What is fate, in a culture of free will and self-determination? Where do we project our doom, that ancient and evolving belief in predestination? In this issue of Granta, twenty-two writers meditate on fate in all its many forms.Includes contributions by Anjan Sundaram, Andrea Stuart, Fatima Bhutto, Sam Coll, Joanna Kavenna, Joseph Roth, Michael Cunningham, and Will Self.

    Biography, memoir, narrative history, reportage, the travel account: all these forms now have their interesting and original practitioners in India. In this Granta issue they tackle questions ranging from rape in village India to scandal in Mumbai clubs. And there is room, as always, for the best of India's fiction.

    Guest Edited by Catherine Leroux and Madeleine Thien.2017 marks the 150th anniversary of the Canadian Confederation, when the British colonies of Canada, Nova Scotia and New Brunswick were united.In this special issue of Granta, we celebrate the diversity of social, political and literary life in Canada, the largest country in the western hemisphere, and one of the few where the experiment of multiculturalism appears to have workedBringing you the best new fiction, reportage, photography, poetry and memoir from Canada, this issue showcases the best of both the English and French literary communities, throwing a spotlight on an enigmatic nation with a rich literary heritage.

    Policeman-turned-detective-turned-writer A Yi describes life as a provincial gumshoe in China. Physician Siddhartha Mukherjee visits a government hospital in New Delhi, where he meets Madha Sengupta, at the end of his life and on the frontiers of medicine. Robert Macfarlane explores the limestone world beneath the Peak District. And Haruki Murakami revisits his walk to Kobe in the aftermath of the 1995 earthquake.In this issue--which includes poems by Charles Simic and Ellen Bryant Voigt, a story by Miroslav Penkov, and non-fiction by David Searcy, Teju Cole, and Hector Abad--GRANTA presents a panoramic view of our shared landscape and investigates our motivations for exploring it. One’s destination is never a place,” Henry Miller wrote, but a new way of seeing things.”

    Rachel Cusk provides a startlingly honest account of a marriage, its breakdown, and the aftermath; Caroline Moorehead gives voice to women who took part in the French Resistance--and were sent to Nazi death camps for their involvement. Urvashi Butalia writes of a male-to-female transsexual in India, who discovers all the obstacles of her adopted sex. A.S. Byatt lays bare the sexism of 1960s academia. And Francine Prose recalls her own personal journey toward feminism.The issue features new fiction from Edwidge Danticat, Julie Otsuka, Louise Erdrich and Jeanette Winterson. In 'Night Thoughts', Helen Simpson hilariously sends up all the sacred pieties of the male provider. ‘The Sex Lives of African Girls’, introduces an astonishing new voice, Taiye Selasi, who spins a haunting story about the way adult sexuality can be imposed upon the young.With award-winning reportage, memoir and fiction, over the years Granta has illuminated the most complex issues of modern life through the refractory light of literature. ‘The F Word’ will continue this tradition by addressing a theme many readers know has never lost its urgency.

    Compiled by Dave Eggers and students from his San Francisco writing center, it is "both uproarious and illuminating" (Publishers Weekly).

    Collected here for the first time in paperback, the essays, articles, observations—and even some untypical country-music lyrics—offer a rare overview of the eclectic sensibility of an American original. Whether rocking with the Doors, depoliticizing Picasso’s Guernica, lamenting the angst-ridden state of contemporary literature, or drooling over tomato sandwiches and a species of womanhood he calls “the genius waitress,” Tom Robbins’s briefer writings exhibit the five traits that perhaps best characterize his novels: an imaginative wit, a cheerfully brash disregard for convention, a sweetly nasty eroticism, a mystical but keenly observant eye, and an irrepressible love of language. Embedded in this primarily journalistic compilation are brand-new short stories, a sheaf of largely unpublished poems, and an offbeat assessment of our divided nation. Wherever you open Wild Ducks Flying Backward, you’ll encounter the serious playfulness that percolates from the mind of a self-described “romantic Zen hedonist” and “stray dog in the banquet halls of culture.”

