Her little brother, Sam, wasn't as lucky. Now she's trying to begin the new life she always dreamed of for them, but never thought she'd have to experience alone. She's hired a techie-genius with a knack for forgery to remove the last ties to her old life. But while she can erase her former identity, she can’t rid herself of the memories. And her troubled history won’t let her ignore the little girl she sees one day in the park. The girl with the bruises and burn marks.That’s when Charlotte begins to receive the messages. Threatening notes left in her apartment--without a trace of entry. And they’re addressed to Piper, her old name. As the messages grow in frequency, she doesn’t just need to uncover who is leaving them; she needs to stop whoever it is before anyone else she loves ends up dead.

    The endless creaking of the house at night and the eerie stillness of the woods surrounding them would be enough of a sign, but there are secrets too—questions that Silla can’t ignore: Why does it seem that, ever since they arrived, the trees have been creeping closer? Who is the beautiful boy who’s appeared from the woods? And who is the tall man with no eyes who Nori plays with in the basement at night… a man no one else can see?

    But none like Netherwell Bay… ‘Sis, I’m in trouble. Real trouble. And I need help.’ After receiving a worrying message from her estranged brother, Beth Davis sets out to find and help him, ending up in the strange, coastal town of Netherwell Bay. There, she begins to witness terrifying and unexplainable things, and reports of ritualistic murders have the town panicked. A sinister cult soon makes its presence known, and the dark history of Netherwell Bay is unveiled. Beth then finds herself in a race against time to stop a doorway to Hell from opening… permanently. The Netherwell Horror is a Lovecraftian mystery that quickly descends into madness, sickening violence, and chaos. Fans of Silent Hill will love this nightmarish tale, but those of a squeamish disposition need not apply…

    Until she woke up in a coffin.Ushers die young. Ushers are cursed. Ushers can never leave their house, a house that haunts and is haunted, a house that almost seems to have a mind of its own. Madeline’s life—revealed through short bursts of memory—has hinged around her desperate plan to escape, to save herself and her brother. Her only chance lies in destroying the house.In the end, can Madeline keep her own sanity and bring the house down? The Fall is a literary psychological thriller, reimagining Edgar Allan Poe’s classic The Fall of the House of Usher.

    Reissue.

    With her daughters and grandchildren, Black Lena led a ring of consummate female criminals - women skilled in the art of cruelty.Only a few blocks away, amidst the elegant mansions and lily-white reputations of Gramercy Park and Washington Square lived Judge James Stallworth. He was determined to crush Lena's evil crew, and with icy indifference he ordered three deaths in her family.Then, one Sunday, all the Stallworths receive individual invitations - invitations to their own funerals. Black Lena has vowed a reign of revenge. Can even the Stallworth fortune and awesome power save them from her diabolical lust for revenge?

    A life that seems prosperous and peaceful until a home invasion plunges them into an orgy of bloodshed. As three masked gunmen terrorize the Turners, exposing the fault lines in a marriage built on a foundation of lies, John is forced to confront the truth about his complicity in an unspeakably brutal crime in Johannesburg a decade ago and ask himself a question: is it payback time?Man Down is both a harrowingly propulsive thriller and a meditation on moral ambiguity and the roles choice and chance play in the shaping of a life.Praise for Man Down"Smith, without apology, confronts the 'banality of evil' dear to Hannah Arendt. He is a novelist-gunslinger unafraid to show the path to disaster." Marianne Magazine"Man Down, a thriller about violence and guilt, takes you by the throat like a cat takes a rat, and the reader will emerge with a renewed fascination with Smith's kamikaze side." Libération"Clever, dark and suspenseful." Huffington Post Quebec"Man Down has both Shakespearean and Hitchcockian influences and yet has this inimitable fearlessness that only Roger Smith can muster. Read it if you dare." Dead End Follies"This very dark novel, with its expertly constructed plot and apocalyptic climax, uses extreme violence to portray a society where the boundaries between good and evil no longer exist." Nord-Pas-de-Calais Gazette"Beautifully built, exciting--a really good thriller that hits hard. Very hard." Nyctalopes"Very well written, the timelines are beautifully handled, and Smith can elicit suspense like few other thriller writers. Genuinely gut-wrenching." The Gamblers Blog"Sensitive souls should steer clear, but this very dark thriller hits the mark." Action-Suspense Blog"Roger Smith is not holding back: violence engulfs every page, breaking bones and families. The pungent odor of meth can't hide the stink of blood and fear. Quentin Tarantino watch out!" Jeune Afrique"Excellent. In this book Roger Smith has reached the pinnacle of Machiavellian manipulation and cruelty and one wonders how he'll ever be able to invent characters more twisted and tormented than these." Unwalkers Praise for Roger Smith"Roger Smith is the crime genre's greatest tragedian." Spinetingler Magazine"Smith's writing is astonishing." The Cleveland Plain Dealer"Smith has a unique ability to plunge readers into his nightmare visions." The Times"If you are a fan of George Pelecanos or Dennis Lehane, give Roger Smith a close look." Bookpage"Smith writes with the brutal beauty of an Elmore Leonard in a very bad mood." The Washington PostRoger Smith's novels are published in eight languages and two are in development as feature films. Website: rogersmithbooks.com

