During his tragically short life he strove to reconcile his religious and artistic vocations, and this edition demonstrates the range of his interests. It includes all his poetry, from best-known works such as The Wreck of the Deutschland and The Windhover to translations, foreign language poems, plays, and verse fragments, and the recently discovered poem Consule Jones. In addition there are excerpts from Hopkins's journals, letters, and spiritual writings. The poems are printed in chronological order to show Hopkins's changing preoccupations, and all the texts have been established from original manuscripts.

    Here, leading Stevenson scholar Barry Menikoff arranges and introduces the complete selection of Stevenson's brilliant stories, including the famed masterpiece Strange Case of Dr. Jekyll and Mr. Hyde, as well as "The Beach of Fales�" and Stevenson's previously uncollected stories. Arthur Conan Doyle has written that "[Stevenson's] short stories are certain to retain their position in English literature. His serious rivals are few indeed."This Modern Library Paperback Classics edition includes explanatory notes, a Scots' Glossary, and a unique appendix dedicated to Stevenson's influence on the Oxford English Dictionary.

    But when he goes too far one day, her fate becomes even worse as she makes her way alone in a heartless world.Not quite alone. She has a friend--Lizzie Jenkins--who will do anything to help Briony re-open Moorend Mill. And Chad Cameron, the richest man in the district, has always admired Briony's spirit and determination. When her fortunes are at their lowest, he falls in love with the elfin waif and decides to make her his wife.But the only way he can win her is by trickery--by betraying her naive trust in the man who came to her rescue when all seemed lost. Can their marriage survive when she discovers his deception?- From back cover of 2002 edition

    Stories of cursed giant rats and malign spirits haunt the garrets of Limehouse. A group of merchants are, one by one, dying: murdered, somehow. The elementary choice to investigate these mysterious deaths is, of course, Holmes and Dr Watson. Yet instead of deduction, it will be the unique gifts of their housekeeper, Mrs Hudson and her orphaned assistant Flotsam that will be needed to solve the case. Can she do it all under the nose of Sherlock himself?From the coal fire at Baker Street to the smog of Whitechapel and the jungles of Sumatra, from snake bites in grand hotels to midnight carriage chases at the docks, it's time for Mrs Hudson to step out of the shadows. Playfully breaking with convention, Martin Davies brings a fresh twist to classic Victorian mystery.Martin Davies grew up in north-west England. All his writing is done in cafes, on buses or on trains, and all his first drafts are written in longhand. He has travelled widely, including in the Middle East, India and Sicily. In addition to the Holmes & Hudson Mysteries, he is the author of four other novels, including The Conjurer’s Bird, which sold over 150,000 copies and was selected for the Richard & Judy Book Club and Havana Sleeping, which was shortlisted for the 2015 CWA Historical Dagger award. He works as a consultant in the broadcasting industry.

    These selections represent the finest works of the world's most eminent poets.

    It describes Shepard's experiences through school, his student days and his marriage to a fellow art student shortly after he had succeeded, at the age of 24, in getting a picture hung at the Royal Academy Summer Exhibition. These memoirs end on his wedding day, facing married life with #70 in the bank as his total financial resources, and yet full of hope and confidence for the future. Ernest Shepard, "Kipper" to his friends, was born in 1879. He attended art school at the Royal Academy and served in World War I, after which he made his living as an artist and political cartoonist for "Punch" magazine.

    True, the exquisite Yorkshire lady is a mere sheep farmer, but she also guards a most colorful past that makes her only more appealing to the handsome, haunted lord. Emma has come to him seeking justice—and Stuart is determined that she will not leave until she has shared her secrets...and his bed. Her clever revenge scheme must fail in the face of his soft words and tender caress—and then he turns the tables on his bewitching adversary, seducing her into a daring deception of his own...(alternative description)Set against the colorful backdrop of Victorian Britain, Ivory's (The Indiscretion, etc.) sensual tale begins when the handsome and exotic Stuart Aysgarth, Lord Mount Villiars, returns from Russia to claim his inheritance from a dissolute father, only to find that his shady Uncle Leonard is stealing from the estate. While Stuart attempts to untie the resulting financial tangles, his coach accidentally kills a valuable lamb owned by luscious young widow Emma Hotchkiss, a former confidence woman now living a quiet life in Yorkshire. Emma tries to recoup her financial loss by means both fair and, eventually, foul; Stuart turns the discovery that she has cooked his books to his own advantage, threatening her with exposure if she doesn't help him double-cross the oily Leonard. As their schemes mature, the two engage in a series of sexual games. The delightfully complex con that forms the story's liveliest element isn't introduced until halfway through the narrative, and the novel's sparkle is occasionally dimmed by expository and noticeably anachronistic prose. Still, the playful roguishness of both protagonists adds a wickedly welcome twist to the familiar historical romance formula, while Ivory's gift for creating passionate sexual interludes is sure to please readers who prefer their romances warmly spiced.

