“Preludes” is based in significant part on the experiences of its author, a child sexual abuse survivor. * * * When a nine-year-old boy in a "respectable," middle class family is raped, then repeatedly molested by his father, how does the boy experience the abuse and how does he manage to survive? “Preludes” examines these questions. The boy wakes in the middle of the night to find his father sitting on the edge of his bed, gently shaking him from his sleep. Though confused by his father's unexpected presence, for a few brief moments he suspects nothing unusual. His father then accuses him of having misbehaved without saying how, and tells him he'll have to be punished. The boy initially protests, but then, sensing the futility of resistance, grudgingly prepares himself for what his father tells him will be a spanking, all the while thinking, "Gee, this is ridiculous—I haven't done anything wrong." His father then proceeds to rape him, and, the rape completed, threatens to murder him if he tells anyone, including his mother. Thus begins the boy's struggle for survival in the face of his father's nightly onslaughts—a struggle that stretches the boy's physical, psychological, and emotional resources to their limits and beyond. Adding to his struggle's immensity is the story’s milieu: a "Pleasantville" middle class neighborhood in a mid-sized American city in the early 1960s—an environment that gives no indication, on its surface, that dysfunction of such proportions could occur within its hermetic confines. The boy's family enjoys a high status—the father is a professor at a prestigious university, and the family belongs to a Presbyterian church that counts among its members some of the city's most prominent citizens. It is an environment in which acknowledgement of even the merest possibility of child sexual abuse within a family as respectable as that of the boy's is as taboo as the abuse itself. Sensing these constrictions, the boy feels his isolation in his suffering increase exponentially. The prime importance placed by the community on maintaining a semblance of normalcy, no matter the cost to the truth, extends to the day-to-day life of the boy's home. The family's nightly meals together, at a table set with engraved silverware and an "everyday" china of the most tasteful design, and the "Smile Club" photos the boy's mother hangs in the downstairs hallway—family photos, taken regularly, for which the fundamental requisite is that everyone in them be wearing a pleasant smile—help form the bulwark of the mother's determined effort to put the best possible face on things. To survive, the boy attempts to hide the truth as much as possible, even from himself, with his mind employing, as its chief means to this end, a total forgetting of the abuse when it's not actually happening—a strategy his mind has utilized on previous occasions of his father's abuse. But survival, though laudable, comes at an enormous price—a price exacted, among other ways, in the warped perception the boy forms of what it means to "be a man." A price, the story suggests, the boy will have to pay going forward, into adulthood, until he reaches a point of substantial healing.

    No-one never put no handcuffs on me.’I put down my pen. Somehow, I don’t think this is going to be the level of interview for which I need to make notes. ‘You actually don’t need to be handcuffed to be under arrest,’ I say.‘Yeah, I do. Right, Sonia?’Sonia nods emphatically. ‘You do need it, me Ma said so.’In an attempt to steer the interview back on track, I look down at PC Cansat’s statement. ‘Look, it says here, “I then said to Shimona O’Milligan, ‘I am arresting you on suspicion of assault and criminal damage.’ I cautioned her to which she replied, ‘Whatever’.” Does that ring any bells?’Shimona titters. Then she gets serious again. ‘Does he say he handcuffed me, though? Cos he’s a liar.’‘No, he says he arrested you.’‘Well, I wasn’t listening.’‘This may surprise you,’ I say, ‘but you can be arrested even if you aren’t listening.’‘No, you can’t. Not if you’re inside a house. I know the law.’If there is one thing I like more than a gobby teenager, it is a gobby teenager who knows the law.‘Shimona, you are going to have to take my word for the fact that you were brought here under arrest and you are still under arrest now. Let’s move on.’‘Whatever.’"Diary of an On-Call Girl was serialised on BBC Radio 4 and is currently in TV development with scripts being written by the writer of the hit TV comedy Rev.

    And yet, question marks have followed him around; question marks about his goalkeeping suitability after arriving on Merseyside; question marks about his integrity after match fixing allegations were laid against him. Here, Grobbelaar takes you to Africa, where nothing is at it seems; he takes you back to an era when Liverpool ruled Europe; he takes you to the benches of the Anfield dressing room, where only the strongest personalities survived. For the first time, he takes you inside the court room, detailing the draining fight to clear his name.

    David Kushner grew up in the suburbs of Florida in the early 1970s, running wild with his friends, exploring, riding bikes, and disappearing into the nearby woods for hours at a time. One morning in 1973, however, everything changed. David's older brother Jon, making a trip to the local convenience store, vanished. This is the story of Jon's murder at the hands of two sadistic drifters and everything that happened after. "Alligator Candy "isn't only the chronicle of Jon's death, it is also the story of how parenting in America changed, casting light on the transition between two generations of children one raised on freedom, the other on fear. Jon's death was one of the first in what turned out to be a rash of child abductions and murders that dominated headlines for much of the 1970s and 80s. It was around this time that milk cartons began to feature the images of missing children, and newscasters began asking, It's 10:00, do you know where you children are? When one of Jon's killers received a parole hearing, David revisited the case that had so haunted him. Marshalling his skills as a journalist, he compiled all the details that he was sheltered from as a child, interviewing neighbors, reporters, cops, and his own family, and combing through yellowed news clippings. Haunting and intimate, "Alligator Candy" is a moving, disturbing, insightful, and inspiring meditation on grief, growth, family, and survival."

