Truthful and tender, profoundly aware of the possibility of magic and the miraculous, these poems are beautiful, informed, and, even at their darkest moments, filled with courage and hope. Alongside old favorites, this edition will contain a selection of new, unpublished poems. This is a must for poetry lovers.

    It is 1989 and Community Care is about to reboot the industry of psychiatry. In a soon-to-be-closed asylum a bruised nurse, Adam Sands, is feeling less like a purveyor of kindness and more like a concentration camp guard with every passing drink. Many years later Adam has got used to the quiet life when his past finds him. Maybe this time he can do some good. Even make a diference. But redemption, like magic, can come from the strangest of places.

    Here is a volume of poetry approaching Carolyn Forche's The Angel of History as a stark meditation on Blanchot's sense of writing as the "desired, undesired torment which endures everything." Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. Enola Gay's "mission" can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.

    So she packs up her spare life, leaves her boyfriend behind, and heads across the country in search of a new place to begin. Settling in Boston, her life is suddenly changed by the chance meeting of two unlikely women: Eleanor, a seventy-eight year old widow who is stripping away the layers of her past, and June, an ambitious dance student who relies on a psychic to help manage her estranged relationships--all the while keeping a shocking secret. As these three resilient women of different backgrounds and ages face their own particular demons, Charlie becomes their shared center. Drawing strength from each other and the maternal bond that unites them, they soon discover that the lives they have run from just may be their saving grace. . . .

    Fleeing his debtors, Adam abandons his family and takes to sleeping rough in a local park, where a fraternity of homeless men befriend him. As the months pass, Adam gradually learns to appreciate the tough new regime, until winter arrives early, threatening to turn his paradise into a nightmare. Starving, exhausted and sick of the constant infighting, Adam decides to return to his family. The men, however, have other plans for him. With time running out, and the stakes raised unbearably high, Adam is forced to question whether any of us can truly escape the wildness within.

    Alternating between grand, Whitmanic tone and scope, Dickinsonian minute detail, Beat rhythms, New York School wit and Objectivist sensibility, this epic poem engages traditional lyricism with a breathtaking contemporary style and graceful urgency.A native of California, Eleni Sikelianos has lived in New York City, Paris and Athens. She is the author of the poetry collection, Earliest Worlds, the memoir, Book of Jon (forthcoming from City Lights), and the National Poetry Series award-winning collection The Monster Lives of Boys and Girls.

    Their greatest fear is each other. But there's no point taking sides because, as they are about to find out, there are just too many.The Ex: She managed to keep her divorce amicable by burying past hurts. It cost her dear, but it's worth it to see her three daughters so happy. Now everything is going to change. Jimmy wants to remarry. Bea worries about how the girls are going to feel having to share their father. But it's not the children's reaction that shocks her- it's hers.The Girlfriend: The only thing she's done wrong is fall in love with a man she can't call her own. His daughters come first. No matter what. Try as she might, she can't seem to get them to like her. She doesn't understand. The divorce wasn't her fault. Jimmy swears it was no one's fault, some relationships just break down. But if that's the case, how secure is hers?

    Needless to say, Tara’s beginning to think she’s cursed when it comes to men. Her best friend, Betsy, who’s always there to put the pieces back together, convinces Tara she’s the cause of each of her boyfriend’s untimely exits to the other side. Could it be that Tara has that kind of psychic power? And is Betsy right that women all over the world would pay a pretty penny for it?What follows is a wild and humorous trek down the path of Tara’s spiritual growth and ultimate awakening. But the road to enlightenment is no cakewalk. It’s fraught with stacks of ill-gotten cash, death threats, and orange jumpsuits.

    

    Then there's the story of the story, and there's no arguing with that. -#6There are few things in life I am sure of.I am sure that books have the answer.I am sure that lightbulbs on string are dancing. I am sure that well-lit basements hold the songs of all of us.--On 6th & 7th October 2015, author Jen Campbell wrote 100 Poems in 48 hours to raise money for The Book Bus - a charity which funds mobile libraries across Africa, Ecuador and India. These poems were made into a limited edition pamphlet & you can also read them over here: http://100poemchallenge.blogspot.co.uk/

    DOUBLE TAKEAriel Gold has come to South Carolina for a much-needed break from L.A. -- and to continue to piece together her life after a devastating memory loss. But her wish for a little downtime is shattered when she arrives at her grandfather's home on Kiawah Island. A chance encounter with her past on a deserted beach is about to pull her into a spiral of Southern family scandal with all the force of a coastal hurricane. The deeper she delves into a chilling legacy of jealousy and bad blood, Ariel finds the truth can be twisted -- and memories can be murder...With the electrifying thrills that made "Fast Forward" a coast-to-coast hit, Judy Mercer brings her "irresistible first-person voice -- clever, caustic, and brash" (Minneapolis "Star Tribune") to a dazzling suspense winner.

    She loves her quiet life in a small Texas ranching town and finally feels in control until a handsome rancher becomes her newest patient. He challenges her at every turn, but Jamie is too stubborn to admit she enjoys their sparring, and that he makes her heart race. But when his charming little cowboy son starts following her around, her long-neglected heart opens.Thomas Tremayne, the eldest son of a well-respected local ranching family, is both mom and dad to his young son and has no plans to change. When a ranch injury requires an in-house expert, the nurse who called him out on his attitude is sent to help him heal. She’s even harder to resist on his ranch than she was at the hospital, but Thomas is determined to try—except he’s out-numbered. His son decided he wants a mom, and nurse Jamie is his choice.Can two stubborn adults let down their guard long enough to let love in again?

    What do you do when: Mr Could Do Worse dumps you on the very night you think he's going to propose? Your twenty-something son turns up on your doorstep, with a broken heart and dirty washing in tow? You find out you're going to be a granny - at 45? Your son's maybe ex-girlfriend's father starts making wickedly naughty suggestions? Your ex's new bit of stuff wants to become your new best friend? Your 70-year-old father is dating someone young enough to be your sister? You make the same mistakes you made in your twenties two whole decades later? You can't get the one person you want out of your head? You grab the vodka and wonder if you're too old for all this crap!

    The granddaughter of a respected sage in 19th century Cairo, mysticism and wisdom run through her blood just as the water of the Nile flows through her veins."--P. [4] of cover.

    At once melancholic and jubilant, Jackson considers the journey of humanity, with all its foibles, as a sacred pattern of discovery reconciled by art and the imagination. From “The Absurd Man at Fourteen”He punched her again, a woman called the house,some yelling then us out the door leavingthe kitchen phone cord swinging.