10, 1913 - Feb. 10, 1914 (CW 148)From his clairvoyant reading of the akashic record--the cosmic memory of all events, actions, and thoughts--Steiner was able to discuss aspects of the life of Jesus Christ that are not recorded in the four Gospels of the conventional Christian Bible. The results of such research has been called "The Fifth Gospel."After an intense inner struggle to verify the exact nature of these events, and having checked the results of his research, Steiner described many detailed episodes from the akashic record. For example, he speaks of Jesus' life in the community of the Essenes, the temptation of Christ in the wilderness, and a significant, previously unreported conversation between Jesus and Mary.Steiner states that divulging such spiritual research is intensely difficult, but that "although people show little inclination to be told such facts as these, it was absolutely essential that knowledge of such facts should be brought to Earth evolution at the present time."German title of the German source edition: Aus der Akasha-Forschung. Das f�nfte Evangelium.

    Documents, workshop products from all areas of design, studies, sketches in the classroom, and architectural plans and models are all part of its comprehensive inventory. The Bauhaus Archiv is dedicated to the study and presentation of the history of the Bauhaus, including the new Bauhaus in Chicago and the Hochschule f

    The Chalice and the Blade tells a new story of our cultural origins. It shows that warfare and the war of the sexes are neither divinely nor biologically ordained. It provides verification that a better future is possible—and is in fact firmly rooted in the haunting dramas of what happened in our past.

    

    Drawing on years of research & on thinkers from Plato to Jung, Tarnas explores the planetary correlations of epochal events like the French Revolution, the world wars & 9/11. Whether read as astrology updated for the quantum age or as a contemporary classic of spirituality, Cosmos & Psyche is an important work of sophistication & learning. importance.Preface1 The transformation of the cosmos. The birth of the modern selfThe dawn of a new universe Two paradigms of historyForging the self, disenchanting the worldThe cosmological situation today 2 In search of a deeper order. Two suitors: a parableThe interior quest Synchronicity & its implicationsThe archetypal cosmos3 Through the archetypal telescope. The evolving traditionArchetypal principlesThe planets Forms of correspondence Personal transit cycles Archetypal coherence & concrete diversityAssessing patterns of correlation 4 Epochs of revolution. From the French Revolution to the 1960sSynchronic & diachronic patterns in historyScientific & technological revolutionsAwakenings of the DionysianThe liberation of natureReligious rebellion & erotic emancipationFilling in the cyclical sequence The individual & the collectiveA larger view of the sixties5 Cycles of crisis & contraction. World Wars, Cold War & 9/11Historical contrasts & tensionsConservative empowermentSplitting, evil & terror"Moby Dick" & nature's depthHistorical determinism, realpolitik & apocalypseMoral courage, facing the shadow & the tension of oppositesParadigmatic works of artForging deep structures 6 Cycles of creativity & expansion. Opening new horizons Convergences of scientific breakthroughsSocial & political rebellions & awakeningsQuantum leaps & peak experiencesFrom Copernicus to DarwinMusic & literatureIconic moments & cultural milestonesGreat heights & shadowsHidden births 7 Awakenings of spirit & soul. Epochal shifts of cultural visionSpiritual epiphanies & the emergence of new religionsUtopian social visions Romanticism, imaginative genius & cosmic epiphanyRevelations of the numinous The great awakening of the Axial Age The late 20th century & the turn of the millennium8 Towards a new heaven & a new earth. Understanding the past, creating the futureObservations on future planetary alignmentsSources of the world orderEpilogueNotesSourcesAcknowledgmentsIndex

    'Astrology must be right,' wrote the American astrologer Evangeline Adams, claimed descendant of John Quincy Adams, in a challenge to skeptics in 1929. 'There can be no appeal from the Infinite.' The Fated Sky explores both the history of astrology & the controversial subject of its historical influence. It's the 1st serious book to fully engage astrology in this way. Astrology is the oldest occult sciences, also the origin of science itself. Astronomy, mathematics & other disciplines arose in part to make possible the calculations necessary in casting horoscopes. For 5000 years, the influence of the stars has been viewed as shaping the course of affairs. According to recent polls, at least 30% of Americans believe in it, tho modern astrology is utterly different from the doctrine of the stars that won the respect & allegiance of the greatest thinkers, scientists & writers--Greek, Roman, Egyptian, Arab & Persian--of earlier days. Statesmen, popes & kings once embraced it. Th Aquinas found it compatible with Xian faith. There are some 200 allusions to it in Shakespeare's plays, all their predictions fulfilled. The great astronomers of the scientific revolution--Copernicus, Tycho Brahe, Kepler--were adherents. Newton's appetite for mathematics was whetted by an astrological text. Prominent figures such as Churchill, deGaulle & Reagan have consulted astrologers, heeding their advice. Universities as diverse as Oxford & Spain's Univ. of Zaragoza offer courses in the subject, fulfilling Jung's prediction that astrology would again become the subject of serious discourse. Whether astrology actually has the powers ascribed to it is open to debate. But there's no doubt that it maintains a hold on the human mind. The Fated Sky gives a comprehensive account of this subject & its enduring influence on history & the history of ideas.

