraphic lexical austerity. Embracing literary traditions from ancient Mesopotamian mythology to Biblical and Qur'anic parables to Western modernism, Mikhail's poetic vision transcends cultural and linguistic boundaries with liberating compassion.

    Kurdistan is an invisible nation, and the Kurds the largest ethnic group on Earth without a homeland, comprising some 25 million moderate Sunni Muslims living in the area around the borders of Turkey, Iran, Iraq, and Syria. Through a history dating back to biblical times, they have endured persecution and betrayal, surviving only through stubborn compromise with greater powers. They have always desired their own state, and now, accidentally, the United States may have helped them take a huge step toward that goal.As Quil Lawrence relates in his fascinating and timely study of the Iraqi Kurds, while their ambition and determination grow apace, their future will be largely dependent on whether America values a budding democracy in the region, or decides to yet again sacrifice the Kurds in the name of political expediency. Either way, the Kurdish north may well prove to be the defining battleground in Iraq, as the country struggles to hold itself together. At this extraordinary moment in the saga of Kurdistan, informed by his deep knowledge of the people and region, Lawrence's intimate and unflinching portrait of the Kurds and their heretofore quixotic quest offers a vital and original lens through which to contemplate the future of Iraq and the surrounding Middle East.

    In the summer of 1878 my father told me that he had written a memoir of his own life. He did not speak about it at length, but said that he had written me a letter, not to be opened until after his death, containing instructions for publication. This letter was dated 30th April, 1876. I will give here as much of it as concerns the public: "I wish you to accept as a gift from me, given you now, the accompanying pages which contain a memoir of my life. My intention is that they shall be published after my death, and be edited by you. But I leave it altogether to your discretion whether to publish or to suppress the work;-and also to your discretion whether any part or what part shall be omitted. But I would not wish that anything should be added to the memoir. If you wish to say any word as from yourself, let it be done in the shape of a preface or introductory chapter." At the end there is a postscript: "The publication, if made at all, should be effected as soon as possible after my death." My father died on the 6th of December, 1882...

    What was promulgated as an "iron-wall" strategy—dealing with the Arabs from a position of unassailable strength—was meant to yield to a further stage where Israel would be strong enough to negotiate a satisfactory peace with its neighbors. The goal remains elusive. In this penetrating study, Avi Shlaim examines how variations of the iron-wall philosophy have guided Israel’s leaders; he finds that, while the strategy has been successful, opportunities have been lost to progress from military security to broader peace. The Iron Wall brilliantly illuminates past progress and future prospects for peace in the Middle East.

    Born to a Siberian woman and an African athlete who came to compete in the 1980 Moscow Olympics, Mbobo must navigate the complexities of being a fatherless, mixed-raced boy in the shaky terrain of the Soviet Union before its collapse.

    Set at the turn of the century in the fictional Persian village of Omerijan, it tells the magical story of two young girls--Flora and Nazie Ratoryan--and their many neighbors in the almond tree alley in Omerijan where they live. Fifteen-years-old, pregnant, and recently abandoned by her cloth-merchant husband, Flora longs desperately for the return of her unborn baby's father. Nazie consoles and pities her, and though she is still a child of eleven, she yearns--just as desperately--for her own future marriage. Although the narrative spans only two days, it branches out and back, encompassing the lives and histories of many of Omerijan's inhabitants. Rabinyan's vivid depiction of the village is a sensual feast, recreating the odors and flavors, the colors, sounds, and textures of everyday life. A masterful blend of fantasy and reality, the narrative forcefully conveys the shocking cruelties endured by many of the characters while at the same time weaving a modern-day Arabic legend where snakes offer jewels in exchange for milk and death is thwarted by appeasing the village demons. Written with passion and elegance, Persian Brides brings a rich array of characters to life--telling of their hardships without ever losing the magic and wonder that is so much a part of their lives.

    But what are the roots of this militant fundamentalism in the Muslim world? In this insightful and wide-ranging history, Charles Allen finds an answer in the eighteenth-century reform movement of Muhammed ibn Abd al-Wahhab and his followers--the Wahhabi--who sought the restoration of Islamic purity and declared violent jihad on all who opposed them, Moslems and pagans alike. As the Wahhabi teaching spread in the nineteenth century, first, to the Arabian peninsula, and then, to the region around the Afghanistan-Pakistan border, their followers brought with them a vicious brand of political ideology and militant conflict. The Wahhabi deeply influenced the rulers of modern Saudi Arabia and their establishment of a strict Islamic code. A more militant expression of Wahhabism took root in the mountains of Afghanistan and Pakistan, where fierce tribes have waged holy war for almost two hundred years. The ranks of the Taliban and al-Qaeda today are filled with young men who were taught the Wahhabi theology of Islamic purity while rifles were pressed into their hands for the sake of jihad. God's Terrorists sheds shocking light on the historical roots of modern terrorism and shows how this dangerous theology lives on today.

    A compelling and intimate exploration of the complexity of a bicultural immigrant experience, To See and See Again traces three generations of an Iranian (and Iranian-American) family undergoing a century of change--from the author's grandfather, a feudal lord with two wives; to her father, a freespirited architect who marries an American pop singer; to Bahrampour herself, who grows up balanced precariously between two cultures and comes of age watching them clash on the nightly news.

    In an era of escalating tensions in the Middle East, his defiant moral voice and eloquent account of a national struggle for freedom and democracy against the overwhelming backdrop of U.S. military hegemony fills a crucial gap in our understanding of this country.

