S. Lewis’s adult religious books, a repackaged edition of the revered author’s definitive collection of short fiction, which explores enduring spiritual and science fiction themes such as space, time, reality, fantasy, God, and the fate of humankind.From C.S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—comes a collection of his dazzling short fiction.This collection of futuristic fiction includes a breathtaking science fiction story written early in his career in which Cambridge intellectuals witness the breach of space-time through a chronoscope—a telescope that looks not just into another world, but into another time. As powerful, inventive, and profound as his theological and philosophical works, The Dark Tower reveals another side of Lewis’s creative mind and his longtime fascination with reality and spirituality. It is ideal reading for fans of J. R. R. Tolkien, Lewis’s longtime friend and colleague.

    This is an exploration of her relationship with the literary form we have come to know as "science fiction,” a relationship that has been lifelong, stretching from her days as a child reader in the 1940s, through her time as a graduate student at Harvard, where she worked on the Victorian ancestor of the form, and continuing as a writer and reviewer.  This book brings together her three heretofore unpublished Ellmann Lectures from 2010: "Flying Rabbits," which begins with Atwood's early  rabbit superhero creations, and goes on to speculate about masks, capes, weakling alter egos, and Things with Wings; "Burning Bushes," which follows her into Victorian otherlands and beyond; and "Dire Cartographies," which investigates Utopias and Dystopias.  In Other Worlds also includes some of Atwood's key reviews and thoughts about the form. Among those writers discussed are Marge Piercy, Rider Haggard, Ursula Le Guin, Ishiguro, Bryher, Huxley, and Jonathan Swift. She elucidates the differences (as she sees them) between "science fiction" proper, and "speculative fiction," as well as between "sword and sorcery/fantasy" and "slipstream fiction." For all readers who have loved The Handmaid's Tale, Oryx and Crake, and The Year of the Flood, In Other Worlds is a must.  From the Hardcover edition.

    The Horus Heresy may have happened ten thousand years ago, but the dark shadows of its history can never be fully excised. Inquisitor Eisenhorn travels to the world of Pallik, where, it is rumoured, a rare and ancient artefact from those terrible times has been put on sale. Eisenhorn and his team are plunged into a deadly game of cross and double-cross in a brand new story by the master of action-adventure fiction.Eisenhorn is back! And in a tale that mixes Dan Abnett's classic character with details from his Horus Heresy work.

    The second section contains the grand master's ruminations on the SF genre itself. And the final section is comprised of Asimov's thoughts on the craft and writing of science fiction.

    This collection contains ten stories in the "Fafhrd and the Gray Mouser" series, seven originally collected in Swords Against Death, two originally collected in Swords in the Mist, plus "Bazaar of the Bizarre", as follows, with dates of original publication:Thieves' House * Unknown, February 1943The Bleak Shore * Unknown, November 1940The Howling Tower * Unknown, June 1941The Sunken Land * Unknown, February 1942The Seven Black Priests * Other Worlds, May 1953Claws from the Night ["Dark Vengeance"] * Suspense, November 1951The Price of Pain-Ease * ss Swords Against Death, Ace, 1970Bazaar of the Bizarre * Fantastic, August 1963The Cloud of Hate * Fantastic, May 1963Lean Times in Lankhmar * Fantastic, November 1959

    Where is Nagash, the Undying King, when the people of Shyish need him most?READ IT BECAUSEIt's a look at day to day life in the Realm of Death – and even there, the winds of Chaos sweep across the lands and bring ruin. And Josh Reynolds writing Nagash's servants is never less than entertaining…THE STORYSince the dark days of the Great Awakening, the scattered remnants of humanity have clung to a bleak existence, surviving howsoever they can, no matter what the cost. Tamra, a voivode of the Rictus clans, fights one last, desperate battle for the survival of her tribe, the Drak. Now her people face their most relentless enemy ever – the lumbering minions of the Plague God. Where is their lord Nagash, the Undying King, when his people need him most? As the gods and their servants vie for power in the Mortal Realms, Tamra is drawn into a deadly game between life and death, as beings long thought gone start to exert their powers once again.

