Tiloka, Rano's husband, is murdered leaving her with four children to look after and a hostile mother-in-law to contend with. Helpful friends and the village elders decide that Mangal, Tiloka's younger brother, should offer her protection in the form of marriage. And so a wedding of reluctant partners takes place.

    One of the great classics of world literature, it has inspired such diverse thinkers as Henry David Thoreau, Mahatma Gandhi, and T.S. Eliot; most recently, it formed the core of Peter Brook's celebrated production of the Mahabharata.

    Known for her charm, wit and beauty, Umrao Jaan was also a talented poet, dancer and a singer. Rich in historical detail, the audiobook transports us in old Lucknow, where decadence was nothing more than a part of day-to-day life.

    Originated at digital platform of Facebook, the famous face of TV news, anchor Ravish Kumar has started writing micro fiction in a limited space of Facebook and twitter. The politics of our times figures as Metaphor in the loving exchange between characters. Laprek is a story of Love in cities. It is a story of Cities in love. रेम हम सबको बेहतर शहरी बनाता है। हम शहर के हर अनजान कोनों का सम्मान करने लगते हैं। उन कोनों में ज़िंदगी भर देते हैं... आप तभी एक शहर को नए सिरे से खोजते हैं जब प्रेम में होते हैं... और प्रेम में होना सिर्फ हाथ थामने का बहाना ढूँढना नहीं होता। दो लोगों के उस स्पेस में बहुत कुछ टकराता रहता है। 'लप्रेक' उसी कशिश और टकराहट की पैदाइश है।

    In the moments before a great battle, the dialogue sets out the important lessons Arjuna must learn to change the outcome of the war he is to fight, and culminates in Krishna revealing to the warrior his true cosmic form, counselling him to search for the universal perfection of life. Ranging from instructions on yoga postures to dense moral discussion, the Gita is one of the most important Hindu texts, as well as serving as a practical guide to living well.

    David Shulman presents a comprehensive cultural history of Tamil language, literature, and civilization emphasizing how Tamil speakers and poets have understood the unique features of their language over its long history. Impetuous, musical, whimsical, in constant flux, Tamil is a living entity, and this is its biography.Two stories animate Shulman s narrative. The first concerns the evolution of Tamil s distinctive modes of speaking, thinking, and singing. The second describes Tamil s major expressive themes, the stunning poems of love and war known as Sangam poetry, and Tamil s influence as a shaping force within Hinduism. Shulman tracks Tamil from its earliest traces at the end of the first millennium BCE through the classical period, 850 to 1200 CE, when Tamil-speaking rulers held sway over southern India, and into late-medieval and modern times, including the deeply contentious politics that overshadow Tamil today.Tamil is more than a language, Shulman says. It is a body of knowledge, much of it intrinsic to an ancient culture and sensibility. Tamil can mean both knowing how to love in the manner of classical love poetry and being a civilized person. It is thus a kind of grammar, not merely of the language in its spoken and written forms but of the creative potential of its speakers.

    Raised in the thousand-year-old tradition of purdah, a strict regime of seclusion, silence, and submission, Jaya is ill-prepared to assume the role of Regent Maharani of Sirpur upon the death of her decadent, Westernized husband. But Jaya bravely fulfills her duty and soon finds herself thrust into the center of a roiling political battle in which the future of the kingdom is at stake... and her own future as well.

    This selection includes ten of his best, bearing testimony to the author's remarkable range and his ability to create unforgettable characters out of everyday lives.

    Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

    / Now barefoot I tread / on shards.Such is the elegant simplicity—a whole poem in ten words, vibrating with image and emotion—of the best-selling Russian poet Vera Pavlova. The one hundred poems in this book, her first full-length volume in English, all have the same salty immediacy, as if spoken by a woman who feels that, as the title poem concludes, “If there was nothing to regret, / there was nothing to desire.”Pavlova’s economy and directness make her delightfully accessible to us in all of the widely ranging topics she covers here: love, both sexual and the love that reaches beyond sex; motherhood; the memories of childhood that continue to feed us; our lives as passionate souls abroad in the world and the fullness of experience that entails. Expertly translated by her husband, Steven Seymour, Pavlova’s poems are highly disciplined miniatures, exhorting us without hesitation: “Enough painkilling, heal. / Enough cajoling, command.” It is a great pleasure to discover a new Russian poet—one who storms our hearts with pure talent and a seemingly effortless gift for shaping poems.

    "While McCartney is of a completely different cast than Bob Dylan, his appeal may be even greater than that of the latter great poet-songwriter," wrote Publishers Weekly; The Guardian hailed McCartney's words as "a remarkable feat of historical imagination." The best-selling Blackbird Singing now includes several new poems and lyrics, including "Freedom," which McCartney performed in New York City at a benefit concert last fall. To actually read McCartney's poems, whether exuberant ballads of love or poignant messages of deepest grief, is to appreciate the electrifying power of the confluence of dream and song. Inspired by his late wife, Linda McCartney, Blackbird Singing gives us extraordinary access to the inner life of one of the most influential figures of our time.

    Known for sharp imagery, startling metaphors and deceptively simple diction, his luminous poems offer mysterious glimpses into the deepest facets of humanity, often through the lens of the natural world. These new translations by Patty Crane, presented side by side with the original Swedish, are tautly rendered and elegantly cadenced. They are also deeply informed by Crane’s personal relationship with the poet and his wife during the years she lived in Sweden, where she was afforded greater insight into the nuances of his poetics and the man himself.

    The Solar tribes are without a ruler, and the return to Aryavarta has resulted in a confederation where hitherto there was a united clan-hood. Rakshasas, Gandharvas and Yakshas threaten the nascent cities of Aryavarta, and if their rise is not checked the Solar tribes may lose all they have gained.And thus rises Ikshvaku, the son of Manu and descendant of Surya. He forms Aryavarta’s first Kingdom and unites the Solar strength against the Anaryas- Rakshasas, Gandharvas and Yakshas.But the Seal of Surya is still missing, and Ikshvaku will need to find it to put his claim and authority beyond all doubt. This is the tale of Aryavarta’s first dynasty, the Suryavansha, and its first King- Ikshvaku Manava.

    But [Flenniken] also wrote them to honor the people she grew up with." " - Seattle Times"The poems in "Plume" are nuclear-age songs of innocence and experience set in the "empty" desert West. Award-winning poet Kathleen Flenniken grew up in Richland, Washington, at the height of the Cold War, next door to the Hanford Nuclear Reservation, where "every father I knew disappeared to fuel the bomb," and worked at Hanford herself as a civil engineer and hydrologist. By the late 1980s, declassified documents revealed decades of environmental contamination and deception at the plutonium production facility, contradicting a lifetime of official assurances to workers and their families that their community was and always had been safe. Plume, written twenty years later, traces this American betrayal and explores the human capacity to hold truth at bay when it threatens one's fundamental identity.

    Andrew Hudgins imagines himself in the life of a now largely forgotten poet, Sidney Lanier, who served as a soldier for the Confederacy.