The book celebrates Chicago’s Wicker Park in the late 1990’s, Coval’s home as a young artist, the ancestral neighborhood of his forebears, and a vibrant enclave populated by colorful characters. Allston’s illustrations honor the neighborhood as it once was, before gentrification remade it. The book excavates and mourns that which has been lost in transition and serves as a template for understanding the process of displacement and reinvention currently reshaping American cities.

    No one comes here, and no one knows where I am. When Ezra turns up on my doorstep, I suspect he’s a reporter, who doesn’t know when to let a story die. It’s soon obvious he doesn’t remember me as my Hollywood persona, and the fear in his eyes tells me he’s running from demons, the same as me. The difference is, mine are dead, and his are very much alive, and in pursuit. It’s been a long time since I cared about anyone or anything, but Ezra could change that if I let him. Ezra I was sure I was too smart not to recognize an abusive jerk when I met one—so how did I end up the virtual prisoner of my Alpha boyfriend, who turned out to be a drug dealer with a shady past and violent present, who wants to control my future? When I saw him kill someone, I ran, but he’s after me. I don’t know if he wants me back, or if he wants to silence me, but I’ll die before I go back to him. I have nothing left until I stumble across Levi’s cabin where I find hope for survival, and maybe a second chance at happiness with the curmudgeonly man living in terrain as rugged as he is. Brash is a standalone Mpreg romance with a salty Alpha, sweet but scared Omega, and the happily ever after you’re craving.

    It is an acquired taste, for those who do not mind profanity and dishevelled emotions.

    They’re humorous, odd, and full of all the unreasonable truth of love. This book is the real thing.” —Publishers Weekly Weise’s collection “examines the daily life and consciousness of a speaker with a disability willing to confront all taboos associated with sex, intimacy, identity, gender, and love.” - Coldfront MagazineThe Los Angeles Times described Jillian Weise's debut poetry collection as "a fearless dissection of the taboo and the hidden." In this second collection she forwards her bold, sexy poetics by chronicling an affair with a man she names "Big Logos." These poems throw into question sex, the law, identity, sentiment, and power, shifting between lyric and narrative, hyper-realism and magical realism, fact and fiction.I've Been Waiting All NightI reckon you were asleep with your girlbefore the phone rang. Make something up.I've been waiting all night to tell youabout the couple in post-War France,the woman fresh in her graveand the man who didn't like his mistress dead,no sir, and so exhumed her, to the dismayof his wife, who had him arrestedfor the stink he made.She was reburied, returned to the dead.After jail, he dug her up to fuck again.Attached suction cups and crafteda wig from a broom. You can go now.I'm more in the mood than you're used to.Jillian Weise—an above-the-knee amputee with a computerized prosthetic—identifies as a cyborg and has discussed the identity in essays for the New York Times and Drunken Boat. Her books include The Amputee's Guide to Sex (Soft Skull Press, 2007) and The Colony (Counterpoint/Soft Skull Press, 2010). She is an assistant professor at Clemson University, a contributing editor at the South Carolina Review, and co-director of the Annual Clemson Literary Festival.

    Although their work conjures the texture of wind and the broad spaces of the sky, these poems are not serenely pastoral. Rather, Myles' sparse blank verse is concerned with the diaphanous qualities of perception, as if her momentary experiences were as slippery and translucent as clouds. A sometimes brutal loneliness and urgent but stoic sensuality results, finding its expression in simple colors: orange, grey, yellow, white, rose.

    His hardscrabble days are brightened by the arrival of a new stepbrother, Rylan Mahoney, who quickly becomes the friend Scott so desperately needs. Their relationship has just started to deepen into more, when during the course of one terrible night, what Scott overhears sends him fleeing from his home, never to return.Flash forward six years, and Scott is now the hottest club host on the Phoenix gay scene. He takes what he wants, does what he wants, and does whom he wants. It’s a good life, but the journey to local popularity and fame wasn’t an easy one. For all that Scott’s looks are a blessing, at the same time they’re a curse—the source of his alcoholic mother’s inexplicable hatred.Rylan dreams of photojournalistic glory. He’s in Phoenix looking for the story of a lifetime, but the project isn’t coming to fruition. Needing rent money, he accepts a gig at Phoenix Pride hawking lewd lollipops and edible condoms…all while wearing gold lamé hot pants and a matching bow tie. When Rylan’s house keys and street clothes go missing after his shift, he’s desperate, until a stranger in a convertible stops to help.The man is absolute sex on legs, and Rylan is jolted when he recognizes him—his stepbrother Scott Ashworth, long missing but suddenly larger than life. Reunited after six years apart, Scott and Rylan are determined to put their past behind them, but fate intervenes and leaves their future in jeopardy once again.

    Whether she is exhuming the bizarre ("Cryptozoology" and "A Short History of Unusual Fish"), exorcising her demons, ("Hog Butcher of Workshop Table" and "On Why I Shouldn't Read Books") or celebrating the uncelebrated oddballs of the world ("Little Heard True Stories of Benjamin Franklin" and "Crack Squirrels"), Aptowicz's poetry sings and singes. Everything is Everything illuminates the dark corners of the curiosity cabinet, shining the light on everything that is utterly strange, wonderfully absurd and 100% true.

    An attempt to understand and to be understood, In a Dream You Saw a Way to Survive is an ode to vulnerability that delivers concentrated, thought-provoking, and earnest verse.

