Farzana is one of the prostitutes at Begum's kotha and Ramakant Bannerjee, the writer, loves her deeply. He's promised to marry her once he has enough money. He's currently writing his most ambitious novel, the story of Kaneez. As the story of Kaneez unfolds, so does the intriguing life of Farzana. What fate does she meet? Read on to find out.

    Everyone thinks he's a laughing stock now, including his ex-wife and even his agent. When it seems things couldn't get any worse, a chance encounter results in Robinson moonlighting as a hitman. But that's when things take a surprising turn, because the more people he kills, the more the art world seems to fall back in love with him. This blackly comic short story was first published in "Ellery Queen's Mystery Magazine" in August, 2005.

    He told her he would make her his wife and protect her. In her state of haze, she agreed.The stranger was her savior and she was thankful but was he really her husband? How did the handsome, charming man end up becoming Her Unexpected Husband?Note: This is a short and sweet romance with a happy ending.

    Makayla Young has over a thousand rules. She has rules about love, life and even sex. When will she ever learn you cannot control and keep a man with rules. Will her rules cause her to loose another man?

    Lisa hears a knock at the door. When she opens it, she finds a mysterious man in need of shelter. He got caught out in the storm while hunting, unaware of the storm that was bearing down on the small town. Lisa gives him shelter, happy to have some company to ride out the storm. Both people are there for their own reasons and as they get to know each other, the storm outside is matched by the one inside the small cabin. Late at night, Will goes to Lisa and the two find something to keep themselves warm during the long, cold night.

    Hoffman, however, things are not quite as ordinary as they seem. Quickly, these scenarios are flung down a surreal rabbit hole filled with bizarre taxidermy museums, and an outrageous relationship involving a silverback gorilla. Yet, amid all of its convention-smashing glee, Secrets of the Wild reveals a generous and moving portrait of a family, a family doing their best to keep it together—to play-act at normalcy, even sanity—in an American landscape slipping into madness.

    It was premiered in Saint Petersburg’s Alexandrinsky Theatre on November 1, 1871, as a benefice for actor Fyodor Burdin.

    When that fails, he dramatizes his novel. To Maxudov's surprise - and the resentment of literary Moscow - the play is accepted by the legendary Independent Theater, and Maxudov plunges into a vortex of inflated egos. Each rehearsal sees more and more sparks flying higher and higher, and less and less chance of poor Maxudov's play ever being performed. Black Snow is the ultimate backstage novel, and a masterly satire on Mikhail Bulgakov's ten-year love-hate relationship with Stanislavsky, Method acting, and the Moscow Arts Theater.This title comes with an introduction by Terry Gilliam. After a lifetime spent struggling against censorship, not least in the theater, Bulgakov died in 1940, not long after completing his masterpiece, The Master and Margarita. None of his major fiction was published during his lifetime.

    Not only is the influence of Greek drama palpable in everything from Shakespeare to modern television, the insights contained in Greek tragedy have shaped our perceptions of the nature of human life. Poets, philosophers, and politicians have long borrowed and adapted the ideas and language of Greek drama to help them make sense of their own times.This exciting curated anthology features a cross section of the most popular--and most widely taught--plays in the Greek canon. Fresh translations into contemporary English breathe new life into the texts while capturing, as faithfully as possible, their original meaning.This outstanding collection also offers short biographies of the playwrights, enlightening and clarifying introductions to the plays, and helpful annotations at the bottom of each page. Appendices by prominent classicists on such topics as "Greek Drama and Politics," "The Theater of Dionysus," and "Plato and Aristotle on Tragedy" give the reader a rich contextual background. A detailed time line of the dramas, as well as a list of adaptations of Greek drama to literature, stage, and film from the time of Seneca to the present, helps chart the history of Greek tragedy and illustrate its influence on our culture from the Roman Empire to the present day.With a veritable who's who of today's most renowned and distinguished classical translators, The Greek Plays is certain to be the definitive text for years to come.Praise for The Greek Plays"Mary Lefkowitz and James Romm deftly have gathered strong new translations from Frank Nisetich, Sarah Ruden, Rachel Kitzinger, Emily Wilson, as well as from Mary Lefkowitz and James Romm themselves. There is a freshness and pungency in these new translations that should last a long time. I admire also the introductions to the plays and the biographies and annotations provided. Closing essays by five distinguished classicists--the brilliant Daniel Mendelsohn and the equally skilled David Rosenbloom, Joshua Billings, Mary-Kay Gamel, and Gregory Hays--all enlightened me. This seems to me a helpful light into our gathering darkness."--Harold Bloom

    The woman is no one in particular, a "she," a warm, moist body with a beating heart-the enigma of Other. Skilled in the mechanics of sex, he desires through her to penetrate a different mystery: he wants to learn love. It isn't a matter of will, she tells him. Still, he wants to learn to try . . .This beautifully wrought erotic novel is an extended haiku on the meaning of love, "perhaps a sudden lapse in the logic of the universe," and of its absence, "the malady of death." "The whole tragedy of the inability to love is in this work, thanks to Duras' unparalleled art of reinventing the most familiar words, of weighing their meaning." - Le Monde; "Deceptively simple and Racinian in its purity, condensed to the essential." - Translation Review.

