But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama—even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other—the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell.In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare’s bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London’s East End.Through these stories of murder—from the brutal to the pathetic—Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain.  With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.

    It's an occasionally ribald, frequently witty and unerringly erudite guided tour of the secret labyrinth that lurks beneath the English language, taking in monks and monkeys, film buffs and buffaloes, and explaining precisely what the Rolling Stones have to do with gardening.

    Darcy and closely based on real Regency advice manuals. It is a hilarious and irreverent picture of the social mores of the period and of how men thought about women – and sheds amusing light on men of the modern age, too! Readers can dip into different sections for Darcy's views on a myriad of issues, including "What Females Want", "The Deceptions of Beautiful Women" and “Winning Their Affections, Flattery, Making Conversation, and Flirting!" Also included are sections written by Pride and Prejudice’s Miss Caroline Bingley and Mr Darcy’s correspondence with famous Regency figures including the Duke of Wellington.

    Tucked away behind the mirror she found two letters, one from Fitzwilliam Darcy, the fictional hero of Jane Austen's 'Pride and Prejudice', the other from Jane to Darcy.

    Jane Austen's classic novel is beloved by millions, but little is revealed in the book about the mysterious and handsome hero, Mr. Darcy. And so the question has long remained: Who is Fitzwilliam Darcy? In An Assembly Such as This, Pamela Aidan finally answers that long-standing question. In this first book of her Fitzwilliam Darcy, Gentleman trilogy, she reintroduces us to Darcy during his visit to Hertfordshire with his friend Charles Bingley and reveals Darcy's hidden perspective on the events of Pride and Prejudice. As Darcy spends more time at Netherfield supervising Bingley and fending off Miss Bingley's persistent advances, his unwilling attraction to Elizabeth grows—as does his concern about her relationship with his nemesis, George Wickham.Setting the story vividly against the colorful historical and political background of the Regency, Aidan writes in a style comfortably at home with Austen but with a wit and humor very much her own. Aidan adds her own cast of fascinating characters to those in Austen's original, weaving a rich tapestry from Darcy's past and present. Austen fans and newcomers alike will love this new chapter of the most famous romance of all time.

    Fitzwilliam Darcy and mistress of Pemberley, finds herself in a very different league of wealth and privilege. Writing to her beloved sister Jane, she confides her uncertainty and anxieties, and describes the everyday of her new life. Her first year at Pemberley is sometimes bewildering but Lizzie's spirited sense of humor and satirical eye never deserts her.Incorporating Jane Austen's own words and characters from her other works (who appear here with different names, either associated with Austen's life, borrowed from another of her novels or are a wordplay on their original name), Jane Dawkins pieces together a literary patchwork quilt to tell the story of Lizzy's first eventful year as Mrs. Darcy.

    You own Pride and Prejudice. You love Sense and Sensibility. But do you know all there is to know about Jane Austen? Find answers to questions such as: Who was the Irishman who stole her heart? Why was their affair doomed? Which Austen heroine most resembled Jane? Who were the real Elizabeth Bennet and Mr. Darcy? Why did Jane never marry?These fascinating secrets and much more are revealed in 101 Things You Didn't Know about Jane Austen. Romantic. Tragic. Mysterious. And you thought Austen's heroines led intriguing lives.

    Surrounded by appalling exes and fawning students, the only thing keeping professor Katherine Roberts sane is Jane Austen and her personal secret love for racy Regency romance novels. She thinks the Jane Austen Addicts conference in the English countryside is the perfect opportunity to escape her chaotic life and finally relax... But then she encounters a devilishly handsome man at the conference who seems determined to sweep her off her feet. Is he more fiction than fact? Or could he be the hero she didn't know she was looking for?