    A husband, a wife, a baby on the way.But something will stop them from being happy as they move into their new house: the power of the undead that roam the halls of their home.The demons that have come to claim them. The darkness that seeks to destroy them.The haunted.

    But the Alexander House is different. Built by a 1700s land baron to contain the madness and depravity of his eldest son, the house is plagued by shadows of the past and the lingering taint of bloodshed. David is haunted, as well. For twenty-two years ago, he turned away the woman he loved, and she took her life in sorrow. And David suspects she’s followed him to the Alexander House.

    The one who fought back, defeated the killer, and avenged her friends. The one who emerges bloodied but victorious. But after the sirens fade and the audience moves on, what happens to her?Lynnette Tarkington is a real-life final girl who survived a massacre twenty-two years ago, and it has defined every day of her life since. And she's not alone. For more than a decade she's been meeting with five other actual final girls and their therapist in a support group for those who survived the unthinkable, putting their lives back together, piece by piece. That is until one of the women misses a meeting and Lynnette's worst fears are realized--someone knows about the group and is determined to take their lives apart again, piece by piece.But the thing about these final girls is that they have each other now, and no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.

    Brimming with excitement, Charles sets off with his daughter Naomi on a Christmas Eve shopping trip to London. But, by the end of the day, all Charles and his wife have left are cups of tea and police sympathy. For Naomi, their beautiful, angelic only child, has disappeared. Days later her murdered body is discovered.But is she dead?In a howling, bumping story of past and present day hell, Jonathan Aycliffe's haunting psychological masterpiece is guaranteed to make you sink to untold depths of teeth-shaking terror.

    His name was Alton Turner Blackwood, and in the space of a few months he brutally murdered four families. His savage spree ended only when he himself was killed by the last survivor of the last family, a fourteen-year-old boy. Half a continent away and two decades later, someone is murdering families again, recreating in detail Blackwood’s crimes. Homicide detective John Calvino is certain that his own family—his wife and three children—will be targets in the fourth crime, just as his parents and sisters were victims on that distant night when he was fourteen and killed their slayer. As a detective, John is a man of reason who deals in cold facts. But an extraordinary experience convinces him that sometimes death is not a one-way journey, that sometimes the dead return. Here is ghost story like no other you have read. In the Calvinos, Dean Koontz brings to life a family that might be your own, in a war for their survival against an adversary more malevolent than any he has yet created, with their own home the battleground. Of all his acclaimed novels, none exceeds What the Night Knows in power, in chilling suspense, and in sheer mesmerizing storytelling.

    Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

    The identical twins are rescued by a family determined to be their saviors.But there’s some horrors love can’t erase…Elizabeth wakes in a hospital, strapped to her bed and unable to move or speak. The last thing she remembers is finding Emily’s body in their bathroom. Days before, she was falling in love and starting college. Now, she’s surrounded by men who talk to themselves and women who pull out their eyebrows.As she delves deeper into the mystery surrounding Emily’s death, she discovers shocking secrets and holes in her memory that force her to remember what she’s worked so hard to forget—the beatings, the blood, the special friends. Her life spins out of control at a terrifying speed as she desperately tries to unravel the psychological puzzle of her past before it’s too late.

    Businesses went under by the hundreds, debt and foreclosures boomed, and breadlines grew in many American cities. In the midst of this misery, some folks explored unscrupulous ways to make money. Angel-faced John Partlow and carnival huckster Ginger LaFrance are among the worst of this lot. Joining together they leave their small time confidence scams behind to attempt an elaborate kidnapping-for-ransom scheme in New Orleans.In a different part of town, Curtis Mayhew, a young black man who works as a redcap for the Union Railroad Station, has a reputation for mending quarrels and misunderstandings among his friends. What those friends don't know is that Curtis has a special talent for listening... and he can sometimes hear things that aren't spoken aloud.One day, Curtis Mayhew's special talent allows him to overhear a child's cry for help (THIS MAN IN THE CAR HE'S GOT A GUN), which draws him into the dangerous world of Partlow and LaFrance.This gritty depression-era crime thriller is a complex tale enriched by powerfully observed social commentary and hints of the supernatural, and it represents Robert McCammon writing at the very top of his game.