    A year later Sue was not so lucky. Her father had spent that intervening year biding his time, lulling the family into a false sense of security, so that when he abducted Sue again he would get clean away. And he did.It turned out to be, for Sue, the start of a six year road trip from hell during which she was subjected to unremitting exploitation, starvation and abuse so severe that she constantly had to disassociate herself mentally from it to survive.And beyond the overwhelming heartbreak and terror, there was a nagging question. Sue’s father would regularly hook up with waitresses in diners and they would stay a few days with them. But why then, each time, did he end up trashing the place and refusing to let Sue say goodbye to them. Were these waitresses really sleeping, as he would insist, or was something more sinister happening?Disclaimer:The names in this account have been changed to protect the innocent and the guilty, as has the locale, but the events described in ‘Bitter Memories’ did indeed take place as best Sue Julsen can remember them as a very small child hurled into a maelstrom no child should ever have to face.NOTE: ADULT LANGUAGE, GRAPHIC CONTENTThis is not a cozy, feel-good read. It is a true story of extreme child abuse and the will to survive. Language and content is not suitable for anyone under 18 years of age.This is the first in the series. Although I'm using my real name in the above description, my name in the book is Sarah.Cover design by Gary McCluskeyPlease visit my website to learn about all my books: memoir series, true crime, crime fiction series, and the first in a fantasy series.http://sj2448.wix.com/suejulsen

     On August 28, 1997, just as she was starting her junior year at the University of Kentucky, Holly Dunn and her boyfriend, Chris Maier, were walking along railroad tracks on their way home from a party when they were attacked by notorious serial killer Angel Maturino Reséndiz, aka The Railroad Killer. After her boyfriend is beaten to death in front of her, Holly is stabbed, raped, and left for dead. In this memoir of survival and healing from a horrific true crime, Holly recounts how she lived through the vicious assault, helped bring her assailant to justice, and ultimately found meaning and purpose through service to victims of sexual assault and other violent crimes. She has worked as a motivational speaker and activist and founded Holly's House, a safe and nurturing space in her hometown of Evansville, Indiana.

    So much evil was done there was a voice inside me shouting, "Justice".'With no one to confide in, Kathy suffered in silence as she was battered by her father and molested by local boys.At the age of eight, she was torn from her family and incarcerated in a series of Catholic homes. When she was sent to a psychiatric unit, she suffered terrifying electric- shock therapy and further cruelty at the hands of her supposed carers.After ending up in a Magdalen laundry, she fell victim to sexual abuse and gave birth to baby Annie just weeks before her fourteenth birthday. Don't Ever Tell is Kathy's harrowing account of her ruined childhood and of her subsequent fight for justice.

    A light snow was falling as our family of six and a dog started out in our 1935 Ford. The tires were almost bald and there was a third of the steering wheel missing. The trailer behind was a modified shell of a travel trailer. It was loaded with the bare necessities to set up housekeeping nearly two thousand miles away. We were moving from Kanawha, Iowa to Yakima, Washington to seek our fortune picking fruit in the fruit-rich Yakima Valley.” UPHILL ALL THE WAY, a collection of sixty-seven short stories, is a first hand account of the life of the author’s family and their struggles through the Great Depression and World War II, and their eventual triumph. The circumstances they endured, some beyond their control and some created by the choices they made along the way, provided rich experiences for their family and does the same for the reader. The author’s father suffered ill health the last twelve years of his life. It was during this time that the author spent many hours with his father and heard, for the first time, several of the stories told in this book. After his father died, the author had many visits with his mother to get a better understanding of his parents’ lives before they were married and to clarify some of the things he remembered from his youth, taking notes and recording it all in the form of short stories. The end result is an unusual collection of poignant vignettes that draw the reader in and make the pages turn. More than 2,000 copies have been sold. Here are some comments from readers. * “UPHILL ALL THE WAY” By James Sloter. “Anyone who grew up in small-town Iowa and especially those who grew up right after the Great Depression will find something to relate to in James Sloter’s stories about the obstacles his parents overcame in raising their family in Iowa.” Ellen Heath, Homegrown Writing, The Des Moines Register and Tribune. “Some books are to be tasted, others to be swallowed, and some few are to be chewed and digested.” “OF STUDIES” ESSAYS II, Francis Bacon (1561-1626) “Thanks, Jim, for the copy of “UPHILL ALL THE WAY”. We are ‘digesting it’. The book signing was such fun—we’ll do it again for the sequel!” Claudia Warner, Administrator: Algona Public Library, Algona, Iowa “You asked me to tell you what I thought of your book “UPHILL ALL THE WAY”. You said that you rewrote each story several times to ‘make it flow’. Does it ever flow! WOW!” Betty Shipman, Corwith News editor, Corwith, Iowa “I just finished “UPHILL ALL THE WAY”. It was wonderful. I would like to buy ten copies for my book club.” Peg Williams, Minneapolis, MN “This check is for five more copies of your fascinating book. Thank you very much for the privilege of reading it.” Kent Ryerson, Norwalk, IA “I just finished reading your book. I enjoyed it so much.” Delores Huse, Pharr, TX “I enjoyed your book so much and am passing it around for all my family to read.” Maxine S., Dixon, IL “I hope your travels through Iowa and book-signings have been successful. I have finished your book—enjoyed it very much—it has us reminiscing about our own youth.” Pearl White, Sioux Falls, SD “Your book was interesting reading and factual, as I can really remember doing many of the things you mentioned doing in your childhood. The one difference though is that you were loved and you knew it.