    December 4, 1978.In an appalling demonstration of the way in which a charismatic leader can bend the minds of his followers with a devilish blend of professed altruism and psychological tyranny, some 900 members of the California-based Peoples Temple died in a self-imposed ritual of mass suicide and murder.The followers of the Rev. Jim Jones, 47, a once respected Indianaborn humanitarian who degenerated into egomania and paranoia, had first ambushed a party of visiting Americans, killing California Congressman Leo Ryan, 53, three newsmen and one defector from their heavily guarded colony at Jones-town. Then, exhorted by their leader, intimidated by armed guards and lulled with sedatives and painkillers, parents and nurses used syringes to squirt a concoction of potassium cyanide and potassium chloride onto the tongues of babies. The adults and older children picked up paper cups and sipped the same deadly poison sweetened by purple Kool-Aid.This story is part of the TIME Classic Coverage Collection from Time Inc. This is a reproduction of a story that appeared in the December 4, 1978 issue of TIME magazine. Time Inc. is one of the world’s most influential media companies – home to 90 iconic brands like People, Sports Illustrated, Time, InStyle, Real Simple, Food & Wine, and Fortune. The Spotlight Stories in this collection aim to provide you with a quick read on a single subject, highlighting our readers’ most popular stories and featuring great reporting from our Time Inc. journalists.

    The hood raised her, but she's determined to let her humbled spirit take her out of it. Living a normal life is only a choice that she's made, however. Unlike Gianni, her mother, Tommy, is a bigger queen pin than any king pin in Tallahassee Florida and in the down south area. She takes care of Gianni and her two kids with no problems. Tommy could easily give Gianni the salon and big house that Gianni has always dreamed of, but Gianni wants to accomplish her goals on her own. Due to her mother being in and out of Federal Prison, Gianni reminds herself that she has two kids to think about, and she can not and will never leave her kids behind, like Tommy did her. Instead, Gianni allows her baby's father, Lamont, to take care of her and her kids. She feels he owes her that much, due to all the pain he's caused her. However, dealing with him has caused nothing but heartache, distraction and drama. After finding out about the third child that he could possibly have on her, she finally decides to stray away from him and focus on she and her kids. She meets a handsome and wealthy man by the name of Kreed at her mother's house during Tommy's known 'gambling day'. Kreed is a different breed, and though Gianni only wants friends so that she can do a little living, Kreed is hard to shake. He has that smart, hood, and smooth demeanor that Gianni admires. Being surrounded by drugs and a lot of money didn't mean a thing to Kreed. He loves his legal businesses and he enjoys living his life the right way. He's feeling Gianni just as much as she's feeling him, but he when Lamont finds out that there's a new man in town who's stole Gianni's heart, he makes she and her kids life a living hell. Which causes Kreed to bring out his old vicious ways! Tumultuous drama starts to unfold, and it will be up to Gianni to get everything in line to save what she has with Kreed.

    Brilliant, prolific, uniquely American, Pulitzer prizewinning playwright Sam Separd is a major voice in contemporary theatre. And here are seven of his very best. "One of the most original, prolific and gifted dramatists at work today."--"The New Yorker" "The greatest American playwright of his generation...the most inventive in language and revolutionary in craft, [he] is the writer whose work most accurately maps the interior and exterior landscapes of his society."--"New York Magazine" "If plays were put in time capsules, future generations would get a sharp-toothed profile of life in the U.S. in the past decade and a half from the works of Sam Shepard."--"Time " "Sam Shepard is the most exciting presence in the movie world and one of the most gifted writers ever to work on the American stage."--Marsha Norman, Pulitzer prizewinning author of "'Night, Mother. " "One of our best and most challenging playwrights...his plays are a form of exorcism: magical, sometimes surreal rituals that grapple with the demonic forces in the American landscape."--"Newsweek" "His plays are stunning in thier originality, defiant and inscrutable."--"Esquire" "Sam Shepard is phenomenal..the best practicing American playwright."--"The New Republic"

    It is set in Ancient Greece during the events just before the trial and death of Greek philosopher Socrates. It is heavy with satire specifically at government authority and organized religion. The main characters besides the titular role is that of the priest Anitus, his entourage, Socrates' wife Xantippe, several judges, and some children Socrates has adopted as his own. Like more historical accounts by Herodotus, Plato, and Xenophon, the playwright shows Socrates as a moral individual charged with baseless accusations by a conspiracy of corrupt Athenians or Athenian officials although Voltaire implies that the wrongdoers are a select few. Unlike the historical account, Socrates deals with several judges, whereas his real life counterpart receives his punishment of death by hemlock by a jury of 500 Athenians. The presence or mention of Socrates' best-known students such as Plato, Antisthenes, Zeno of Citium, and others are replaced by unnamed disciples, delivering only a few token lines at the end of the play. Socrates is also portrayed as a monotheist and a victim of religious persecution, an interpretation that is not generally shared by modern scholars and historians. Generally, this is not the most well-known of his works in comparison with Letters on the English which Voltaire published in 1778 or the Dictionnaire philosophique published earlier in 1764. However, hints of his contempt for government and religion are apparent here which later influenced the leaders of the American Revolution and the French Revolution.

    Revolving around the life of Sanichari, a poor lowcaste woman, it is an ironic tale of exploitation, struggle and survival. In 1992, it was adapted into a play by Usha Ganguli, a leading theatre director of Calcutta, and instantly became one of the most acclaimed productions of its time. Both the short story and the play are included in this volume.