With her mother dead and her father away, she must learn to fight the monsters that have slithered and insinuated their way into her heart and mind. In this wondrous drama Timberlake Wertenbaker explores the beauty and terror inherent in growing up.The Ash Girl premiered at Birmingham Rep in 2001.

    

    He has also written fim scripts and for television.

    One shocking discovery leads to another as the animals prove to be intelligent, charismatic creatures with sinister motives. A husband and wife recently parted by adultery, an enterprising sociopath and a thirty-year-old mentally handicapped man all become pivotal to the animals’ cryptic timetable. Each strangely connected character begins to realize they are caught up in a frightening force spiraling toward a bizarre state of authoritarianism. This frenetic story is a fast and immersive read told through letters, journal entries and news transcripts.

    When the legitimacy of her twin babies with Edgar is called into question, the tiny infants are taken from Beth and sent far away. James is adopted by Edgar's uncle, the very wealthy Lord Redfern, master of Redfern Abbey. But little Daisy is sent to a cold-hearted childless couple who raise her to be a maid rather than a daughter. When Daisy, at 16, finally escapes her hard life with her adoptive brother Boyd, they arrive at the Abbey to seek work and refuge. Little does Daisy know that her flesh and blood is the next in line to be Lord of the Abbey. There is a strange connection between Daisy and James, something they can neither explain nor ignore. But will the truth be discovered in time?

    When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well as beyond. Further Than The Furthest Thing is a beautifully drawn story evoking the sadness and beauty of a civilisation in crisis.Further Than The Furthest Thing premiered at the Traverse Theatre, Edinburgh in August, 2000.

    Are things as they appear, or could there be help that even the resurrected can’t see?

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    Formerly part of the World Dramatists series of play collections by classic and modern playwrights, including foreign works in workable and accurate translations, this title and seven others are reissued in a new format under the heading, World Classics.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    Over the course of his hospitalization, he contemplates life in quiet moments. Follow him and his thoughts, kept within the grey walls of the cruel hospital room. =Spin-off from The Royals Series.

    The Iron Age. The Age of Oil.The Stone Age didn't end for want of stones. What do you do when you know it's going to run out? Oil follows the lives of one woman and her daughter in an epic, hurtling crash of empire, history and family.Ella Hickson's explosive new play drills deep into the world's relationship with this finite resource.Oil premiered at the Almeida Theatre, London, in October 2016.

    Banks learns that one of the young men he has seen occasionally about the house is about to become his son-in-law. Daughter Kay announces the engagement out of nowhere. Mrs. Banks and her sons are happy, but Mr. Banks is in a dither. The groom-to-be, Buckley Dunstan, appears on the scene and Mr. Banks realizes that the engagement is serious. Buckley and Kay don't want a "big" wedding just a simple affair with a few friends! We soon learn, however, that the "few" friends idea is out. Then trouble really begins. The guest list grows larger each day, a caterer is called in, florists, furniture movers and dressmakers take over, and the Banks household is soon caught in turmoil.

    This volume presents a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He also reviews some of the differences between Beckett's original French version and his English translation.

    This extraordinary drama, produced to acclaim at the Actors Theatre of Louisville originally, and at NYC's Second Stage is about a celebrated 1930's French murder case, in which two maids sisters were convicted of murdering their employer and her daughter. This very cinematically structured work explores the motivations whi