The original edition cost seventy-five cents, but there was something priceless about its eponymous piece. Although it gave a voice to the new generation that came of age in the conservative years following World War II, the poem also conferred a strange, subversive power that continues to exert its influence to this day. Ginsberg went on to become one of the most eminent and celebrated writers of the second half of the twentieth century, and "Howl" became the critical axis of the worldwide literary, cultural, and political movement that would be known as the Beat generation.The year 2006 marks the fiftieth anniversary of the publication of "Howl," and The Poem That Changed America will celebrate and shed new light on this profound cultural work. With new essays by many of today's most distinguished writers, including Frank Bidart, Andrei Codrescu, Vivian Gornick, Phillip Lopate, Daphne Merkin, Rick Moody, Robert Pinsky, and Luc Sante, The Poem That Changed America reveals the pioneering influence of "Howl" down through the decades and its powerful resonance today.

    These are the People.Marooned on this planet by the crash of their interstellar vehicle in the distant past, The People are never free of a sense of strangeness in this world and a yearning for the home they have half-forgotten.These are the chronicles of their arrival on this world, their estrangement from it, and their ultimate acceptance of their poignant exile.Pilgrimage: The Book of The People is one of the most unforgettable works in all of science fiction.The "People" stories included in this book:Ararat (1952)Gilead (1954)Pottage (1955)Wilderness (1956)Captivity (1958)Jordan (1959)

    Here, he contributes a new epilogue to his collection of classic lectures on the relationship of fiction to age-old concepts of apocalyptic chaos and crisis. Prompted by the approach of the millennium, he revisits the book which brings his highly concentrated insights to bear on some of the most unyielding philosophical and aesthetic enigmas. Examining the works of writers from Plato to William Burrows, Kermode shows how they have persistently imposed their "fictions" upon the face of eternity and how these have reflected the apocalyptic spirit. Kermode then discusses literature at a time when new fictive explanations, as used by Spenser and Shakespeare, were being devised to fit a world of uncertain beginning and end. He goes on to deal perceptively with modern literaturewith "traditionalists" such as Yeats, Eliot, and Joyce, as well as contemporary "schismatics," the French "new novelists," and such seminal figures as Jean-Paul Sartre and Samuel Beckett. Whether weighing the difference between modern and earlier modes of apocalyptic thought, considering the degeneration of fiction into myth, or commenting on the vogue of the Absurd, Kermode is distinctly lucid, persuasive, witty, and prodigal of ideas.

    He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe.Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the post-psychological novel.

    This book is a companion to the series giving detailed plot synopses, a guide to the station which gives the programme it's name and many other fascinating areas of the show.

    Here he found once strong, independent farmers so reduced in dignity, sick, sullen, and defeated that they had been cast down to a kind of subhumanity. He contrasts their misery with the hope offered by government resettlement camps, where self-help communities were restoring dignity and indeed saving lives. The Harvest Gypsies gives us an eyewitness account of the horrendous Dust Bowl migration and provides the factual foundation for Steinbeck's masterpiece, The Grapes of Wrath. Included are twenty-two photographs by Dorothea Lange and others, many of which accompanied Steinbeck's original articles.

    As the editors have written in a joint introduction to the book, “being lovers of books, we’ve pulled a scent of these absences behind us our whole reading lives, telling people about books that exist only on our own shelves, or even just in our own memory.” Anyone who has ever been changed by a book will find kindred spirits in the pages of Lost Classics.Each of the editors has contributed a lost book essay to this collection, including Michael Ondaatje on Sri Lankan filmmaker Tissa Abeysekara’s Bringing Tony Home, a novella about a mutual era of childhood. Also included are Margaret Atwood on sex and death in the scandalous Doctor Glas, first published in Sweden in 1905; Russell Banks on the off-beat travelogue Too Late to Turn Back by Barbara Greene–the “slightly ditzy” cousin of Graham; Bill Richardson on a children’s book for adults by Russell Hoban; Ronald Wright on William Golding’s Pincher Martin; Caryl Phillips on Michael Mac Liammoir’s account of his experiences on the set of Orson Welles’s Othello, and much, much more.

    . .* What Isaac Asimov was like at 19.* The truth behind the great World SF Convention War of 1939.* How a teenager became a mover and shaker in the bizarre world of the pulp magazines.* The strange mating rites of the sf community.* How to represent most of the best sf writers and go broke.* The dreams of new worlds and universes behind a body of completely original writing that has enlarged the horizons of three generations of readers . . . and netted the writers ½¢ to 3¢ a word.From the moment he attended the first meeting of the Brooklyn chapter of the Science Fiction League, Fred Pohl was hooked. He and his friends founded and disbanded fan clubs with dizzying speed, then organized the fabled Futurians. At 19, he became editor of Astonishing Stories and Super Science Stories, and, except for the war and a brief fling in the advertising business, has been almost totally involved in science fiction ever since.As an agent, he created the market for hardcover sf; as editor of Galaxy in the 60s, he shaped the field for most of a decade; his Star Science Fiction series pioneered the concept of original anthologies; and along with all that he produced a number of truly outstanding works of sf, including: The Space Merchants (with Cyril Kornbluth) and, most recently Man Plus and Gateway, voted the Best Novels of 1976 and 1977, respectively.It's been a long road, from the scruffy Ivory Tower where the Futurians denned to a time when much that was science fiction is now reality—and Fred Pohl retraces it with candor, wit, and abiding love.