    Meet Karl (the Joker), Boris (the Gladiator), Miss Winnifred Hardbottle, Buddy (the Little Whittler) and many more.

    For thirty years, Diane Covington-Carter dreamed of living in France and immersing herself in the country and language that spoke to her heart and soul. At age fifty, she set off to fulfill that yearning. Journey along with her as she discovers missing pieces of her own personal puzzle that could only emerge in French. Most of all, Covington-Carter learned that a long cherished dream can become even more powerful from the waiting.

    It’s an inside look into the day-to-day challenges facing not only the patient, but also the caregivers. For many years, her father exhibited signs of dementia, eventually becoming too significant to ignore. Everything culminated during an incident one night, after which her father was taken away, never to return to his home again. The disease changed him every day until he was a stranger. Then, it stole his life. Through the initial days at home to hospital stays, living in a memory care unit, rehab stints and eventually hospice care, this book reveals many of the struggles encountered while facing Alzheimer’s in a world not quite ready for it. It is based on actual events depicted exactly as they happened while travelling the heartbreaking and harrowing road through this horrific illness. Its purpose is to give guidance and insight to others caring for loved ones with this terrible affliction, whether it is in providing helpful information, feelings of support or simply words of encouragement. Most importantly, the hope is that it will make the road for others an easier one to travel. May the many tears in this journey be the fortitude that helps others deal with the adversity from this overwhelming disease.

    But now I will speak." One of the world's foremost experts on terrorism and post-traumatic stress disorder investigates her own unsolved adolescent sexual assault at the hands of a serial rapist, and in so doing, examines the horrors of trauma and denial. Alone in an unlocked house in a safe neighborhood in the suburban town of Concord, Massachusetts, two good, obedient girls, Jessica Stern, fifteen, and her sister, fourteen, were raped on the night of October 1, 1973. The girls had just come back from ballet lessons and were doing their homework when a strange man armed with a gun entered their home. Afterward, when they reported the crime, the police were skeptical. The rapist was never caught. For over thirty years, Stern denied the pain and the trauma of the assault. Following the example of her family, Stern—who lost her mother at the age of three, and whose father was a Holocaust survivor—focused on her work instead of her terror. She became a world-class expert on terrorism, a lauded academic and writer who interviewed terrorists around the globe. But while her career took off, her success hinged on her symptoms. After her ordeal she could not feel fear in normally frightening situations. Stern believed she'd disassociated from the trauma altogether, until a devoted police lieutenant reopened the sisters' rape case and brought her back to that harrowing night more than three decades past. With the help of the lieutenant, Stern began her own investigation—bringing to bear all her skills as a researcher—to uncover the truth about the town of Concord, her family, and her own mind. The result is Denial, a candid, courageous, and ultimately hopeful look at a trauma and its aftermath.

    In The Boy Who Was Raised as a Dog, he tells their stories of trauma and transformation through the lens of science, revealing the brain's astonishing capacity for healing. Deftly combining unforgettable case histories with his own compassionate, insightful strategies for rehabilitation, Perry explains what exactly happens to the brain when a child is exposed to extreme stress-and reveals the unexpected measures that can be taken to ease a child's pain and help him grow into a healthy adult. Through the stories of children who recover-physically, mentally, and emotionally-from the most devastating circumstances, Perry shows how simple things like surroundings, affection, language, and touch can deeply impact the developing brain, for better or for worse. In this deeply informed and moving book, Bruce Perry dramatically demonstrates that only when we understand the science of the mind can we hope to heal the spirit of even the most wounded child.

    Discharged in 1966, after finally receiving proper psychiatric care, Sawyer kept her past secret and moved on to graduate from Yale University, raise two children, and become a respected psychotherapist. That is, until 2001, when she reviewed her hospital records and began to remember a broken childhood and the even more broken mental health system of the 1950s and 1960s.

    . . The Crime Factory. Where they perform life-saving medical care in the street, comfort people as they die, deal with gruesome suicides and murders as first-on-scene, attend cot-death post-mortems, examine rotting dead junkies for signs of murder, watch guilty rapists and paedophiles walk free, fight drunk soldiers, gypsies and various psychotic individuals, go undercover to catch scumbags who force-feed them crack, find missing children, arrest thieves, muggers, dealers, rapists and murderers . . . The Crime Factory. It's enough to drive anyone insane. The first book of its kind, this is the unforgettable and explosive true story of what life is really like as a police detective in the twenty-first century.