Here, Robin Robertson and his brother Tim Robertson – whose accompanying images are as unforgettable as cave-paintings – raise strange new forms which speak not only of the potency of our myths and superstitions, but how they were used to balance and explain the world and its predicaments.From one of our most powerful lyric poets, this is a book of curses and visions, gifts both desired and unwelcome, characters on the cusp of their transformation – whether women seeking revenge or saving their broken children, or men trying to save themselves. Haunting and elemental, Grimoire is full of the same charged beauty as the Scottish landscape – a beauty that can switch, with a mere change in the weather, to hostility and terror.

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    A real friend. Not like her house with chicken legs. Sure, the house can play games like tag and hide-and-seek, but Marinka longs for a human companion. Someone she can talk to and share secrets with. But that's tough when your grandmother is a Yaga, a guardian who guides the dead into the afterlife. It's even harder when you live in a house that wanders all over the world . . . carrying you with it. Even worse, Marinka is being trained to be a Yaga. That means no school, no parties--and no playmates that stick around for more than a day. So when Marinka stumbles across the chance to make a real friend, she breaks all the rules . . . with devastating consequences. Her beloved grandmother mysteriously disappears, and it's up to Marinka to find her--even if it means making a dangerous journey to the afterlife. With a mix of whimsy, humor, and adventure, this debut novel will wrap itself around your heart and never let go.

    Disgruntled at not being invited to the princess's christening, the wicked fairy casts a spell that dooms the princess to sleep for a hundred years.

    Set in a magical version of South Asia, Rumaysa explores enchanted forests and dragon lairs, teaming up with Cinderayla and Sleeping Sara along the way to create a strong sense of sisterhood.

    She fears for her life, but finds kindness rather than danger there, for the lion by day is a gentle young man by night-a prince under the spell of a wicked enchantress. Soon the lady and the lion fall in love. Unlike the more familiar tale, however, this story has only just begun. The prince is not yet safe from the enchantress, and it will take all of the lady's strength and courage, through a seven-year quest, to rescue him. Dazzlingly romantic and visually magnificent, this is a book for the ages-an exhilarating tale of virtue, heroism, and the power of love. Illustrated by Laurel Long.

    . . in Ireland . . . in Zimbabwe . . . there lived a girl who worked all day in the rice fields . . . then spent the night by the hearth, sleeping among the cinders.Her name is Ashpet, Sootface, Cendrillon . . . Cinderella. Her story has been passed down the centuries and across continents. Now Paul Fleischman and Julie Paschkis craft its many versions into one hymn to the rich variety and the enduring constants of our cultures.A Junior Library Guild SelectionGlass Slipper, Gold Sandal: A Worldwide Cinderella is a 2008 Bank Street - Best Children's Book of the Year.

