Alexander was involved in nearly all of the great battles of the East, from First Manassas through Appomattox, and his duties brought him into frequent contact with most of the high command of the Army of Northern Virginia, including Robert E. Lee, Stonewall Jackson, and James Longstreet. No other Civil War veteran of his stature matched Alexander's ability to discuss operations in penetrating detail - this is especially true of his description of Gettysburg. His narrative is also remarkable for its utterly candid appraisals of leaders on both sides.

    This book features over 100 photographs by a select group of renowned photographers whose work appears in the award-winning Mutter Museum calendars. Highlights include a bust of an early-19th-century Parisian widow with a six-inch horn protruding from the forehead; the connected livers of Chang and Eng, the world-famous Siamese twins; the skeleton of a 7’6” giant from Kentucky; and a collection of 139 skulls showing anatomic variation among ethnic groups in central and eastern Europe. Historical photographs from the museum’s archives, brief background texts about the collection, stunning photographs by acclaimed photographers including William Wegman and Joel-Peter Witkinand, and an introductory essay on the museum are also included.

    One, a Polish-born woman from Bialystok, where virtually the entire Jewish community would soon be sent to the ghetto and from there to Hitler’s concentration camps, was determined not only to live but to live with pride and defiance. The other, a Russian-born intellectual and introvert, would eventually become a high-level censor under Stalin’s regime. At war’s end, both women found themselves in Moscow, where informers lurked on every corner and anti-Semitism reigned. It was there that Ester and Ruzya would first cross paths, there that they became the closest of friends and learned to trust each other with their lives. In this deeply moving family memoir, journalist Masha Gessen tells the story of her two beloved grandmothers: Ester, the quicksilver rebel who continually battled the forces of tyranny; Ruzya, a single mother who joined the Communist Party under duress and made the compromises the regime exacted of all its citizens. Both lost their first loves in the war. Both suffered unhappy unions. Both were gifted linguists who made their living as translators. And both had children—Ester a boy, and Ruzya a girl—who would grow up, fall in love, and have two children of their own: Masha and her younger brother.With grace, candor, and meticulous research, Gessen peels back the layers of secrecy surrounding her grandmothers’ lives. As she follows them through this remarkable period in history—from the Stalin purges to the Holocaust, from the rise of Zionism to the fall of communism—she describes how each of her grandmothers, and before them her great-grandfather, tried to navigate a dangerous line between conscience and compromise. Ester and Ruzya is a spellbinding work of storytelling, filled with political intrigue and passionate emotion, acts of courage and acts of betrayal. At once an intimate family chronicle and a fascinating historical tale, it interweaves the stories of two women with a brilliant vision of Russian history. The result is a memoir that reads like a novel—and an extraordinary testament to the bonds of family and the power of hope, love, and endurance.From the Hardcover edition.

     Thought of as the seat of our soul, then as a mysteriously animated object, the heart is still more a mystery than it is understood. Why do most animals only get one billion beats? (And how did modern humans get to over two billion, effectively letting us live out two lives?) Why are sufferers of gingivitis more likely to have heart attacks? Why do we often undergo expensive procedures when cheaper ones are just as effective? What do Da Vinci, Mary Shelley, and contemporary Egyptian archaeologists have in common? And what does it really feel like to touch your own heart, or to have someone else's beating inside your chest? Rob Dunn's fascinating history of our hearts brings us deep inside the science, history, and stories of the four chambers we depend on most.

    Things no man has seen before haunt the woods. Strange animal species creep behind pine trees, some of them with flashing red tags that blink faster and faster. Giant birds mimic the sound of humans and lord over the sky. Leaf-shaped creatures attack anything that moves and flash vivid colors across their glistening backs. As Bishop and his companions scramble across the Montana wilderness, they find human remains and animal carcasses littering the woods. The small town of Elmore is empty, the windows broken and streaked with blood. Trout Bridge-their only way out-is blocked by abandoned cars, none that were inbound. With the strange animals species closing in, Bishop realizes his group must take a stand. He's got a plan, and maybe they've got one last shot before the invasive species spread to the rest of the U.S.

    All the resources of NASA, the Pentagon, and Government Money put the pieces of Lt. Col. Steve Austin's shattered body back together again. He came out of it more perfect than human. Better than new. A deadly, unstoppable weapon. Now all he needed was to find some human emotion in the tangle of plastic, wire and atomic metal that was fused to the remains of his flesh. Basis for $6 Million Dollar Man.