    A rapturous guide through five major Ice Age sites” (Archaeology).   The cave art of France’s Dordogne region is world-famous for the mythology and beauty of its remarkable drawings and paintings. These ancient images of lively bison, horses, and mammoths, as well as symbols of all kinds, are fascinating touchstones in the development of human culture, demonstrating how far humankind has come and reminding us of the ties that bind us across the ages.   Over more than twenty-five years of teaching and research, Christine Desdemaines-Hugon has become an unrivaled expert in the cave art and artists of the Dordogne region. In Stepping-Stones she combines her expertise in both art and archaeology to convey an intimate understanding of the “cave experience.” Her keen insights communicate not only the incomparable artistic value of these works but also the near-spiritual impact of viewing them for oneself.   Focusing on five fascinating sites, including the famed Font de Gaume and others that still remain open to the public, this book reveals striking similarities between art forms of the Paleolithic and works of modern artists and gives us a unique pathway toward understanding the culture of the Dordogne Paleolithic peoples and how it still touches our lives today.   “Her vivid descriptions help readers visualize the Cro-Magnon man or woman painting the beautiful bison, horses, mammoths, and other symbols. [A] fine reading experience.” —Library Journal

    By the middle of the twentieth century, the battle appeared to be won; scientific rationalism and skepticism were triumphant. Yet in the last few decades a strong and potent counter-current has emerged. One manifestation of this has been the so-called occult revival.In The Elixir and the Stone, Baigent and Leigh argue that this occult revival — and indeed the entire revolution in attitudes which has taken place recently — owes a profound debt to Hermeticism, a body of esoteric teaching which flourished in Alexandria two thousand years ago and which then went underground. The authors trace the history of this intriguing and all-encompassing philosophy — which has much in common with contemporary holistic thought — charting it’s origin in the Egyptian mysteries, and demonstrating how it continued to exercise enormous influence through the magicians and magi of the Middle Ages and the Renaissance.Many remarkable characters feature in the narrative, including the Franciscan friar Roger Bacon and the Elizabethan magus John Dee; prototype of Shakespeare’s Prospero in The Tempest, but the central figure that emerges is that of Faust himself — one of the defining myths of Western civilization.The Elixir and the Stone is a remarkably rich and ambitious book that adds up to a little short of an alternative history of the intellectual world. Perhaps for the first time it puts into their true context those shadowy alchemists and magicians who have haunted the imaginations of people for centuries. Moreover it offers a way of looking at the world that is in one sense ‘alternative’, but in another, deeply historical.

    Gestalt theory and the psychology of visual perception form the basis for an analysis of art and its basic elements.

    Perched on the top of the world. changes in Tibet’s ecosystem affect the entire global climate. And, most importantly, Tibet is the spiritual and physical home of His Holiness the Dalai Lama, to which he can never return.But why does Tibet matter to you? Tibet is more than its mountains, its monks, and its martyrs. Robert Thurman, renowned Tibetan scholar, teacher, and activist, presents his provocative, five-point plan that will enable China to win the respect of the entire world by allowing Tibet to regain its cultural, economic, and political autonomy. Thurman shows how the Dalai Lama's tireless work is the harbinger of peace for the world yet to come and essential for human survival. The book outlines several key factors that will educate and empower readers to take action:- What is the history of Tibet, and how do the political, religious, ecological, and social factors affect each other?- Who is the Dalai Lama, and why does his work matter to the world?- What does the China-Tibet relationship represent for the global community?- What can individuals do to bring attention to this issue, and make a change where they are?- How can the five-point plan be used as a model of peaceful change in the world?

    Robert Lawlor sets out the system that determines the dimension and the form of both man-made and natural structures, from Gothic cathedrals to flowers, from music to the human body. By also involving the reader in practical experiments, he leads with ease from simple principles to a grasp of the logarithmic spiral, the Golden Proportion, the squaring of the circle and other ubiquitous ratios and proportions.Art and Imagination: These large-format, gloriously-illustrated paperbacks cover Eastern and Western religion and philosophy, including myth and magic, alchemy and astrology. The distinguished authors bring a wealth of knowledge, visionary thinking and accessible writing to each intriguing subject.

    It spans classical and other mythology; Christianity, Islam and other religions; literature and art; ancient, contemporary and popular culture; and psychology. Information is included on angels themselves, the people who depict them, the myths and religions that embrace them and what's been written about them. Providing quick access to the information is an index of key terms, topics, individuals, religions and theories described within the text.

    In this radical reappraisal of Gothic art in Europe, the word "Gothic" describes not only an art style but a changing concept of space, time, and society - a new kind of perception, both visual and spiritual, in which light is of central importance. Camille shows us how the art of the thirteenth and fourteenth centuries was seen in its own time and explores the way vision itself was understood. In this age of glorious painting, magnificent, intricate architecture and sculpture, and jewellike manuscript illumination, art was an expression of religious passion and earthly power, of public and private wealth; of science and learning. The new vision led to an explosion of brilliant images but had its grim side, rarely noticed by art history: the distorted representation of "others" like Jews, heretics, and lepers; a new vision not only of the marvelous, but also of the grotesque.