    The book is broken into 12 chapters, for each of the 12 months of the year, and throughout, stories are matched to internationally celebrated dates, including Valentines Day and the International Day of Friendship, as well as seasonal events and festivals. Collected and retold by award-winning author Angela McAllister, and illustrated by internally recognised artist Christopher Corr, this is a book that will be treasured by families and appeal to teachers and librarians around the world.CONTENTS --Dedication --JANUARY --New Year's Day Father Frost (A Russian story) --Wintertime The Magic Porridge Pot (A German story) --Chinese New Year King of the Forest (A Chinese story) --FEBRUARY --Candlemas The Empty Barn (A Latvian story) --Valentine's Day The Frog Prince (A German story) --The Mole's Wedding (A Korean story) --Shrove Tuesday The Runaway Pancake (A German story) --MARCH --St. David's Day Gelert the Hound (A Welsh story) --World Wildlife Day The Bird Wife (An Inuit story) --Purim The Blue Coat (A Jewish story) St. Patrick's Day The Pot of Gold (An Irish story) --World Water Day Tiddalik, the Thirsty Frog (An Indigenous Australian story) --APRIL --April Fools' Day Rabbit and Crab (A Mayan story) --Easter The Basket of Eggs (A Canadian story) --World Health Day How the Bear Clan Learned to Heal (An Iroquois story) --St. George's Day The Glass Knight (An English story) --The Shoemaker and the Dragon (A Polish story) --MAY --May Day The Cracked Pot (An Indian story) --Springtime Spring and Autumn (A Japanese story) --Vesak The Hare in the Moon (A Buddhist story) --JUNE World Oceans Day Prince Fire Flash and Prince Fire Fade (A Japanese story) --Ramadan The Boots of Hunain (An Arabic story) --Midsummer Anansi and Turtle (A Caribbean story) --World Music Day Skeleton oman (An Inuit story) --JULY --Eid ul- Fitr Zirak and Ring-dove (An Iraqi story) --Tanabata The Weaving Maiden and the Oxherd (A Japanese story) --St. Swithin's Day Elephant and the Rain Spirit (An African Bushman story) --International Day of Friendship Heungbu and Nolbu (A Korean story) --Androcles and the Lion (A Roman story) --AUGUST --Lammas Day The Little Red Hen (A Russian story) Harvest The Ship of Wheat (A Dutch story) --Persephone (An ancient Greek story) --SEPTEMBER --Yom Kippur Jonah and the Whale (A Bible story) --International Day of Peace The Two Kings (A Buddhist Story) --Autumn Why the Evergreeens Keep Their Leaves (An American story) --The Gifts of the North Wind (A Norwegian story) --OCTOBER --World Food Day The Raja and the Rice (An Indian story) --Why the Bananas Belong to the Monkey (A Brazilian story) --Diwali Rama and Sita (An Indian story) --Halloween The Buried Moon (An English story) The Shortest Ghost Story in the World (An English story) --NOVEMBER --Thanksgiving How the Pine-tree Chief Got His Name (An Iroquois story) --The Gift of a Cow-tail Switch (A West African story) --Bonfire Night How Grandmother Spider Brought Fire (A Choctaw story) --National Tree Week The Woodcutter and the Wolf (A French story) --The Tree of Magical Leaves (A Chinese story) --St. Andrew's Day Conall and the Thunder Hag (A Scottish story) --DECEMBER --Human Rights Day The Bell of Atri (An Italian story) --Midwinter East of the Sun, West of the Moon (A Scandinavian story)

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Here Rosemary Sutcliff breathes new life into adventures of these Irish heroes and their battles with strange and supernatural beings.

    A young boy searches for his father, but before he can claim his heritage he must first prove his worthiness by passing through the four ceremonial chambers: the kiva of lions, the kiva of snakes, the kiva of bees, and the kiva of lightning. Striking in its simplicity and grace, Arrow to the Sun vividly evokes the Native American reverence for the source of all life--the Solar Fire.Winner of the Caldecott

    When the Czar proclaims that he will marry his daughter to the man who brings him a flying ship, the Fool of the World sets out to try his luck and meets some unusual companions on the way.

    Drawing on a richly imaginative folk tradition, & set against the backdrop of Japans mythic past, the tales are suffused with the essence of this magical land. Combining the exoticism of the Orient with a touch of the macabre, these are tales in which fantasy can unexpectedly shade into supernatural terror. The imaginative art of the Japanese fairy tale is amply celebrated in this beautifully illustrated edition. All readers with a fascination of folklore & of fantastic tales need look no further than this excellent edition.

    A panther runs through the forests of England and pixies prey upon violent men.From the islands of Scotland to the coast of Cornwall, the mountains of Galway to the depths of the Fens, these forgotten folktales howl, cackle and sing their way into the 21st century, wildly reimagined by some of the most exciting women writing in Britain and Ireland today.

    Now brought luminously to life by K. Y. Craft's lavish paintings, this new edition of a timeless favorite is sure to enchant readers both young and old. Fairy tale lovers have been eagerly awaiting Craft's next magical romance since the release of her Cinderella. With illustrations inspired by the magnificent style of Baroque painters, the sumptuous color and exquisite detail of this breathtaking interpretation make it a dream come true.