    Dealing with writers such as Nabokov, Barth, Coover, Pynchon, Borges, García Márquez, Beckett, and Calvino, Annie Dillard shows why fiction matters and how it can reveal more of the modern world and modern thinking than all the academic sciences combined. Like Joyce Cary's Art and Reality, this is a book by a writer on the issues raised by the art of literature. Readers of Pilgrim at Tinker Creek and Holy the Firm will recognize Dillard's vivid writing, her humor, and the lively way in which she tackles the urgent questions of meaning in experience itself.

    The masterly essay on Tolstoy's view of history, in which Sir Isaiah underlines a fundamental distinction between those people (foxes) who are fascinated by the infinite variety of things and those (hedgehogs) who relate everything to a central, all-embracing system.

    In 1985, under the editorship of Margaret Drabble, the text was thoroughly and sensitively revised to bring it up to date.The sixth edition, published in 2000, was extensively revised, expanded, and updated. Almost 600 new entries covered new writers, genres, and issues, and existing entries were reworked to incorporate the latest scholarship. In addition to the extensive coverage of writers, works, literary theory, allusions, and characters, there are sixteen featured entries on key topics including black British literature, fantasy fiction, and modernism. The Companion remains an unrivaled work that places English literature in its widest context: no other book offers such extensive exploration of the classical roots of English literature, and the European and non-European works and writers that have influenced its development.The sixth edition has now been revised to ensure that it remains absolutely up to date: the invaluable appendices - the chronology, and lists of winners of major literary awards - have been updated, as have many of the entries. Informed by the latest scholarly thinking, and comprehensively cross-referenced to guide the reader to topics of related interest, the Companion retains its position as the best guide to English literature available.

    It is a familiar and much-loved British institution that after more than twenty years continues to enjoy enormous success both at home and abroad.The Key to Time marks the programme's coming of age — twenty-one years old on 23 November 1984. Peter Haining has adopted the novel technique of exploring the history of the series through key dates in its many life-cycles. He demonstrates — with extensive reference to files kept in the Doctor Who Production Office — how much a part of British life the programme has become, and how the impact of this extraordinary phenomenon has travelled further afield. He traces the many changes the series has undergone since the first episode was broadcast in November 1963 — not only in terms of regenerated Doctors but also new methods of programme-making. The beginning of the Jon Pertwee era coincided with the switchover from black-and-white to colour, but Peter Haining also gives details of how many of the special effects were achieved, and how this initially modest television series pioneered techniques used in the multi-million-dollar Star Wars.The enthusiastic support of viewers all over the world has contributed to Doctor Who's long and happy life, and The Key to Time includes tributes from fans in Britain, Australia, Canada and the United States, in the form of drawings and sketches inspired by the series.This extensively illustrated special publication, with twenty-four pages of colour photographs, is a superb follow-up to the runaway success of W.H. Allen's Doctor Who: A Celebration.

    This is the dance of history in our age: slow, slow, quick, quick, slow, back and forth and from side to side, we step across these fixed and shifting lines. —from Part IVWith astonishing range and depth, the essays, speeches, and opinion pieces assembled in this book chronicle a ten-year intellectual odyssey by one of the most important, creative, and respected minds of our time. Step Across This Line concentrates in one volume Salman Rushdie’s fierce intelligence, uncanny social commentary, and irrepressible wit—about soccer, The Wizard of Oz, and writing, about fighting the Iranian fatwa and turning with the millennium, and about September 11, 2001. Ending with the eponymous, never-before-published speeches, this collection is, in Rushdie’s words, a “wake-up call” about the way we live, and think, now.

    From what was wrong with the pilot to what was right with the Reavers, from the use of Chinese to how correspondence between Joss and network executives might have gone, from a philosopher’s perspective on “Objects in Space” to a sex therapist’s analysis of Inara, Finding Serenity is filled with writing as exciting, funny and enthralling as the show itself.

    Like many of Lukacs's early essays, it is a radical critique of bourgeois culture and stems from a specific Central European philosophy of life and tradition of dialectical idealism whose originators include Kant, Hegel, Novalis, Marx, Kierkegaard, Simmel, Weber, and Husserl.The Theory of the Novel marks the transition of the Hungarian philosopher from Kant to Hegel and was Lukacs's last great work before he turned to Marxism-Leninism.