He wrote letters as he spoke: emphatically, spontaneously, and passionately. Spanning more than four decades, his letters are the closest thing we have to a Capote autobiography, showing us the uncannily self-possessed naïf who jumped headlong into the post–World War II New York literary scene; the more mature Capote of the 1950s; the Capote of the early 1960s, immersed in the research and writing of In Cold Blood; and Capote later in life, as things seem to be unraveling. With cameos by a veritable who’s who of twentieth-century glitterati, Too Brief a Treat shines a spotlight on the life and times of an incomparable American writer.

    Taking from their own experiences as a gender-nonconforming artist, they show us that gender is a malleable and creative form of expression. The only limit is your imagination.

    A transvestite and celebrated antiques dealer who successfully navigated the two most oppressive regimes of the past century-the Nazis and the Communists--while openly gay and defiantly in drag, von Mahlsdorf was both hailed as a cultural hero and accused of colluding with the Stasi. In an attempt to discern the truth about Charlotte, Doug Wright has written "at once a vivid portrait of Germany in the second half of the twentieth century, a morally complex tale about what it can take to be a survivor, and an intriguing meditation on everything from the obsession with collecting to the passage of time" (Hedy Weiss, Chicago Sun-Times).

    because he wants to watch Caillou, he’s an a-hole. When your daughter outlines every corner of your living room with a purple crayon, she’s an a-hole. When your rug rats purposely decorate the kitchen ceiling with their smoothies, they’re a-holes. So it’s only natural to want to kill them sometimes. Of course you can’t because you’d go to prison, and then you’d really never get to poop alone again. Plus, there’s that whole loving them more than anything in the whole world thing. Karen Alpert is the writer of the popular blog Baby Sideburns. You may have seen some of her more viral posts like “Ten Things I Really F’ing Want for Mother’s Day,” “Daddy Sticker Chart” and “What NOT to F’ing Buy My Kids this Holiday.” Or you may know her from her Facebook page that has over 130,000 followers. I Heart My Little A-Holes is full of hilarious stories, lists, thoughts and pictures that will make you laugh so hard you’ll wish you were wearing a diaper.

    From that wisdom comes Out!, the ultimate coming-out survival guide. Find validation, inspiration, and support for your questions big and small—whether you’re exploring your identity or seeking to understand the experience of an awesome queer person in your life.

    The letters are addressed mainly to her mother, with whom she had an extremely close and confiding relationship, but there are also some to her brother Warren and her benefactress Mrs Prouty. Plath's energy, enthusiasm and her passionate tackling of life burst onto these pages, providing us with a vivid and intimate portrait of a woman who has come to be regarded as one of the greatest of twentieth-century poets. In addition to her capacity for domestic and writerly happiness, however, these letters also hint at Plath's potential for deep despair, which reached its crisis when she holed up in a London flat for the terrible winter of 1963.

    Sullivan kept comprehensive journals from age eleven until his AIDS-related death at thirty-nine. Sensual, lascivious, challenging, quotidian and poetic, the diaries complicate and disrupt normative trans narratives. Entries from twenty-four diaries reveal Sullivan’s self-articulation and the complexity of a fascinating and courageous figure.

    As Zinn writes in his Introduction, Emma Godman "seemed to be tireless as she traveled the country, lecturing to large audiences everywhere, on birth control ("A woman should decide for herself"), on the falsity of marriage as an institution ("Marriage has nothing to do with love"), on patriotism ("the last refuge of a scoundrel") on free love ("What is love if not free?") and also on the drama, including Shaw, Ibsen, and Strindberg. This book will be of immense interest to feminists, American historians, and people interested in the long history of resistance and protest in the United States.Howard Zinn is professor emeritus at Boston University. He is the author of the classic A People’s History of the United States. A television adaptation of the book is currently being co-produced by Matt Damon, Ben Affleck, and Chris Moore for HBO. Zinn has received the Lannan Foundation Literary Award for Nonfiction and the Eugene V. Debs award for his writing and political activism. Zinn is the author of the internationally acclaimed play Marx in Soho, which has been touring the country in performance since its release.

    Recalling his years as an openly gay high school student, Read describes how he navigated the hallways with his sense of humor and dignity intact. He fondly recalls his initiations into sex, drugs, and rock 'n' roll, as well as his shy as neon acts of rabble rousing during high school. How I Learned to Snap is a refreshingly victim-free story in which queer teenagers are creative, resilient, and ultimately heroic.

    In 1917, a fifteen-year-old Bankhead boldly left her established Alabama political family and fled to New York City to sate her relentless need for attention and become a star. Five years later, she crossed the Atlantic, immediately taking her place as a fixture in British society and the most popular actress in London's West End. By the time she returned to America in the 1930s, she was infamous for throwing marathon parties, bedding her favorite costars, and neglecting to keep her escapades a secret from the press. At times, her notoriety distracted her audience from her formidable talent and achievements on stage and dampened the critical re-sponse to her work. As Bankhead herself put it, "they like me to 'Tallulah,' you know -- dance and sing and romp and fluff my hair and play reckless parts." Still, her reputation as a wild, witty, over-the-top leading lady persisted until the end of her life at the age of sixty-six.From her friendships with such entertainment luminaries as Tennessee Williams, Estelle Winwood, Billie Holiday, Noël Coward, and Marlene Dietrich, to the intimate details of her family relationships and her string of doomed romances, Joel Lobenthal has captured the private essence of the most public star during theater's golden age. Larger-than-life as she was, friends saw through Bankhead's veneer of humor and high times to the heart of a woman who often felt second-best in her father's eyes, who longed for the children she was unableto bear, and who forced herself into the spotlight to hide her deep-seated insecurities.Drawn from scores of exclusive interviews, as well as previously untapped information from Scotland Yard and the FBI, this is the essential biography of Tallulah Bankhead. Having spent twenty-five years researching Bankhead's life, Joel Lobenthal tells her unadulterated story, as told to him by her closest friends, enemies, lovers, and employees. Several have broken decadelong silences; many have given Lobenthal their final interviews. The result is the story of a woman more complex, more shocking, and yet more nuanced than her notorious legend suggests.