    His life story--from his beginnings as a surveyor and farmer, to colonial soldier in the Virginia Regiment, leader of the Patriot cause, commander of the Continental Army, and finally first president of the United States--reflects the narrative of the nation he guided into existence. There is, rightfully, no more chronicled figure.Yet American history has largely forgotten what Washington himself knew clearly: that the new Republic's fate depended less on grand rhetoric of independence and self-governance and more on land--Indian land. Colin G. Calloway's biography of the greatest founding father reveals in full the relationship between Washington and the Native leaders he dealt with intimately across the decades: Shingas, Tanaghrisson, Guyasuta, Attakullakulla, Bloody Fellow, Joseph Brant, Cornplanter, Red Jacket, and Little Turtle, among many others. Using the prism of Washington's life to bring focus to these figures and the tribes they represented--the Iroquois Confederacy, Lenape, Miami, Creek, Delaware--Calloway reveals how central their role truly was in Washington's, and therefore the nation's, foundational narrative.Calloway gives the First Americans their due, revealing the full extent and complexity of the relationships between the man who rose to become the nation's most powerful figure and those whose power and dominion declined in almost equal degree during his lifetime. His book invites us to look at America's origins in a new light. The Indian World of George Washington is a brilliant portrait of both the most revered man in American history and those whose story during the tumultuous century in which the country was formed has, until now, been only partially told.

    With historical insight and illustrative real-life stories Karkowsky unpacks what is involved for women, for a family, and for us as a society; and explores what’s at risk when these aspects of medicine remain clouded in mystery and misinformation.

    Modeling his character on Coleridge and his sensibility on Wordsworth, De Quincey took over the latter's cottage in Grasmere and turned it into an opium den. Here, increasingly detached from the world, he nurtured his growing hatred of his former idols and his obsession with murder as one of the fine arts.Though De Quincey may never have felt the equal of the giants of Romantic literature, the writing style he pioneered--scripted and sculptured emotional memoir--would inspire generations of writers, including Dickens, Dostoevsky, and Virginia Woolf. James Joyce knew whole pages of his work by heart.As Frances Wilson writes, "Life for De Quincey was either angels ascending on vaults of cloud or vagrants shivering on the city streets." In this spectacular biography, Wilson's meticulous scholarship and supple prose tells the riches-to-rags story of a figure of dazzling complexity and originality, whose life was lived on the run yet who came to influence some of the world's greatest literature. Guilty Thing brings De Quincey and his martyred but wild soul triumphantly to life, and firmly establishes Wilson as one of our foremost contemporary biographers.

    From the grisly investigations showcased on highly rated television shows like CSI to the bestselling mysteries that revolve around forensic science, medical examiners have never been so visible—or compelling. They, and they alone, solve the riddle of suspicious death and the existential questions that come with it. Why did someone die? Could it have been prevented? Should someone be held accountable? What are the implications of ruling a death a suicide, a homicide, or an accident? Can medical examiners unmask the perfect crime?Postmortem goes deep inside the world of medical examiners to uncover the intricate web of social, legal, and moral issues in which they operate. Stefan Timmermans spent years in a medical examiner’s office following cases, interviewing examiners, and watching autopsies. While he relates fascinating cases here, he is also more broadly interested in the cultural authority and responsibilities that come with being a medical examiner. How medical examiners speak to the living on behalf of the dead is Timmermans’s subject, revealed here in the day-to-day lives of the examiners themselves.“Postmortem is a wake-up call to forensic pathology. . . .This book should be viewed as provocative, rather than threatening, and should be a stimulus for important discussions and action by the forensic pathology community.”—Journal of the American Medical Association

    She assumed the responsibility informally at the age of 39 and eventually over 15,000 patients came under her direct care during the war. Pember remained at Chimborazo until the Confederate surrender in April 1865. She published her memoir soon after the war, in March 1866, serialized in a Baltimore magazine called The Cosmopolite as "Reminiscences of A Southern Hospital. By Its Matron." The memoir would later be published in book form as A Southern Woman's Story: Life in Confederate Richmond, in 1879. The memoir, which details her daily life through anecdotes of the war years, remains one of the best sources for understanding the experiences and ideas of upper-class Southern Jewish women before and during the Civil War.