    Invited to Israel to give the keynote address at a LGBT studies conference at Tel Aviv University, Schulman declines, joining other artists and academics honoring the Palestinian call for an academic and cultural boycott of Israel. Anti-occupation activists in the United States, Canada, Israel, and Palestine come together to help organize an alternative solidarity visit for the American activist. Schulman takes us to an anarchist, vegan cafe in Tel Aviv, where she meets anti-occupation queer Israelis, and through border checkpoints into the West Bank, where queer Palestinian activists welcome her into their spaces for conversations that will change the course of her life. She describes the dusty roads through the West Bank, where Palestinians are cut off from water and subjected to endless restrictions while Israeli settler neighborhoods have full freedoms and resources. As Schulman learns more, she questions the contradiction between Israel's investment in presenting itself as gay friendly—financially sponsoring gay film festivals and parades—and its denial of the rights of Palestinians. At the same time, she talks with straight Palestinian activists about their position in relation to homosexuality and gay rights in Palestine and internationally. Back in the United States, Schulman draws on her extensive activist experience to organize a speaking tour for some of the Palestinian queer leaders whom she had met and trusted. Dubbed "Al Tour," it takes the activists to LGBT community centers, conferences, and universities throughout the United States. Its success solidifies her commitment to working to end Israel's occupation of Palestine, and kindles her larger hope that a new "queer international" will emerge and join other movements demanding human rights across the globe.Sarah Schulman is a longtime AIDS and queer activist, and a cofounder of the MIX Festival and the ACT UP Oral History Project. She is a playwright and the author of seventeen books, including the novels The Mere Future, Shimmer, Rat Bohemia, After Delores, and People in Trouble, as well as nonfiction works such as The Gentrification of the Mind: Witness to a Lost Imagination, My American History: Lesbian and Gay Life during the Reagan/Bush Years, Ties That Bind: Familial Homophobia and Its Consequences, and Stagestruck: Theater, AIDS, and the Marketing of Gay America, which is also published by Duke University Press. She is Distinguished Professor of the Humanities at The City University of New York, College of Staten Island."This is an extraordinary, challenging and moving book. It is both an honest account of the work Sarah Schulman had to do to allow the full reality of the occupation of Palestine to be registered in her consciousness, and a story – told firmly yet gently, with patience and care– of the shared labour of building activist worlds on occupied grounds. We embark on a journey with Sarah Schulman and many other activists, from Palestine, the US and beyond, as they persist in the effort to make the liberation of Palestine essential to queer politics. We follow their footsteps, we trace the paths; we hear the conversations; we share the meals. If activism involves hard often painstaking work, if it involves mundane and ordinary tasks, we learn that it can also create connections that nourish and sustain. I hope this book becomes our teacher. I hope we join the invitation to become part of a new queer international where liberation for all is the common goal."—Sara Ahmed, author of On Being Included: Racism and Diversity in Institutional Life"This is a great book, brave and compassionate. A journey of discovery, a coming of age, and more important, a search for justice. Our world is a better place for its existence. Read it, please." —Rabih Alameddine, author of The Hakawati

    The novel has been translated into German and Arabic and won the PEN Oakland Award for literary excellence. Critic Ishmael Reed calls it "a monumental book." This revised edition includes a new introduction. When we first encounter Palestinian Yousif Safi in June 1947, he is filled with hopes for his education abroad to study law, and with daydreams of his first love, the beautiful Salwa. But as the future of Palestine begins to look bleak due to the pressure on the United Nations from the international Zionist movement, Yousif is frustrated by his fellow Arabs' inability to thwart the Zionist encroachment and by his own inability to prevent the impending marriage of Salwa to an older suitor chosen by her parents. As Palestinians face the imminent establishment of Israel, Yousif resolves to face his own responsibilities of manhood. Despite the monumental odds against him, Yousif vows to win back both his loves--Salwa and Palestine--and create his world anew.

    In this book, Muhammad Abdel Haleem examines its recurrent themes and for the first time sets them in the context of the Qur'an's linguistic style. Haleem examines the background to the development of the surahs (chapters) and the ayahs (verses) and the construction of the Qur'an itself.

    Weeks before the Suez War of 1956, four-year-old Kai Bird, son of a garrulous, charming American Foreign Service officer, moved to Jerusalem with his family. They settled in a small house, where young Kai could hear church bells and the Muslim call to prayer and watch as donkeys and camels competed with cars for space on the narrow streets. Each day on his way to school, Kai was driven through Mandelbaum Gate, where armed soldiers guarded the line separating Israeli-controlled West Jerusalem from Arab-controlled East. He had a front-seat view to both sides of a divided city—and the roots of the widening conflict between Arabs and Israelis. Bird would spend much of his life crossing such lines—as a child in Jerusalem, Saudi Arabia, and Egypt, and later, as a young man in Lebanon. Crossing Mandelbaum Gate is his compelling personal history of growing up an American in the midst of three major wars and three turbulent decades in the Middle East. The Zelig-like Bird brings readers into such conflicts as the Suez War, the Six Day War of 1967, and the Black September hijackings in 1970 that triggered the Jordanian civil war. Bird vividly portrays such emblematic figures as the erudite George Antonius, author of The Arab Awakening; Jordan’s King Hussein; the Palestinian hijacker Leila Khaled; Salem bin Laden, Osama’s older brother and a family friend; Saudi King Faisal; President Nasser of Egypt; and Hillel Kook, the forgotten rescuer of more than 100,000 Jews during World War II. Bird, his parents sympathetic to Palestinian self-determination and his wife the daughter of two Holocaust survivors, has written a masterful and highly accessible book—at once a vivid chronicle of a life spent between cultures as well as a consummate history of a region in turmoil. It is an indispensable addition to the literature on the modern Middle East.