Mencken This fine biography of H.L. Mencken tells of how he rose to his unique position as comic genius and pre-eminent critic of American culture.

    Unfortunately, his work is notoriously difficult to understand. There is thus a need for a clear presentation of his major philosophical contributions to help students and other interested persons in approaching the work of this important thinker. Philosopher Michael Allen Fox admirably fills this need in this lucid explanation of Hegel's ideas. Fox discusses at length the chief component of Hegel’s systematic philosophy -- the concept of the dialectic. According to Hegel, in a world of becoming and persistent change, reason progresses through conflict and the resolutions that arise from the dialectic of opposing elements. The tumultuous clash of opposites leads to ever new advances in human knowledge and culture.Fox also considers many of Hegel’s other ideas: his difficult notion of the Absolute, the final stage of history in which reason attains perfect mastery of the world and thought realizes its full potential; his dynamic conception of truth as evolving toward total comprehensiveness; the master-slave pattern of human relationships; the social structure of the self; the varied political interpretations and adaptations of Hegel’s philosophy on both the Left and the Right; and many other aspects of Hegel’s complex system.For both beginners and those already familiar with Hegel’s work, this excellent overview of one of philosophy’s great geniuses offers many clarifications and insights.

    Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he "didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction." What would happen if architects liberated their minds from the constraints of site, program, and budget? he asks. The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published.The 1001 building forms in SITELESS include structural parasites, chain link towers, ball bearing floors, corrugated corners, exponential balconies, radial facades, crawling frames, forensic housing--and other architectural ideas that may require construction techniques not yet developed and a relation to gravity not yet achieved. SITELESS presents an open-ended compendium of visual ideas for the architectural imagination to draw from. The forms, drawn freehand (to avoid software-specific shapes) but from a constant viewing angle, are presented twelve to a page, with no scale, order, or end to the series. After setting down 1001 forms in siteless conditions and embryonic stages, Blanciak takes one of the forms and performs a "scale test," showing what happens when one of these fantastic ideas is subjected to the actual constraints of a site in central Tokyo. The book ends by illustrating the potential of these shapes to morph into actual building proportions.

    Based on the 1999 Walter Neurath Memorial Lecture, this book uses the work of the Belgian artist Marcel Broodthaers to argue that the specifity of mediums, even modernist ones, can never be simply collapsed into the physicality of their support.

    Simon Dark is an urban legend - a modern-day Frankenstein monster. But is he enough to stop a vicious Gotham City serial killer? Advance-solicited; on August 6 - 144 pg, FC, $14.99 US

    People, many of whom have already embarked upon that great adventure of genealogical research, and who have encountered their ancestors in the archives and uncovered family secrets, are now turning to the secrets contained within the four walls of their homes and in doing so finding a direct link to earlier generations. And it is ordinary homes, not grand public buildings or the mansions of the rich that have all the best stories.As with the television series, A House Through Time offers readers not only the tools to explore the histories of their own homes, but also a vividly readable history of the British city, the forces of industry, disease, mass transportation, crime and class. The rises and falls, the shifts in the fortunes of neighbourhoods and whole cities are here, tracing the often surprising journey one single house can take from elegant dwelling in a fashionable district to a tenement for society’s rejects.Packed with remarkable human stories, it is a phenomenal insight into living history, a history we can see every day on the streets where we live. And it reminds us that it is at home that we are truly ourselves. It is there that the honest face of life can be seen. At home, behind closed doors and drawn curtains, we live out our inner lives and family lives.

    Dozens of Top 10 lists provide vital information on each destination, as well as insider tips, from avoiding the crowds to finding out the freebies, The DK Top 10 Guides take the work out of planning any trip.

    Specifically, a guide to the city's drinking establishments-of which there are more than 1,500.Thus, it is a project potentially without end, and one with a certain amount of numbness built into it, through countless drinks imbibed.And that is part of the point: for Kerrigan, an American expat fleeing a brutal family tragedy, has plenty he wants to numb.The only problem with his project is his research associate, a voluptuous, green eyed gal who makes him tremble with forgotten desire.Kerrigan in Copenhagen is a love story. It is also a deeply human, Joycean romp through a magical city-its people, history, literature, and culture-giving Copenhagen its literary due and establishing Kennedy as a tremendously gifted novelist.

