The endless creaking of the house at night and the eerie stillness of the woods surrounding them would be enough of a sign, but there are secrets too—questions that Silla can’t ignore: Why does it seem that, ever since they arrived, the trees have been creeping closer? Who is the beautiful boy who’s appeared from the woods? And who is the tall man with no eyes who Nori plays with in the basement at night… a man no one else can see?

    Sabrina's a bored and disillusioned home-maker, Hal a reverse mortgage salesman with a penchant for ill-timed sports analogies. Their two children, Damien and Michaela, are bright and precocious.At first glance, the house is perfect. But things aren't what they seem.Sabrina's hearing odd noises, seeing strange visions. Their neighbors are odd or absent. And Sabrina's already-fraught relationship with her son is about to be tested in a way no parent could ever imagine.Because while the Haskins family might be the newest owners of 4596 James Circle, they're far from its only residents...

    A house-servant in the employ of her uncle’s upright family, Hester is treated as little more than a pariah by the judgmental townsfolk. When a deadly plague comes to town, Hester becomes indispensable as a healer. Yet as Hester watches the town's residents rapidly fall ill, she realizes that something more dangerous than disease has come to Wickstead. Soon the buried dead are exhumed on rumor of superstition, and occult fires burn fiercely into the night. As the townspeople turn on each other, a mysterious traveler arrives, furthering the growing paranoia. Hester must confront the dark forces which have invaded Wickstead, or all who live there may be lost… their souls included.

    Prestigious Blackwood-Patterson isn’t the perfect fit, but a bizarre set of circumstances leads to her hire and a firm mandate: Lussi must find the next horror superstar to compete with Stephen King, Anne Rice, and Peter Straub. It’s the ’80s, after all, and horror is the hottest genre.But as soon as she arrives, Lussi finds herself the target of her co-workers' mean-spirited pranks. The hazing reaches its peak during the company’s annual Secret Santa gift exchange, when Lussi receives a demonic-looking object that she recognizes but doesn't understand. Suddenly, her coworkers begin falling victim to a series of horrific accidents akin to a George Romero movie, and Lussi suspects that her gift is involved. With the help of her former author, the flamboyant Fabien Nightingale, Lussi must track down her anonymous Secret Santa and figure out the true meaning of the cursed object in her possession before it destroys the company—and her soul.

    But then he sees them for himself: weird and uncanny images of the dead appearing in his photographs. The apparitions seem to have some connection to Childgrave, a remote village in upstate New York with a deadly secret dating back three centuries. Jonathan and Joanne feel themselves oddly drawn to Childgrave, but will they survive the horrors that await them there?The third novel by Ken Greenhall (1928-2014), whose works are receiving renewed attention as neglected classics of modern horror, Childgrave (1982) is a slow-burn chiller that ranks among Greenhall’s best.“Writing in Shirley Jackson’s precise, sharp, chilly prose, Greenhall delivers a slippery book that can’t be pinned down, all about spectral photography, little dead girls, snowbound small towns, and the disquieting proposition that maybe God is not civilized.” - Grady Hendrix, author of Paperbacks from Hell“A very well-orchestrated, eerie tale.” - Publishers Weekly

    sniper with a secret. Her team knows about the burn scars that lurk under her clothes, a legacy of the house fire that killed her father and brother sixteen years before. Her supervisors know that she spent two years in a rehabilitative facility, healing and learning to cope with the emotional trauma of the fire. But no one knows about the visions that drove her there, angry spirits that consumed her childhood, alienated her from her family and made her doubt her own sanity--the Whispers.When Charlie Akers, a half-brother she never knew, ends up on the wrong side of Rose's rifle, she unwittingly sets off a chain of events that puts her family in the middle of increasingly dangerous paranormal visitations. Charlie won't stay dead, and soon ghosts from Rose's past are creeping back into her life. People she's killed in the line of duty, family she thought long buried, every one of them under the influence of Rose's greatest fear, the Whispers themselves.As the walls between our world and the world of the dead grow thin, Rose will have to face her old nightmares to stop the Whispers from breaking free. If she can't, it won't just be Memphis that falls to the dead--there will be no safe place left on earth for the living.

    Enter House -- where you'll find yourself thrown into a killer's deadly game in which the only way to win is to lose... and the only way out is in.The stakes of the game become clear when a tin can is tossed into the house with rules scrawled on it. Rules that only a madman—or worse—could have written. Rules that make no sense yet must be followed.One game. Seven players. Three rules. Game ends at dawn.

