“They were windows into emotions I had and hadn’t had, into other settings and circumstances and observations and relationships.” Decades later, Sittenfeld was met by the same feeling selecting the stories for this year’s edition. The result is a striking and nuanced collection, bringing to life awkward college students, disgraced public figures, raunchy grandparents, and mystical godmothers. To read these stories is to experience the transporting joys of discovery and affirmation, and to realize that story writing in America continues to flourish. Godmother tea / Selena Anderson --The apartment / T.C. Boyle --A faithful but melancholy account of several barbarities lately committed / Jason Brown --Sibling rivalry / Michael Byers --The nanny / Emma Cline --Halloween / Marian Crotty --Something Street / Carolyn Ferrell --This is pleasure / Mary Gaitskill --In the event / Meng Jin --The children / Andrea Lee --Rubberdust / Sarah Thankam Mathews --It's not you / Elizabeth McCracken --Liberté / Scott Nadelson --Howl Palace / Leigh Newman --The nine-tailed fox explains / Jane Pek --The hands of dirty children / Alejandro Puyana --Octopus VII / Anna Reeser --Enlightenment / William Pei Shih --Kennedy / Kevin Wilson --The special world / Tiphanie Yanique

    Characters contemplate the meaning of home, love, despair, family, and friendship against the backdrop of brutality. From Cairo to the Gaza Strip, from Benghazi to Budapest, religious men have their faith challenged, and people under the duress of war or traumatic personal memories deal with the feelings that emerge. Often they seem to suppress these feelings . . . but, no, not quite.  Set in countries the author has reported from or lived in, these stories are all told from different perspectives, but always with the individual at the center: the mother, the soldier, the martyr, the religious man, the journalist, and so on. They form a kaleidoscope of miniworlds, of moments, of decisions that together put a face, an emotion, a thought behind humans who confront war and conflict. Although they are fiction, they could have all happened exactly as they are told. Each story leaves a powerful visual image, an unforgettable image you conjure up again and again.  Jászberényi is able to do all this so convincingly, in part, because he himself is not a "helicopter journalist" but rather lives in a residential Cairo neighborhood. He is, moreover, from a corner of Eastern Europe where cynicism almost equates with survival, and yet his writing evinces not only wry humor but great sensitivity and a profound sense of beauty. He speaks Arabic (in addition to English and his native Hungarian) and immerses himself in the society he reports on. But, in doing so, he still remains a reporter, and as such the stories are approached with the clinical, observant eye of an outsider. Whether addressing the contradictions of international humanitarian work or the moral dilemmas faced by those who seek to improve the health and lives of women and girls, he does so in a singularly provocative and yet intelligent manner.

    The stories range in style from the gritty noir of David Means' "Sault Ste. Marie" to the mesmerizing mythmaking of Louise Erdrich's "The Plague of Doves," while the settings include a village perched on top of an enormous whale (David Lawrence Morse's "Conceived") as well as a swank suite at the Plaza Hotel (Xu Xi's "Famine"). The three most powerful stories seem to have in common the ability to immerse readers in a character's sudden, searing moment of self-knowledge and the way that insight impacts the course of a life. In Edward P. Jones' elegiac, masterful "Old Boys, Old Girls," a hard-bitten con comes to see that redemption is within his reach. Deborah Eisenberg delicately deconstructs a young girl's attraction to an abusive man in the haunting "Windows." And, finally, the storied Alice Munro, in "Passion," conveys the complex inner world of a teenager who discovers she values risk over security.

    Abbott, "Cheever's true heir, our major American short story writer" (William Harrison).Here are stories about fathers and sons, stories about men and women, and stories about the relationships between men by one of our most gifted story writers. The narrator of "The Who, the What and the Why," begins breaking into his own house as a sort of therapy after his daughter dies. In "The Human Use of Inhuman Beings," the main character realizes that his closest relationship is to an angel, who appears to him only to announce the death of loved ones. All Things, All at Once reminds us why Lee K. Abbott is to be treasured: his perfect pitch for tales of hapless Southwesterners, his way with sympathetic irony, his eye that skillfully notes the awkward humiliations—common heartbreak, fractured families—and records it all in lyrical, affectionate language. In tales new and from previous collections Abbott examines lived life and the lies we necessarily tell about it.