    Clarence and Bernadette Malcolm have come five thousand miles in search of prosperity, but find the Mother Country not at all as has been promised them; Solly and Dora Lazarus, too, are strangers in a strange land, struggling to belong even as they try to make sense of their past; and Michael and Mary Lockhart take with both hands all that the world owes them, wherever it leads them, whatever the cost. In the street markets and tenements of Bethnal Green the three families live and work together in uneasy harmony, until Michael shatters the balance between them, his hunger for betterment changing the courses of all their lives over decades and generations.Reaching across forty years and capturing a city and a people in a time of tumultuous change, What Was Promised is a breathtaking novel by a master storyteller.

    Signed by Andrei Sakharov, B.F. Skinner, Corliss Lamont, Betty Friedan, Sir Julian Huxley, Sidney Hook, Jacques Monod, Gunnar Myrdal, and 275 other distinguished leaders of thought and action, it has been hailed as a classic.

    Sothern, a death penalty lawyer who with his wife, photographer Nikki Page, arrived in the Crescent City four years ahead of Katrina, delivers a haunting, personal, and quintessentially American story. Writing with an idealist's passion, a journalist's eye for detail, and a lawyer's attention to injustice, Sothern recounts their struggle to come to terms with the enormity of the apocalyptic scenario they managed to live through. He guides the reader on a journey through post-Katrina New Orleans and an array of indelible images: prisoners abandoned in their cells with waters rising, a longtime New Orleans resident of Middle Eastern descent unfairly imprisoned in the days following the hurricane, trailer-bound New Orleanians struggling to make ends meet but celebrating with abandon during Mardi Gras, Latino construction workers living in their trucks. As a lawyer-activist who has devoted his life to procuring justice for some of society's most disenfranchised citizens, Sothern offers a powerful vision of what Katrina has meant to New Orleans and what it still means to the nation at large.

    With economy and style, Dr. Robert Allison brings Boston history alive, from the Puritan theocracy of the seventeenth century to the Big Dig of the twenty-first. His book includes a wealth of illustrations, a lengthy chronology of the key events in four centuries of Boston history, and twenty short profiles of exceptional Bostonians, from founder John Winthrop to heavyweight champion John L. Sullivan, from heretic Anne Hutchinson to Russian-American author Mary Antin. Says the Provincetown Arts, A first-rate short history of the city, lavishly illustrated, lovingly written, and instantly the best book of its kind.

     More and more of us are choosing to live in the man-made environment of the city. The mismatch between this artificial world and our nature-starved souls can contribute to the stresses of city living in a way that is barely noticed – but is crucially important.What does the science of architectural psychology tell us about how the world of brick and concrete affects how we think, feel and behave?In an increasingly crowded urban world, how does good urban design inspire, restore and bring us together? Conversely, how does bad architecture cause anxiety, alienation and depression?Starting with the home and reaching out to the street, neighbourhood and wider city landscape, Headspace teaches us how to see our cities differently, and how we can best adapt to our rapidly changing urban world.

    When a famous Hollywood director travels to post-Wall Germany to rekindle his genius, he is unexpectedly reunited with an actress who mysteriously disappeared from the set of his movie thirty years before. Masterly and atmospheric, The Weather in Berlin explores the subtleties of artistic inspiration, the nature of memory, and the pull of the past.

    After abandoning his beloved Mariam when she falls pregnant, and escaping her brothers' bullets, Ibrahim abandons his own ideals and dreams of becoming a novelist, opting instead to follow his father's wishes and seek wealth and commercial success abroad. Thirty years later, lonely and disillusioned, Ibrahim returns to Ramallah to retrace the past he tried to leave behind. He sets out on a long and frustrating quest to track down Mariam, which takes him from the West Bank to Israel. Along the way he encounters his son, Michael, a young man with spiritual powers that enable him to see what is unknown and find what has gone missing. Moving and lyrical, Khalifeh's novel weaves religious and political symbolism into a story of love and loss. At its core is Ibrahim's--the Palestinian's--agonizing but unrelenting search for a home.