    A place spoken of only in whispers. If you are desperate enough, you will find it. But remember, all knowledge comes at a price.The bodies were discovered six months after Max Elliot turned in his badge. All that remained of the victims were piles of flayed skin and organs. The bones of each body had been stolen. This torturous method of execution had only been seen once before, and that case remained unsolved. Confident of a connection between the grizzly murders, the police turn to the one man they believe can help. With the allure of closure to his own personal tragedy, Max Elliot agrees to reinstatement for one last case. But the clues lead the unstable detective down a path he never could have imagined. A mysterious drug, a world beneath our own, sex and violence on an unprecedented level, and creatures as ancient as sin itself.Follow Max as he looks for answers in The City.

    In the Kalahari Desert, a nun unearths evidence of a proto-human species and a deity called Older-than-Old. In Bosnia, something has been feeding upon the dead in a mass grave. So begins mankind’s most shocking realization: that the underworld is a vast geological labyrinth populated by another race of beings. Some call them "devils" or "demons." But they are real. They are down there. And they are waiting for us to find them…

    The story follows Kline, a brutally dismembered detective forcibly recruited to solve a murder inside the cult. As Kline becomes more deeply involved with the group, he begins to realize the stakes are higher than he previously thought. Attempting to find his way through a maze of lies, threats, and misinformation, Kline discovers that his survival depends on an act of sheer will. Last Days was first published in 2003 as a limited edition novella titled The Brotherhood of Mutilation. Its success led Evenson to expand the story into a full-length novel. In doing so, he has created a work that’s disturbing, deeply satisfying, and completely original.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    A. Macalla Whitcomb. By deciding to investigate how Mrs. Whitcomb's obsessions might have led to her mysterious disappearance, Lois unwittingly invites the forces which literally haunt Mrs. Whitcomb's films into her life, eventually putting her son, her husband and herself in danger. Experimental Film mixes painful character detail with a creeping aura of dread to produce a fictionalized "memoir" designed to play on its readers' narrative expectations and pack an existentialist punch.

    We staked out our territory and nailed this to the wall to guide us: YEAR'S BEST HARDEST HORROR Not your mama's best-of horror annual. This stuff comes from the edge of the abyss, stories you read at your own risk because you feel the abyss looking right back into you through the tainted lens of each twisted tale. Some of the stories you'll find here are loaded with very graphic descriptions of violence, sex and depravities, while others may contain only one shocking moment of brutality. In others, the hardcore aspect may be less graphic and subtler than you might expect. Some of these quieter tales offer the reader some time to recover from the more disturbing ones preceding. Most of the stories collected here are from small and specialty press anthologies, with a few from periodicals, like the prestigious Splatterpunk Zine in the UK and Thuglit here in the US. Bizarro is also represented with a couple of tales from the unlikely anthology Blood For You: A Literary Tribute To GG Allin from Weirdpunk Books. (If you're not familiar with the late GG Allin, you can find snippets from some of his outrageous and obscene punk shows online, which will increase your appreciation of those two tales.) So for now, forget about that neighbor you suspect is a serial killer, don't worry about the drunk driver that could take you out on your next trip to the store, push those troubling news stories to the back of your mind and immerse yourself in the imaginary horrors at hand. But don't be surprised if you sense something dark staring back at you from between the lines. That is to be expected when you enter these forbidding realms. With any luck, you may find something useful to help you survive the approaching Apocalypse. TABLE OF CONTENTS Introduction: The Year That Was "Worth the Having" by Michael Paul Gonzalez "Awakening" by Jeff Strand "Readings Off The Charts" by Adam Cesare "Reborn" by The Behrg "What's Worst" by David James Keaton "Dead End" by Kristopher Triana "What You Wish For" by Lilith Morgan "King Shits" by Charles Austin Muir "Cleanup On Aisle 3" by Adam Howe "Bath Salt Fetus" by George Palacious "Bored With Brutality" by MP Johnson "Exposed" by Monica J. O'Rourke "Eleanor" by Jason Parent "The Scavengers" by Tony Knighton "The Most Important Miracle" by Scott Emerson "Hungry For Control" by Clare de Lune "Clarissa" by Robert Essig & Jack Bantry "Where The Sun Don't Shine" by Pete Kahle "Blackbird Lullaby" by George Cotronis

    With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder.But now Mira is back in Kipsen to attend Celine’s wedding at the plantation, which has been transformed into a lush vacation resort. Mira hopes to reconnect with her friends, and especially, Jesse, to finally tell him the truth about her feelings and the events of that devastating long-ago day.But for all its fancy renovations, the Woodsman remains a monument to its oppressive racist history. The bar serves antebellum drinks, entertainments include horrifying reenactments, and the service staff is nearly all black. Yet the darkest elements of the plantation’s past have been carefully erased—rumors that slaves were tortured mercilessly and that ghosts roam the lands, seeking vengeance on the descendants of those who tormented them, which includes most of the wedding guests. As the weekend unfolds, Mira, Jesse, and Celine are forced to acknowledge their history together, and to save themselves from what is to come.

    From acclaimed director Guillermo del Toro.