    Best known for his controversial plays and films, his short fiction has appeared in The New Yorker and Playboy. Seductive and provocative, each potent and pithy tale in Seconds of Pleasure finds men and women exploiting -- or at the mercy of -- the hidden fault lines that separate them: In “Time Share,” a woman leaves her family at their vacation home after discovering her husband in a compromising situation; a middle-aged man obsesses over a scab on the calf of a pretty young girl in “Boo-Boo”; and a vain Hollywood actor gets his comeuppance in “Soft Target.” LaBute infuses Seconds of Pleasure with his trademark wit and black humor, and unleashes his imagination in stories that offer unflinching insight into our very human shortcomings and impure urges with shocking candor.

    A lonely teenage girl falls in love with an older, married neighbor. A woman attends a party at the home of her boyfriend’s ex-wife. A schoolteacher gets fired for teaching time incorrectly to grade-school students. And a young woman recovering from a breakup receives guidance from a drunk therapist. Poignant and sharply rendered, Otis’s stories seek answers to the questions of whom we love and why, how we search for love, lose it, or find it—sometimes at the last moment and in the most unlikely places. Quirky and hilarious, these stories display a knowing affection for human strangeness.

    These ten powerful stories portray men and women in their most intimate moments. A lover of poetry is asked by his wife to give up what may be his most treasured relationship. A book dealer is forced to face the truth about his life. And in the title story, a translator assists his wife’s suicide, even as he performs a last act of betrayal. James Salter’s assured style and emotional insight make him one of our most essential writers

    Offers a selecttion of the master of human comedy's short stories from the 1930s and 1940s.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    Brief dreamlike sketches deal with a safari in the suburbs, a mother struck by lightning, a cow wearing lingerie, and a visit from dead parents.

    In stylistic brilliance, he renders their conditions with grace and compassion, and redeems and transports their tragedy with wicked humor.In the much-anthologized "The Birds for Christmas," two hospitalized boys beg a night nurse to let them watch Hitchcock's classic thriller film on television, believing it will relieve their Yuletide loneliness. "Gentleman's Agreement" is a classic father-son story of fear and the violence of love. In "Memorial Day," a bayou boy learns the lessons of living from Death himself, a fortune cookie-eating phantom who claims to be "a people person." From charity ward to outrageous beach bungalow, Richard visits the overlooked corners of America, making them unforgettably visible.Richard has been rightly compared to Faulkner for his language and to Flannery O'Connor for his stark moral vision, but his force and sensibility remain his own. Charity is a powerful reading experience, a true accomplishment in an already stunning literary career.

    Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.2 hrs 56 mins

    Described by "Publishers Weekly" as "easily Gilchrist's best book in years, " this collection of stories gives readers a taste of her gifted sense of the language and the humor of human foibles.

    C. Boyle writes, “The Model T gave way to the Model A and to the Ferrari and the Prius . . . modernism to postmodernism and post-postmodernism. We advance. We progress. We move on. But we are part of a tradition.” Boyle’s choices of stories reflect a vibrant range of characters, from a numb wife who feels alive only in the presence of violence to a new widower coming to terms with his sudden freedom, from a missing child to a champion speedboat racer. These stories will grab hold and surprise, which according to Boyle is “what the best fiction offers, and there was no shortage of such in this year’s selections.” Mulling over the question of character likability, series editor Heidi Pitlor asks, “Did I like these characters? I very much liked reading their stories, as did T. C. Boyle.” Here are characters who “are living, breathing people who screw up terribly and want and need and think uneasy thoughts.”   T. C. BOYLE, guest editor, has published fifteen novels and ten collections of short stories. He won the PEN/Faulkner Award in 1988 for his novel World’s End and the Prix Médicis étranger for The Tortilla Curtain in 1995, as well as the 2014 Henry David Thoreau Prize for excellence in nature writing. His most recent book is the novel The Harder They Come. HEIDI PITLOR, series editor, is a former senior editor at Houghton Mifflin Harcourt. She is the author of the novels The Birthdays and The Daylight Marriage.

    We're talking over a hundred print pages of pure pulp perfection that'll cost you less than the paper it ain't printed on.Includes the Spinetingler-Award-winning "Seven Days of Rain," Derringer-Award finalist "The Big Score," and "The World Behind," which originally appeared in Ellery Queen's Mystery Magazine.Also included are "A Better Life," "The Well," "A Simple Kindness," "Eight Pounds," and "The Toll Collectors."