    

    But amid this civilization, a shadow took root, one that would stretch its arms across space and time. Amid this ancient civilization's advances, the hideous evil of Phyrexia was born.Years later, a conflict between the brothers Urza and Mishra over the supremacy on the continent of Terisiaire escalates with the discovery of an ancient artifact, a remnant of the Thran, but with it comes the peril that befell them. The classic origin story of planeswalker Urza sets the stage for the new age of Magic. This single volume represents two of the most popular Magic stories.Contents: The Brothers' War [Artifacts Cycle • 1] [Magic: The Gathering • 4] (1998) / novel by Jeff Grubb: Dominarian legends speak of a mighty conflict, obscured by the mists of history. Of a conflict between the brothers Urza and Mishra for supremacy on the continent of Terisiare. Of titantic engines that scarred and twisted the very planet. Of a final battle that sank continents and shook the skies. The Thran [Magic: The Gathering • 11] (1999) / novel by J. Robert King: Before the Brothers' War. Before the five colors of magic. Before history itself, the plane of Dominaira was ruled by the Thran. They built machines and artifacts, the likes of which have never since been seen. But amid this civilization, a shadow took root, one that would stretch its arms across space and time.

    That would be untrue; for though the mightiest mage of the era was forced by law and custom to refrain from visiting his realm in Castal, he had left behind a significant body of learned and dedicated colleagues to continue his policies and see to the protection of the magelands.“These were not all warmagi, nor even High Magi; indeed, the strength of Sevendor depended on magi of all types and descriptions. As Minalan fought against the darkest foes in the West, his lands in the east were protected by his vassals, allies, and friends. Their powers varied, as did their station. But they were uniformly devoted to Minalan the Spellmonger and the land he had wrought. They kept watch against secret incursions or hidden dangers against the realm while the Spellmonger’s strength was elsewhere. Whilst he grappled with the fearsome minions of Korbal the Necromancer, his magical land was well-warded by the famous Wizards of Sevendor.”From the Heeth the Arcanist’s History of the Magelands

    Coetzee’s essays from 1986 to 1999 was followed by Inner Workings, which contained those from 2000 to 2005. Late Essays gathers together Coetzee’s literary essays since 2006.The subjects covered range from Daniel Defoe in the early eighteenth century to Coetzee’s contemporary Philip Roth. Coetzee has had a long-standing interest in German literature and here he engages with the work of Goethe, Hölderlin, Kleist and Walser. There are four fascinating essays on fellow Nobel laureate Samuel Beckett and he looks at the work of three Australian writers: Patrick White, Les Murray and Gerald Murnane. There are essays too on Tolstoy’s great novella The Death of Ivan Ilyich, on Flaubert’s masterpiece Madame Bovary, and on the Argentine modernist Antonio Di Benedetto.J.M. Coetzee, a great novelist himself, is a wise and insightful guide to these works of international literature that span three centuries.

    It originally appeared in 1950 in Collier's Weekly. It is also the subject of an Alexisonfire song. The protagonist, Professor Arthur Barnhouse, develops the ability to affect physical objects & events thru the force of his mind. He calls his power 'dynamo-psychism'. He makes the mistake of telling the government about his power. When they try to turn him into a weapon, Barnhouse decides that he is the first weapon with a conscience, & goes into hiding. While in this reclusive state the Professor uses his 'dynamo-psychic' powers to destroy large quantities of weapons, & other things used in states of war. He realizes tho, that he will die eventually & decides to pass down his "powers" to an ex-student. The story is told as a report by this ex-student, hence the title.

    Heinlein and his vision, containing many new and uncollected works by the Grand Master of science fiction, including two major novellas: Destination Moon, which was made into the famous George Pal film, and Tenderfoot in Space. There are contributions from such luminaries as Arthur C. Clarke, Robert Silverberg, Spider Robinson, and Gordon R. Dickson, as well as an introduction by Virginia Heinlein.Heinlein was the pre-eminent science fiction writer of the twentieth century. Requiem reveals the story of Heinlein's passion for space exploration-his glory and his dream.

    Become entranced with the basic struggle of good vs. evil as you travel to a galaxy far, far away.

    As such, it contains HUGE SPOILERS for the books Mistborn (The Final Empire), The Well of Ascension, and The Hero of Ages. It also contains very minor spoilers for the book The Bands of Mourning. Mistborn: Secret History builds upon the characterization, events, and worldbuilding of the original trilogy. Reading it without that background will be a confusing process at best. In short, this isn’t the place to start your journey into Mistborn. (Though if you have read the trilogy—but it has been a while—you should be just fine, so long as you remember the characters and the general plot of the books.) Saying anything more here risks revealing too much. Even knowledge of this story’s existence is, in a way, a spoiler. There’s always another secret.

    Like many before them, Cara and her family ventured through the gates as scientists and researchers, driven to carve out a new life and uncover the endless possibilities of the unexplored alien worlds now within reach.But soon the soldiers followed and under this new order Cara makes a discovery that will change everything.