There will be rose and rhododendron when you are dead and under ground; Still will be heard from white syringas Heavy with bees, a sunny sound.

    It includes Emily's verse from Poems by Currer, Ellis and Acton Bell, as well as 200 works collected from various manuscript sources after her death in 1848.

    But you don't have to suck at break-ups. Break-ups are awful, and tough, and they're very real, but that doesn't mean they get to take over your whole life. YOU can take charge. YOU can be the boss of your break-up. YOU can choose to see it as a gift. And you must.Break-up Boss gives you all the tools and techniques (and lots of lectures - cute!) to deal with each stage of your break-up. This is a Real Life, no-nonsense picture of a break-up, and an enthusiastic, empowered and positive view of how to deal with it.

    Star of BBC's Supersizers and hugely popular Times columnist's works through his anger about everything from dogs to cycle helmets.

    Nature, man and human history are reflected on in the verse of English and American poets and such prose works as the Gettysburg Address and the Declaration of Independence.

    She was a celebrated wit, a charmer, and throughout her life a prolific and passionate writer of letters—now gathered here.Decca’s correspondence crackles with irreverent humor and mischief, and with acute insight into human behavior (and misbehavior) that attests to her generous experience of the worlds of politics, the arts, journalism, publishing, and high and low society. Here is correspondence with everyone from Katharine Graham and George Jackson, Betty Friedan, Miss Manners, Julie Andrews, Maya Angelou, Harry Truman, and Hillary Rodham Clinton to Decca’s sisters the Duchess of Devonshire and the novelist Nancy Mitford, her parents, her husbands, her children, and her grandchildren.In a profile of J.K. Rowling, The Daily Telegraph (UK), said, “Her favorite drink is gin and tonic, her least favorite food, trip. Her heroine is Jessica Mitford.”

    This book comprises Sexton's ten volumes of verse, including the Pulitzer Prize-winner Live or Die, as well as seven poems from her last years.

    She didn't just leave the small Scottish town where she grew up; she fled from it as fast as she could. Now she's become expert at metropolitan living; she could walk by a million faces and not notice any of them. And her dream is almost within her grasp.When Rowan does start packing her bags, she has to find room for one very unexpected item. And she's headed not for exotic distant shores but back to Scotland. There, she feels at first like nothing more than a source of good gossip. But as she discovers that no one is quite who she thought they were, Rowan begins to see that home could be where she'll find what she was looking for after all...

    If you've not been alone much or if, when you were, you weren't okay with it then just wait...Since its debut on YouTube, Tanya Davis's beautiful and perceptive poem, How to Be Alone, visually realized by artist and filmmaker Andrea Dorfman, has become an international sensation. Her wise and perceptive words, vivid in their evocation of solitude's beauty and calm, have touched millions. Now her poem's deep eloquence and compelling illustrations have been adapted for the page in this beautiful, meditative volume, a keepsake to treasure and to share. From a solitary walk in the woods to sitting unaccompanied on a city park bench to eating a meal and even dancing alone, Tanya reveals the possibilities and joys waiting to be discovered when we engage in activities on our own. As she soothes the disquietude that accompanies the fear of aloneness, and celebrates the power of solitude to change how we see ourselves and the world, Tanya reavels how, removed from the noise and distractions of other lives, we can find acceptance and grace within.For those who have never been by themselves and those who feel lost or lonely on their own, this moving work encourages us to recognize and embrace the possibilities of being alone-and reminds us of a universe of joy, peace, and discovery waiting to unfold.

    The book features raw, blunt, and in your face poems depicting the darker side of relationships. Readers will find themes such as lies, cheating, and heartache abundant in much of this collection. Midnight Milkshakes, being the second volume of Ray's Ice Cream And Suicide, is great for returning readers to the series. The book focuses on much of the same style and mood that is common in his writings.

     It's you I love, perfect man, Greek God, my own; but I know you'll go, betray me, strayfrom home.So better by far for me if you were stone.—from "Medusa"Stunningly original and haunting, the voices of Mrs. Midas, Queen Kong, and Frau Freud, to say nothing of the Devil's Wife herself, startle us with their wit, imagination, and incisiveness in this collection of poems written from the perspectives of the wives, sisters, or girlfriends of famous—and infamous—male personages. Carol Ann Duffy is a master at drawing on myth and history, then subverting them in a vivid and surprising way to create poems that have the pull of the past and the crack of the contemporary.

    Collection of poems rising from and returning to Bukowski's personal experiences reflect people, objects, places, and events of the external world, and reflects on them, on their way out and back.

    the book is meant to be read straight through and takes you into the rabbit hole of falling in love.

    The poems compiled inside this often hilarious, sometimes heartbreaking volume are reprinted verbatim from the Missed Connections section of craigslist, with only line and stanza breaks added.-Knock Knock books: fun gifts for internet friends, IRL friends, or missed connections-Paperback; 4 x 6 inches; 136 pages-Written by Alan Feuer and published by Knock Knock

    Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking. In her introduction to the book, competition judge Louise Glück hails the “cumulative, driving, apocalyptic power, [and] purgatorial recklessness” of Siken’s poems. She notes, “Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form.”