    Now, a selection of her new work is brought together in this one-off collection, which reminds us...Sometimes it is OK to be silly.Silly Me is The Pound Project's first book written and drawn entirely by an illustrator.

    Lynn Harris has wowed and seduced more than three million readers with the wicked drama and undeniable heart in his novels. Now he’s back with another winner sure to top the bestseller lists—a rip-roaring tale of sex, secrets, betrayal . . . and blackmail.Aldridge James “AJ” Richardson is living the good life. He has a gorgeous town house in always-flavorful New Orleans, plenty of frequent-flier miles from jet-setting around the country on a whim, and an MBA—but he’s never had to work a regular job. He owes it all to his longtime lover, Dray Jones. Dray Jones the rich and famous NBA star. They fell in love in college when AJ was hired to tutor Dray, a freshman on the basketball team. But Dray knew if he wanted to make it to the big time, he must juggle his public image and his private desires. Built on a deep, abiding love, their hidden relationship sustains them both, but when Dray’s teammates begin to ask insinuating questions about AJ, Dray puts their doubts to rest by marrying Judi, a beautiful and ambitious woman. Judi knows nothing about Dray’s “other life.” Or does she?In Basketball Jones, E. Lynn Harris explores the consequences of loving someone who is forced to conform to the rules society demands its public heroes follow. Filled with nonstop twists and turns, it will keep readers riveted from the first page to the last.

    His books have become modern-day classics which defy categorisation, assimilating elements of fiction, essay, reportage, history and gossip, inspired by and reflecting his incredible journeys. Tragically, Chatwin's compelling narrative voice was cut off just as he had found it. One month before his death he lamented, 'There are so many things I want to do.' 'Bruce had just begun' said his friend, Salman Rushdie, 'we saw only the first act'. While we shall never know the surprise of his unwritten works, Chatwin left behind a body of writing that is striking for its freshness; an authentic conduit which allows us to return to him and to be rewarded: a wealth of letters and postcards that he wrote, from his first week at school until shortly before his death at the age of forty-eight. Whether typed on Sotheby's notepaper or hastily scribbled, Chatwin's correspondence reveals more about himself than he was prepared to expose in his books; his health and finances, his literary ambitions and tastes, his uneasiness about his sexual orientation; above all, his lifelong quest for where to live. Written with the verve and sharpness of expression that first marked him out as a writer, Chatwin's letters gives a vivid synopsis of his changing interests and concerns throughout his life.Careful and considered in drafting his published work, the letters are Chatwin's only unedited writing, and a paean to a disappearing mode of communication: tangible proof of a life as it was lived, and possibly one of the last great collections of a writer's letters. Comprising material collected over two decades from hundreds of contacts across five continents, Under the Sun is a valuable and illuminating record of one of the greatest and most enigmatic writers of the twentieth century.

    The world, though, would know him as Elton John, the name that for the past three decades has epitomized rock-music superstardom. From blockbuster albums like Friends and Goodbye Yellow Brick Road in the 1970s to award-winning scores in the nineties for the film and Broadway show The Lion King and the current stage hit Aida, Elton John has never failed to dazzle his audiencesand never more so than at the funeral of his close friend Diana, Princess of Wales, when he moved an entire nation with his poignant and powerful performance of "Candle in the Wind 1997" ("Goodbye England's Rose"). Epically conceived and masterfully told, Philip Norman's biography of the inimitable, legendary Elton John searches out the man behind the performer in glittering costumes and sky-high boots. Norman explores the draining addictions, the failed marriage, attempted suicides, a multimillionaire's supposed money troubles. He examines Elton's compulsions and coming out; he illuminates the creative drive that continues prodigiously and brilliantly to produce new music. What emerges is a frank, sympathetic portrait so truthful that Elton himself has said, "He's got me spot on.""

    James Kildare, Richard Chamberlain took on the role of Hamlet on the English stage. The play contained a lesson the actor has remembered throughout his life: "To thine own self be true." But for Chamberlain these were not always easy words to live by. Even as he won the adoration of millions of fans, this handsome, charming, debonair leading man seriously questioned his own self–worth, living a life haunted by personal insecurity despite decades of immense popular success in memorable roles in Dr. Kildare, The Thorn Birds, Shogun, and other television dramas. Finally, with the help of friends and guidance from spiritual teachers, including Krishnamurti, Chamberlain began the sometimes painful but deeply rewarding process of reconciling his deepest self with his public persona. Now, in Shattered Love, he poignantly recounts his lifelong struggle to find happiness. Tracing a fascinating path through his meteoric rise to success, he chronicles his struggle to come to terms with his own imperfections, his growing desire to be honest about his sexual orientation, and his yearning to live with an open heart. And along the way he imparts the lessons he has learned about overcoming our own self–imposed obstacles to happiness: the importance of listening to our own instincts instead of listening only to others, not demanding the impossible of ourselves, and allowing ourselves to explore negative feelings in order to move forward.