. .  I went from feeling warm and fuzzy to shock, delight before, finally, well – you'll just have to read it!'GIOVANNA FLETCHERWhat if you met the right person at the wrong time?   Nell and Van meet as children when their parents fall in love, but soon they are forced worlds apart. Five years later, they find each other.  Their bond is rekindled and new feelings take hold, but once again they must separate.   For the next two decades, fate brings Nell and Van together every five years, as life and circumstance continue to divide them. Will they ever find true happiness? And will it be together?  ‘One day, maybe five years from now, you’ll look back and understand why this happened…’  'Filled with warmth and poignancy, Five Years From Now is a page-turner and a delight' JANE COSTELLO 'Simply gorgeous'SUN** PRAISE FOR PAIGE TOON ** 'You'll love it, cry buckets and be uplifted' MARIAN KEYES 'Paige really ratchets up the tension. You'll be in a reading frenzy by the end'LISA JEWELL ‘Gave me all the feels . . . I loved it’LINDSEY KELK ‘Poignant and lovely, warm and wise’MILLY JOHNSON ‘A gorgeous, warm novel’ADELE PARKS ‘Paige’s writing is brilliant!’MHAIRI McFARLANE ‘Wonderfully heartfelt… her best book yet’ heat, five star review 'For smart, romantic fiction, look no further than the new book from bestselling Paige Toon' RED 'Witty, fun and impossible to put down!' CLOSER

    In lavish, pitch-perfect, and supple, readable prose, Burgess matches his splendid Shakespeare novel, Nothing Like the Sun. The whole world of Elizabethan England—from the intrigues of the courtroom, through the violent streets of London, to the glory of the theater—comes alive in this joyous celebration of the life of Christopher Marlowe, murdered in suspicious circumstances in a tavern brawl in Deptford more than four hundred years ago.

    We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

    Found in schoolbooks from Alaska to Singapore, the poem has been stitched, stamped, quilted, set to music, printed on cards, written on cakes and made into films.Here 'Warning: When I am an old woman I shall wear purple' appears as a beautifully illustrated gift book, the perfect gift for a friend or relative who wants to grow older with joy.

    And, caught up in the whirlwind of first love, they kiss under the Bridge of Sighs at sunset. Which - according to legend - will tie them together forever. But ten years later, they've completely lost contact. That is, until Lucy moves to New York and the legend brings them back together. Again. And again. And again. But what if Nate isn't The One? How is she going to get rid of him? Because forever could be a very long time...A funny, magical romantic comedy about how finding The One doesn't always have to mean happily ever after.

    There's Pat, a twenty-year-old who has recently moved into a flat with Bruce, an athletic young man with a keen awareness of his own appearance. Their neighbor, Domenica, is an eccentric and insightful widow. In the flat below are Irene and her appealing son Bertie, who is the victim of his mother’s desire for him to learn the saxophone and italian–all at the tender age of five.Love triangles, a lost painting, intriguing new friends, and an encounter with a famous Scottish crime writer are just a few of the ingredients that add to this delightful and witty portrait of Edinburgh society, which was first published as a serial in The Scotsman newspaper.

    H. Munro), English author, is best known for his witty, sometimes whimsical, often cynical and bizarre short stories; they are collected in Reginald, The Chronicles of Clovis, Beasts and Super-Beasts, and other volumes. Contents of The Chronicles of Clovis include: Esme, The Match-Maker, Tobermory, Mrs. Packletide's Tiger, The Stampeding of Lady Bastable, The Background, Hermann the Irascible, The Unrest-Cure, The Jesting of Arlington Stringham, Sredni Vashtar, Adrian, The Chaplet, The Quest Wratislav, The Easter Egg, Filboid Studge, The Music on the Hill, The Story of St. Vespaluus, The Way to the Dairy, The Peace Offering, The Peace of Mowsle Barton, The Talking-out of Tarrington, The Hounds of Fate, The Recessional, A Matter of Sentiment, The Secret Sin of Septimus Brope, Ministers of Grace, The Remoulding of Groby Lington, and Robert Stockton.

    Previously published in Anvil New Poets 2, a selection chosen by Carol Ann Duffy, and winner of the 1994 Eric Gregory Award, Oswald already clearly demonstrates a distinct voice. The poems here are extraordinarily beautiful: intensely musical, strewn with emotion, and full of energy and warmth. Influenced by Gerard Manley Hopkins and George Herbert, they speak passionately of nature and love. They have a religious sense of mystery, and try to express the intangible in marvellously vivid language. The second part of the book features an entertaining long poem titled The Men of Gotham, a comical folk-legend about the three men who went to sea to try to catch the moon in a net. Taken together, this is a wonderful first collection by an exceptionally talented young poet.