    Now, with his anthropological eye and trademark wit, Lanham has compiled a handy guide to the evangelical right for those who can expect to be left behind in the End of Days.

     In Believing Is Seeing Academy Award-winning director Errol Morris turns his eye to the nature of truth in photography. In his inimitable style, Morris untangles the mysteries behind an eclectic range of documentary photographs, from the ambrotype of three children found clasped in the hands of an unknown soldier at Gettysburg to the indelible portraits of the WPA photography project. Each essay in the book presents the reader with a conundrum and investigates the relationship between photographs and the real world they supposedly record. During the Crimean War, Roger Fenton took two nearly identical photographs of the Valley of the Shadow of Death-one of a road covered with cannonballs, the other of the same road without cannonballs. Susan Sontag later claimed that Fenton posed the first photograph, prompting Morris to return to Crimea to investigate. Can we recover the truth behind Fenton's intentions in a photograph taken 150 years ago? In the midst of the Great Depression and one of the worst droughts on record, FDR's Farm Service Administration sent several photographers, including Arthur Rothstein, Dorothea Lange, and Walker Evans, to document rural poverty. When Rothstein was discovered to have moved the cow skull in his now-iconic photograph, fiscal conservatives-furious over taxpayer money funding an artistic project-claimed the photographs were liberal propaganda. What is the difference between journalistic evidence, fine art, and staged propaganda? During the Israeli-Lebanese war in 2006, no fewer than four different photojournalists took photographs in Beirut of toys lying in the rubble of bombings, provoking accusations of posing and anti-Israeli bias at the news organizations. Why were there so many similar photographs? And were the accusers objecting to the photos themselves or to the conclusions readers drew from them? With his keen sense of irony, skepticism, and humor, Morris reveals in these and many other investigations how photographs can obscure as much as they reveal and how what we see is often determined by our beliefs. Part detective story, part philosophical meditation, Believing Is Seeing is a highly original exploration of photography and perception from one of America's most provocative observers.

    But just as vodka is central to the lives of many Russians, it is also central to understanding Russian history and politics.In Vodka Politics, Mark Lawrence Schrad argues that debilitating societal alcoholism is not hard-wired into Russians' genetic code, but rather their autocratic political system, which has long wielded vodka as a tool of statecraft. Through a series of historical investigations stretching from Ivanthe Terrible through Vladimir Putin, Vodka Politics presents the secret history of the Russian state itself-a history that is drenched in liquor. Scrutinizing (rather than dismissing) the role of alcohol in Russian politics yields a more nuanced understanding of Russian history itself: from palaceintrigues under the tsars to the drunken antics of Soviet and post-Soviet leadership, vodka is there in abundance.Beyond vivid anecdotes, Schrad scours original documents and archival evidence to answer provocative historical questions. How have Russia's rulers used alcohol to solidify their autocratic rule? What role did alcohol play in tsarist coups? Was Nicholas II's ill-fated prohibition a catalyst for theBolshevik Revolution? Could the Soviet Union have become a world power without liquor? How did vodka politics contribute to the collapse of both communism and public health in the 1990s? How can the Kremlin overcome vodka's hurdles to produce greater social well-being, prosperity, and democracy intothe future?Viewing Russian history through the bottom of the vodka bottle helps us to understand why the liquor question remains important to Russian high politics even today-almost a century after the issue had been put to bed in most every other modern state. Indeed, recognizing and confronting vodka'sdevastating political legacies may be the greatest political challenge for this generation of Russia's leadership, as well as the next.

    Kirstin Beck is determined to escape to the West. She watches from her townhouse window as the border with West Berlin is closed, and a barbed wire fence strung through the cemetery behind her house. With a grandmother in West Berlin that needs her, Kirstin knows she has to go.Tony Marino is an American writer living in West Berlin. As he watches the nearby construction progress, he sees a beautiful woman looking from her townhouse window. Kirstin holds up a sign for Tony to see.HELP ME.The two hatch a plan for Kirstin to get over the border, but the mission is not easy. With the Stasi closing in on them, Kirstin and Tony enter a kaleidoscope of deceit and danger, determined to attain freedom at any cost. But in a country torn between communism and capitalism, can Kirstin escape the world she can't endure?