Included in this set are the following titles: The Clique, Best Friends For Never, The Revenge of the Wannabes, Invasion of the Boy Snatchers, The Pretty Committee Strikes Back, Dial L For Loser, It's Not Easy Being Mean, Sealed With a Diss, Bratfest at Tiffany's.

    0 pages of chapter summaries, quotes, character analysis, themes, and more – everything you need to sharpen your knowledge of Henry and June. This detailed literature summary also contains Topics for Discussion and a Free Quiz on Henry and June by Anaïs Nin.

    Success, beauty, and money. Yet everything drastically changes when she receives one phone call that will turn her life upside down. Now forced to return to the very place that she abandoned, can Na'Tiva cope with the cold mean streets of Akron?Find out what happens in part one of the hot new urban series from T.L. Joy!

    Launching a newbie into the Indian matrimonial scene is likeintroducing a new iPhone in an already saturated market – has to be sleek,overflowing with catchy features, and better than the already available versions.So when twenty-five-year-old Nitya Trivedi is forced into it by her ever soenthusiastic mother and pestering relatives, she hardly knows what she hasbargained for.In her journey to find her soul-mate (??!!), she becomes Dollarkumar’sPoundkumari, ends up fasting on party days to make peace with her horrorscope,attends hilarious ‘arranged’ meetings through various matchmakingportals and people – all under the nose of her extremely evil, but deliciouslydebonair boss Rudra Desai.With besties tying the knot and cousins ‘stealing’ prospective grooms…wonderhow Nitya’s mother will find the perfect match for her only daughter.But as always, love will find a way in the midst of The Shaadi Brouhaha..

    The miraculous feat is followed by an encore which consists of a two-minute version of the play! The vast multitude of characters is played by six actors with hectic doubling, and the action takes place at a shortened version of Elsinore Castle.

    As a novelist and icon, Rushdie has embraced both 'popular' and 'high' culture; reflecting this, the Guide brings together both academic criticism and journalism to investigate the passions and preoccupations of Rushdie's many critics, steering the reader through the inflamed debates and rhetoric surrounding this much admired but controversial author.

     Arianne Leone, a mountain lion shapeshifter, owns an art gallery in Deep Ellum, a popular tourist attraction and haven for musicians for decades. Together, they are charged with guarding the one who bears the Hermit's Stone, an ancient artifact that has held worlds together—and kept them separate—for eons. Possession of the stone falls to Ari's friend and art student, nineteen-year-old Nico Garcia. When Nico's parents are killed in an attempt to destroy him, Ari and Mac must set aside their differences and work together, protecting Nico at all costs…

     When she answered the intra-office memo on behalf of the snooty blonde down the hall, she only meant to spare her new boss a cruel rejection. He wasn't supposed to reply. And she shouldn’t have replied to his reply… …again…and again…and again. While Amanda has fallen head over heels for her billionaire boss, Owen Ridgemont, to him she's just the girl from the temp agency who sits at the front desk and files paperwork. What will happen when Owen learns that, rather than corresponding with the gorgeous blonde, he's been exchanging memos with his secretary? Amanda has a good idea where her well-meaning charade will leave her…. …unemployed and seriously heartbroken! Temp Girl is a 30K word story, the first in the Billionaire Secretarial Pool series. It is a sweet, clean, contemporary billionaire romance with inspirational and Christian themes of family, faith, and love. As always, it is clean and wholesome with a guaranteed happily ever after ending. This story may appeal to fans of authors such as Bree Livingston, Elana Johnson, Anne-Marie Meyer, Michelle Pennington, and Lorana Hoopes.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    This book is about the girls whose lives were ruined by me. I want to write about my story, for it’s the only way to be immortal. I want you to feel the pleasure of falling in love. The lust, the passion, the desire, and the craving that turns into an unhealthy addiction. And I want you also to feel the pain of losing someone, the ache, the agony, the bitterness, and the grief that cripples your soul forever. This is for everyone. The forgotten souls buried under the melancholy of the past. Yes, I will show you how much you hurt me, I will write. This is what my heart holds for you; half pleasure, half pain.

    In this her latest collection of essays she explores the story-telling impulse, and asks how she, as a product of postmodernism, can reconnect to the primal act of making meaning and telling stories. She also asks how theatre practitioners can think of themselves not as stagers of plays but orchestrators of social interactions and participants in an on-going dialogue about the future.We dream. And then occasionally we attempt to share our dreams with others. In recounting our dreams we try to construct a narrative... We also make stories out of our daytime existence. The human brain is a narrative creating machine that takes whatever happens and imposes chronology, meaning, cause and effect... We choose. We can choose to relate to our circumstances with bitterness or with openness. The stories that we tell determine nothing less than personal destiny. (From the introduction)This compelling new book is characteristically made up of chapters with one-word titles: Spaciousness, Narrative, Heat, Limits, Error, Politics, Arrest, Empathy, Opposition, Collaboration and Sustenance. In addition to dipping into neuroscience, performance theory and sociology, Bogart also recounts vivid stories from her own life. But as neuroscience indicates, the event of remembering what happened is in fact the creation of something new."

    For decades, the beast and its lair have hungered. Now the people of Enfield have to deal with a supernatural hunter with an insatiable appetite for humans. A hunter that is disturbingly good at what it does. As people start disappearing, Officer Tom Henderson finds himself thrust from the role of a rural police officer into that of a savior. Improbable eyewitness accounts tell him that the beast he has to face is merciless. And now, Tom will discover how deep his courage truly runs. The Enfield Horror Trilogy contains: 1. The Enfield Horror 2. Darkness Rising 3. Nowhere To Run

    A short critical essay which considers the significance of the title.

    That night, Sater came home and began writing the first lyric of Spring Awakening: "Mama Who Bore Me" - a lyric which still stands, verbatim, just as he first wrote it. Ten years later, in the wake of the enormous international success of this groundbreaking, multiaward-winning show, its original director, Michael Mayer, urged Sater to write notes explicating its famously evocative, poetic lyrics. In rich detail, Sater's notes address the literary sources and allusions of each lyric. He also writes feelingly of what prompted the songs over the course of the show's eight years of development. In so doing, Sater expands on his partnership with Sheik and his experiences with original cast members, Lea Michele and Jonathan Groff, now also known from Glee. These notes will prove invaluable for fans of the show, for all those interested in theater, and most especially for all the young performers who will play the roles and sing these songs.

    But her life is about to be turned upside-down and inside-out when her grandmother commits suicide, leaving her alone and vulnerable, confused and overwhelmed, and surrounded by danger. And her grandmother's wonderful gift maybe be a curse and the ruination of her life. The one future see can't see—her own.