    Some money from each copy of Speaking with the Angel sold will benefit autism education charities around the world, including The Treehouse School in London, where Nick’s son Danny is a student, and the New York Child Learning Institute here in the States. This project is truly a labor of love for Hornby and the other writers involved, many of whom are Nick’s friends.These original first-person narratives come from the most exciting voices in fiction. Melissa Bank gives readers a glimpse into the mind of a modern New Yorker whose still-new relationship is a constant source of surprise in “The Wonder Spot.” In Zadie Smith’s “I’m the Only One,” a young man recalls his strained relationship with his diva-esque sister. Dave Egger’s “After I Was Thrown in the River and Before I Drowned,” is told from the viewpoint of an unfortunate pit bull. Helen Fielding offers up a new twist on I’ve fallen and I can’t get up in “Luckybitch.” And in Nick Hornby’s “NippleJesus,” a bruiser finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub. Speaking with the Angel also includes stories from Roddy Doyle, Irvine Welsh, Colin Firth, John O’Farrell, Robert Harris, Patrick Marber, and Giles Smith.Twelve completely new stories, written by twelve undeniably imaginative voices. Speaking with the Angel is at turns clever, outrageous, witty, edgy, tender, and wicked. This is what they meant by original.

    Compiled by Dave Eggers and students of his San Francisco writing center, it is thoroughly "entertaining and thought-provoking reading" (Library Journal).

    Chilling and witty, prescient and personal, delectable and tart, these highly imaginative, vintage Atwoodian mini-fictions speak on a broad range of subjects, reflecting the times we live in with deadly accuracy and knife-edge precision.In pieces ranging in length from a mere paragraph to several pages, Atwood gives a sly pep talk to the ambitious young; writes about the disconcerting experience of looking at old photos of ourselves; gives us Horatio's real views on Hamlet; and examines the boons and banes of orphanhood. Bring Back Mom: An Invocation; explores what life was really like for the "perfect" homemakers of days gone by, and in The Animals Reject Their Names she runs history backward, with surprising results.Chilling and witty, prescient and personal, delectable and tart, The Tent is vintage Atwood, enhanced by the author's delightful drawings.

    Since he has always written his own material, books are a natural medium for Steve's comic genius. And his extravagant wit shines brightly indeed in this rollicking collection of short fabulous pieces.

    For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind. Dave Eggers, who edits The Best American Nonrequired Reading annually, has once again chosen the best and least-expected contemporary fiction, nonfiction, satire, investigative reporting, alternative comics, and more from publications large, small, and on-line -- Zoetrope, Tin House, the Atlantic Monthly, Bomb, SPX, the New York Times, Texas Monthly, GQ, Iowa Review, Esquire, and others. Read on for "some of the best literature you haven't been reading . . . and it's fantastic. All of it" (St. Petersburg Times).

    Le Guin, and with an introduction by Karen Joy Fowler, a collection of thoughts—always adroit, often acerbic—on aging, belief, the state of literature, and the state of the nation.Ursula K. Le Guin has taken readers to imaginary worlds for decades. Now she’s in the last great frontier of life, old age, and exploring new literary territory: the blog, a forum where her voice—sharp, witty, as compassionate as it is critical—shines. No Time to Spare collects the best of Ursula’s blog, presenting perfectly crystallized dispatches on what matters to her now, her concerns with this world, and her wonder at it.   On the absurdity of denying your age, she says, If I’m ninety and believe I’m forty-five, I’m headed for a very bad time trying to get out of the bathtub. On cultural perceptions of fantasy: The direction of escape is toward freedom. So what is ‘escapism’ an accusation of? On her new cat: He still won’t sit on a lap…I don’t know if he ever will. He just doesn’t accept the lap hypothesis. On breakfast: Eating an egg from the shell takes not only practice, but resolution, even courage, possibly willingness to commit crime. And on all that is unknown, all that we discover as we muddle through life: How rich we are in knowledge, and in all that lies around us yet to learn. Billionaires, all of us.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    A must for this counterculture idol's legion of fans.