    "The Holy Grail of P&P sequels." (Austenblog)Originally published in the U.K., Mary Street's ingenious retelling of Jane Austen's classic story now makes its U.S. debut-to the delight of the fans of Austen's comic masterpiece of divine romance. In Fitzwilliam Darcy, Austen created the ultimate romantic hero. Yet Pride and Prejudice reveals little of Darcy's innermost thoughts. Here, Street unveils the true motives and mysteries of Elizabeth Bennet's enigmatic suitor. Through Darcy's eyes we discover the reality of his relationships with his sister Georgiana, his cousin Colonel Fitzwilliam, the dastardly Wickham, his friend Bingley, and his formidable aunt, Lady Catherine. And of course, all his memorable encounters with Elizabeth, from that first view of her fine eyes to his disastrous proposal, and then to a pride and arrogance tempered by an unquenchable love.

    This engaging and beautiful book includes the complete Academy Award-winning script and Thompson's own diaries detailing the production of the film, reviewed by Stanley Kauffmann in The New Republic as "vivid, funny, and gamy"

    So now, seven years after wisely and abruptly dumping the "love of her life," Jake Mead, things should be going better for Annie Markham, right? Unfortunately, her life's going nowhere, her family's going mental, and the family business is heading straight down the tubes. Could it get worse? Of course! Jake's back, Annie's getting ready for bankruptcy, and no one's ready for Christmas ... let alone a happy New Year.And no amount of persuasion will ever convince Annie that magic does happen and dreams do come true, not even at the stroke of midnight on December 31 at New York's Plaza Hotel ... will it?

    Darcy, she found him proud, distant, and rude—despite the other ladies' admiration of his estate in Derbyshire and ten thousand pounds a year. But what was Mr. Darcy thinking?Jane Austen's classic Pride and Prejudice has long stood among the most beloved novels of all time. The story of Elizabeth Bennet's blossoming romance with "haughty, reserved, and fastidious" Fitzwilliam Darcy has enchanted readers for nearly two centuries. Now author Janet Aylmer loving retells Pride and Prejudice from a bold new perspective: seeing events as they transpire through the eyes of Darcy himself. One of world's great love stories takes on breathtaking new life, and one of fiction's greatest romantic heroes becomes even more sympathetic, compelling, attractive, and accessible, all through the imagination and artistry of a truly gifted storyteller.This edition includes many prints by the Victorian artist Hugh Thomson, which were used in an edition of Pride and Prejudice in 1894.

    The crucial players in this drama were the British, who invented both capitalism and imperialism and were incomparably the richest, most important investors in the developing world. In this sense, England's position has strong resemblances to America's in the late twentieth century.As one of our most accomplished biographers and novelists, A. N. Wilson has a keen eye for a good story, and in this spectacular work he singles out those writers, statesmen, scientists, philosophers, and soldiers whose lives illuminate so grand and revolutionary a history: Darwin, Marx, Gladstone, Christina Rossetti, Gordon, Cardinal Newman, George Eliot, Kipling. Wilson's accomplishment in this book is to explain through these signature lives how Victorian England started a revolution that still hasn't ended.

    With scant information about her life available, fans have a bottomless hunger for details about the woman behind the work. Jane Austen feeds that appetite with background on her relationships with family and friends; on the contemporary attitudes that shaped Austen and her writing; and on the settings that inspired her and feature in her stories. Austenites will particularly treasure the 15 pieces of removable memorabilia, which include facsimiles of early manuscripts, a handwritten note outlining the profits from her novels, and a letter from Austen's father to the publisher Thomas Cadell that was returned with the words “Rejected by return of post” written on it.

    But beyond these familiar details, the Brontes' story has remained largely obscure. This landmark book is the first definitive history of this fascinating family. Based on eleven years of research among newly discovered letters by every member of the family, original manuscripts, and the newspapers of that time, it gives a new and fuller picture of the Brontes' lives from beginning to end and, in the process, demolishes many myths. The father, Patrick, was not, as commonly believed, the cold patriarch of a family of victims. Charlotte, ruthlessly self-willed, ran roughshod over her sisters and went so far as to alter or destroy their manuscripts when she disapproved. Emily was so psychologically and physically dependent on her fantasy life that she could not survive in the outside world. Anne, widely regarded as the gentlest of the sisters, had a core of steel and was a more daring and revolutionary author than Charlotte. Branwell, the adored brother, was a talented poet who provided much of Charlotte's inspiration.