When it comes to deeply unqualified guardians of the moral high ground, it would be tough to find many that equaled Black Jack Justice and his erstwhile partner, Trixie Dixon, girl detective. But they will learn the hard way just how serious the sender was, and that in the end, only Dead Men Run.The his and hers private detectives of Decoder Ring Theatre’s long-running radio mysteries return to two-fisted prose adventure, delighting long-time fans and new readers alike with the classic, hard-boiled feel of their exploits.

    and nothing will ever be the same.Hoping to escape an abusive marriage, Juliet Carlson looks for solace on the cool sands of an isolated cove. Here she meets a youth named Milo, who persuades her to visit his beachside community.Milo is several years her junior, but that doesn't diminish their mutual attraction. It has been years since Juliet felt this safe... this happy.But Milo hides a dark secret. And his family has secrets, too...Featuring a genuinely original concept in modern horror, The Boy on the Beach is a seventeen-thousand word novella. It was originally published in Dark Albion: Tales of Fantasy and Horror by David Brian, and is still available as part of that collection.

    As they prove to be uninterested, he turns instead to Colonel Parnell of the Parnell Detective Agency. It seems at first to be a simple case of a missing person but they soon find themselves in the middle of a complicated web of deceit, intrigue and murder.

    But when her teenage son shows up, things take a very dark turn.

    In the foreground is a caper story; in the background, a poetically expressed, apocalyptic history of Liverpool." —The Daily TelegraphThat woman with the grey hair and the specs and the kind face and the accent all like his grandmother, his nain in hospital and when she can talk that is what she sounds like. Don'thitmepleasedon'thitme. These women falling, sliding off this earth and not just from violence but the one commonality that turns life to a wreck—age.After their botched and brutal mission to punish a one-armed man in a small Welsh village, Darren and Alastair head back to Liverpool to report to their mob boss. On the way home, Darren robs a rural postal office in Wales that serves as a bank and needlessly cracks the skull of a little old postal lady. Darren's eyes are full of fire. "We're rich, Alastair!" But Alastair sees his own nain in this elderly woman and falls victim to his conscience. Darren has finally gone too far.As Alastair and Darren weave their way through the lowlife milieu of Liverpool, we hear many voices: the alky, the crack addict, the busman, the whores, the gangsters, and Darren's many victims. But we also hear the voices of their ancestors going back generations of unthinkable grief and poverty.A fascinating sequel to Niall Griffiths' Stump, which Irvine Welsh calls "a magnificent novel of loss and obsession . . . [by] a major talent."

    His first case is a young woman found in an urban bayou. He immediately sees clues that lead him places he doesn't want to go. But his own demons may be the clue to solving the mystery of the woman's death. And as the case widens, so do his new partner's suspicions about his past and motivations.

    Caroline McGill, J.M. Benjamin, Boston George, and T. Styles present fresh new stories of money, murder, betrayal, and revenge. Their unique approach attempts to explain the allure of the dope game through the eyes of some unforgettable characters. Just when you think it's over, a new story picks up and takes you on a whole new journey! This is a sure classic and the beginning of a great series. Take a ride with the kings and queens of the street.

    This collection features new stories from all the Zelmer Pulp regulars as well as stunning noir photography from Mark Krajnak and an introduction by Brit Grit Godfather Paul D. Brazill.Zelmer Pulp arrives with both guns out in this Volume 1 noir collection.

    He was also one of world's most popular Black contemporary writers. Having published 16 novels, including Whoreson, Dopefiend, and Daddy Cool, Goines's unique brand of "street narrative" and "ghetto realism" mark him as the original street writer.Now, in the first in-depth biography of Goines's life, author Eddie B. Allen explores exactly how one man could make the transition from street hustler to bestselling author. With exclusive access to personal letters, treatments from unwritten books, photographs, and family members, Allen uncovers Goines's personal experiences with drugs, prostitutes, prison, and urban violence. Fans of Goines's novels will note a dramatic parallelism between his life and his fictional tales.

    Nora ran off with twenty grand, a gram of coke, and his favourite leather jacket, leaving him with little more than a hangover and a Dido soundtrack. But Nora’s sights are on the two hundred grand Farrell supposedly stashed somewhere in the middle of Northumberland, and she’s enlisted the help of her old boyfriend, a former hit man, to retrieve it.Farrell hooks up with an old Army mate, the shoplifting, rotgut-swilling arsonist Jimmy Cobb and sets off after them. When this pair catch up with Nora and her ex, there’s going to be hell to pay, 'cause nobody messes with Farrell and Cobb ...WOLF TICKETS is hardcore Ray Banks – ballsy, breathless and brutal.

    

    Lee Henry Oswald,a Special Forces veteran of the Gulf War whose work begins where legal options end…He bears a killer's name…Lee H. "Hank" Oswald inherited more from his bull-headed father than just a name. It's not that he looks for trouble; he just can't seem to keep out of its way. Fortunately being named Oswald in Dallas makes a man tough enough to get the job done, no matter what side of the law he's forced to walk… He seeks a missing brotherThings get even rougher for Hank when he agrees to help an old friend find her troubled brother. She swears Charlie's quit the drugs for good, now that he's got a job in real estate. But Hank's barely taken the case when he discovers that the Dallas real estate wars can be as vicious and dirty as anything he'd encountered on the battlefield. He's found three suspects--and a hundred ways to die…Before long, three prime suspects emerge: a ruthless Dallas dealmaker; a rising young real estate developer and community activist; and one of the city's most notorious, and deadly, drug lords. Digging through the muck to find something to tie these three together--and to Charlie--Hank comes to one unmistakable truth: For the right price, a man might do anything.

    Master storyteller Les Edgerton guides us on a haunting journey inside the criminal mind to show that no matter how depraved a person appears to be, there might still exist a spark of humanity.

    Now, with a pack of cigarettes, a stolen Caddy, and no plan, the two must think fast-and move faster, in this novel with "a lyric voice that sings itself raw."(New York Times Book Review) "My kind of book." (James Ellroy) "Cook's plot tumbles from scene to scene with jarring brilliance, the pathos of his characters lending his otherwise brutal world a certain beauty." (Publishers Weekly) "Elmore Leonard's laconic flair with the dumb and dangerous [and] James Lee Burke's lyric feel for the dark hearts in a New South-Robbers ranges wild and wide, deep through the heart of Texas." (Michael Malone, author of Time's Witness) "Cook clearly has the suspense-building gene...The nerve-jangling plot tick-tick-ticks toward its explosive end." (Texas Monthly) "High-octane...Cook takes the noir chase novel on some remarkable detours." (Booklist, starred review) "This is a terrific book. I haven't enjoyed a novel this much in years." (James Crumley, author of The Last Good Kiss)

    The threat sends Joe Reddick over the edge. He's lived the nightmare of losing a family to a crazed killer once, and he's not going to let it happen again. After sending his wife and son to safety, he goes to war, determined to kill those responsible. Soon Reddick’s living nightmare will finally be over. One way or the other . . .