    From online dating to beauty pageants, Greek mythology to road trips, Leigh Stein gives us resilient young women in longing and in love. Post-confessional—like Sylvia Plath raised on MTV, or Anne Sexton on Twitter—the poems seduce with a narrative hook or startle with a pop culture reference, all the while wrestling fresh meaning out of our fantasy-saturated modern lives.

    She leaves the bed she shares with her sister and soars into the night sky, listening to the nighttime sounds of her small Welsh village below. Irrepressible Gwenni -- a dreamer full of unanswerable questions and unbounded curiosity -- is childlike yet touchingly adult. Reluctantly facing a modern world, she prefers her nightly flights to school and her chores. Blessed with the uncommon insight of a young girl, Gwenni's view of the world is unparalleled.Quaint, odd, touched, funny in the head: Gwenni is all too familiar with the taunts of her peers and fields them with equanimity beyond her years. She knows she can no more change her nature than stop the sun from rising. And when a neighbour goes missing, Gwenni turns amateur sleuth, determined to solve the mystery of his disappearance. Little does she realize that the trail she's pursuing will bring her uncomfortably close to home, and a dark secret.

    Compelled by curiosity, he approaches the door, and, standing before the entrance feels the unmistakable sensation of a small hand creeping into his own, 'as if a child had taken hold of it'.Intrigued by the encounter, he determines to learn more, and discovers that the owner's grandson had drowned tragically many years before. At first unperturbed by the odd experience, Snow begins to be plagued by haunting dreams, panic attacks, and more frequent visits from the small hand which become increasingly threatening and sinister ...

    The plot concerns a wealthy, lecherous old man who feigns a mortal illness in order to solicit bribes from greedy acquaintances who hope to inherit his fortune. Many complexities of plot and connivance ensue, but in the end, the guilty parties are exposed and punished. Explanatory footnotes.

    A crowd gathers to see the first new metal in ages—after all, everything’s been melted down for the war effort. An instant later, the crowd is gone; incinerated. Among the shoppers were five young children. Who were they? What futures did they lose? This brilliantly constructed novel lets an alternative reel of time run, imagining the life arcs of these five souls as they live through the extraordinary, unimaginable changes of the bustling immensity of twentieth-century London. Their intimate everyday dramas, as sons and daughters, spouses, parents, grandparents; as the separated, the remarried, the bereaved. Through decades of social, sexual, and technological transformation, as bus conductors and landlords, as swindlers and teachers, patients and inmates. Days of personal triumphs, disasters; of second chances and redemption. Ingenious and profound, full of warmth and beauty, Light Perpetual illuminates the shapes of experience, the extraordinariness of the ordinary, the mysteries of memory and expectation, and the preciousness of life.

    But Dev’s distracted from his quest by Kyle, a broodingly handsome local of only a few months, who’s already got a reputation as an alcoholic because of his strange behaviour—including a habit of collapsing in the street.Kyle Anthony fled to Porthkennack to escape from the ruins of his life. Still raging against his diagnosis of narcolepsy—a condition that’s cost him his job as a barrister, his lover, and all chance of normality—the last thing he wants is another relationship that’s doomed to fail. But Dev’s easy-going acceptance and adaptability, not to mention his good looks, have Kyle breaking all his self-imposed rules.When disaster strikes Dev’s adored little sister, Kyle steps up to the plate, and Dev sees a side of his lover he wasn’t prepared for: competent, professional—and way out of Dev’s league. With one man determined that they don’t have a future, and the other fearing it, life after Porthkennack is starting to look bleak for both of them.

    From her well-remembered New Yorker essays about the financial demands of big-city ambition and the ethereal, strangely old-fashioned allure of cyber relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle-brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. She speaks to questions at the root of the contemporary experience, from the search for authenticity and interpersonal connection in a society defined by consumerism and media; to the disenchantment of working in a "glamour profession"; to the catastrophic effects of living among New York City's terminal hipsters. With precision and well-balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her. In a review of The KGB Bar Reader, in which Daphne Merkin singled out Daum's essay about the inability to mourn a friend's death, Merkin wrote: "It's brutally quick, the way this happens, this falling in love with a writer's style. Daum's story hooked me by the second line. Hmm, I thought, this is a writer worth suspending my routines for."