    A high school art history teacher, newly single and desperately lonely, he envies his queer students their freedom to live openly the youth he lost to fear and shame.   So when he runs into his childhood friend Oscar Burnham at a wedding in Washington, D.C., he can’t help but see it as a second chance. Now thirty-five, the men haven’t seen each other in a decade. But Oscar has no interest in their shared history. Instead, he’s outraged by what he sees as the death of gay culture: bars overrun with bachelorette parties; friends getting married, having babies. While Oscar and Sebastian struggle to find their place in a rapidly changing world, each is drawn into a cross-generational friendship that treads the line between envy and obsession: Sebastian with one of his students and Oscar with an older icon of the AIDS era. And as they collide again and again, both men must come reckon not just with one another, but with themselves. Rich with sharply drawn characters and contemporary detail, provocative, and emotionally profound, Let’s Get Back to the Party is sure to appeal to readers of Garth Greenwell, Alan Hollinghurst, Claire Messud, and Rebecca Makkai.

    Engaging and secretive, provocative and profound, Ryan s poems have generated growing excitement with their appearances in The New Yorker and other leading periodicals. Sometimes gaudily ornamental, sometimes Shaker-plain, here is verse that is compact on the page and expansive in the mind."

    When a pack of rogue coyote shifters threatens the city, Nikolai answers a call for aid from the local police department; humans are no match for the speed and strength of paranormals. On his mission, Nikolai stumbles across a young man named Israel who is in need of help and terrified of the world around him. In an instant, Nikolai realizes that this precious angel is his fated mate; the one he’s bound to love and cherish for all time. Israel is in need of someone to protect and nurture him; he needs a Daddy, and Nikolai, having waited nearly a millennium for a boy of his own, is his perfect match. Israel feels safe and at peace for the first time in his life as he explores his little side and places his trust in his vampire Daddy’s strength and care.**This M/M romance features my take on vampires and other paranormal beings. They share many (but not all) attributes of vampires found in other fictional works. This world is different from those found in my other paranormal series, and the vampires’ properties differ as well. This low angst book contains insta-love between fated mates on a fast track romance, steamy scenes, a touch of danger, and age play between a powerful vampire Daddy and his sweet human little. Together, they explore elements including diapers and latching. Thank you for taking a look and happy reading!

    A work of rare beauty and lyric grace, The Ground is an entire world, drawn and revealed through contemplation of the post-9/11 landscape. With musicality and precision of thought, Phillips’s poems limn the troubadour’s journey in an increasingly surreal modern world (“I plugged my poem into a manhole cover / That flamed into the first guitar”). The origin of mankind, the origin of the self, the self’s development in the sensuous world, and––in both a literal and a figurative sense––the end of all things sing through Phillips’s supple and idiosyncratic poems. The poet’s subtle formal sophistication—toggling between flair and restraint—and sense of lyric possibility bring together the hard glint of the contemporary world and the eroded permanence of the archaic one via remixes, underground sessions, Spenserian stanzas, myths, and revamped translations. These are poems of fiery intelligence, inescapable music, and metaphysical splendor that concern themselves with both lived life and the life of the imagination—equally vivid and true––as they lay the framework for Phillips’s meditations on our connection to and estrangement from the natural world.

    Moving between a childhood marked by love and abuse and the breaking marriage of that adult child, Donika Kelly charts memory and the body as landscapes to be traversed and tended. These poems construct life rafts and sanctuaries even in their most devastating confrontations with what a person can bear, with how families harm themselves. With the companionship of “the oracle”—an observer of memory who knows how each close call with oblivion ends—the act of remembrance becomes curative, and personal mythologies give way to a future defined less by wounds than by possibility.In this gorgeous and heartrending second collection, we find the home one builds inside oneself after reckoning with a legacy of trauma—a home whose construction starts “with a razing.”

     Too bad Emily's heart is not available for love. Two years after her husband Melvin passed, Emily is still grieving his death. She's buried herself in her work, in making her high-end boutique a success. She has no interest in dating again and she's definitely not about to be swept off her feet by one of those Champion brothers. ***The Champion Brothers series books are all standalone books.*** Book 1, His Paradise Wife is Dante Champion's story. Book 2, When A Champion Wants You is Dimitrius Champion's story. Book 3, The Best Thing He Never Knew He Needed is Desmond Champion's story. Book 4, Wives And Champions is a family novel. Book 5, The Way Champions Love is Harding Champion's story.

    Like I do with all great books, I kept have to stop and step away every few pages to think about what I’d just read. Crybaby is tender and full of carefully chosen, luxurious language. It’s poem after poem of sensual, wide-eyed desire and a total rejection of shame. There was something I wanted to tattoo or study or steal on every page.” – Clementine von Radics, author of Mouthful of Forevers & founder of Where Are You Press“Crybaby is a masterpiece. This collection is one of the greatest triumphs of Caitlyn Siehl’s young career. There are few poets who simultaneously reveal the wonder in everyday life and expand our understanding of the world. Caitlyn is one of those poets. She perfectly balances radical tenderness and gritty truth telling in her sophomore collection. There is a ravenous appetite in her words, a deep yearning to achieve complete wholeness. This hunger empowers readers to explore their identities and discover their best parts. Crybaby is a compelling read from cover to cover. Bring it home to someone you love. Allow your heart to be expanded by this collection; there is truly something here for everyone.” – Christian Sammartino, co-founder & editor-in-chief for The Rising Phoenix Review“Crybaby cries with you. Caitlyn’s second collection is what every second collection should be: equal parts heartbreak, forgiveness and honesty so clear it hurts. I read this and couldn’t believe I didn’t have something like this to turn to when I was younger. Hell, I regret that I didn’t have this last year. Caitlyn possesses a true gift in writing about the things that hurt us, the things that haunt us, and the things that also give us endless hope. I am breathless from the sheer unapologetic way in which she describes the mundane nuances of everyday life—from the pancakes to the flowerbeds and all the lovers in-between. Caitlyn’s collection tells you that you’re going to fall, but more importantly, it shows you how to do it. A triumph.” – Kristina Haynes, author of It Looked A Lot Like Love & Chloe