    

    See the Devil depicted as an evil clown and the Chariot as a woman on a bicycle. Justice holds a hand gun and a postage scale. Cups have become mason jars, Wands are fountain pens, Coins are pocket watches, and Swords are hand guns. Historical figures (mostly members of the Royal Family) grace the court cards.

    Drawing on the complete text of Ruskin's diaries and many thousands of unpublished letters and other documents, Tim Hilton provides fresh insight into Ruskin's literary achievement and tormented life. This edition also includes a new introduction by the author.Author Biography: Tim Hilton, an art critic and regular contributor to many newspapers, has written the catalogues for a number of significant exhibitions and has taught both painting and art history in several British art schools.

    These works have also attracted a great deal of critical attention, with much current scholarship examining the novel in relation to its historical, political, and cultural contexts. This reference book is an introductory guide to the Victorian novel, its background, and its legacy. Each chapter is written by an expert contributor and offers a fresh account of past, current, and new directions in scholarship.The volume is divided into several broad sections, with chapters in each section treating more specialized topics. The first section looks at the emergence of the Victorian novel and its literary precursors, with particular emphasis on the growth of serialization and the development of the novel of syndication. The second explores significant social and cultural facets of nineteenth-century British literature, while the third discusses the principal features of different genres, such as ghost stories, the Gothic, detective fiction, the social problem novel, and contemporary film adaptations. Individual authors are examined in the fourth section, while the fifth overviews various critical approaches and their application to nineteenth-century fiction.

    A young painter in Rome, then a fashionable portrait photographer in Paris, Le Gray received commissions from Napol�on III, and astonished viewers with his painterly landscapes and ravishing seascapes. Facing bankruptcy, he fled Paris with Alexandre Dumas to Palermo, traveled to the Middle East, and finally settled in Egypt, where he became drawing master to the ruler's children and continued to make photographs until his death in 1884.Le Gray's work had remained largely unknown by the general public until he was rediscovered in the 1960s and was deemed by connoisseurs to be the Monet of photography. The fruit of years of research, this complete retrospective offers, as no volume before it, an assessment of Le Gray's important place in the history of photography.This catalogue was originally published in French to accompany the exhibition Gustave Le Gray, Photographer (1820-1884) at the Biblioth�que Nationale in spring 2002. This English-language edition, edited by Gordon Baldwin, associate curator of photographs at the Getty Museum, coincides with an abridged version of the same exhibition at the Getty Museum that will run from July 9 to September 29, 2002.

    Icons of Photography: The 19th Century includes works made using an extensive range of early photographic techniques and examines the enduring legacy of photography's pioneers.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Incorporating materials ranging from canonical literatures to the lowest form of street publication, Marcus Wood writesfrom the conviction that slavery was, and still is, a dilemma for everyone in England, and seeks to explain why English society has constructed Atlantic slavery in the way it has.

    Leading historians explore the imperial experience and legacy for those located, physically or imaginatively, 'at home, ' from the impact of empire on constructions of womanhood, masculinity and class to its influence in shaping literature, sexuality, visual culture, consumption and history-writing. They assess how people thought imperially, not in the sense of political affiliations for or against empire, but simply assuming it was there, part of the given world that had made them who they were. They also show how empire became a contentious focus of attention at certain moments and in particular ways. This will be essential reading for scholars and students of modern Britain and its empire

     Approaches Victorian poetry by way of genre, production and cultural context, rather than through individual poets or poems Demonstrates how a particular poet or poem emerges from a number of overlapping cultural contexts. Explores the relationships between work by different poets Recalls attention to a considerable body of poetry that has fallen into neglect Essays are informed by recent developments in textual and cultural theory Considers Victorian women poets in every chapter