Sweeping all major theater awards, including the 1996 Pulitzer Prize for drama, as well as four 1996 Tony Awards including Best Musical, Best Book, and Best Score for a Musical, Rent captures the heart and spirit of a generation, refleting it onstage through the emotion of its stirring words and music, and the energy of its young cast. Now, for the first time, Rent comes to life on the page -- through vivid color photographs, the full libretto, and an utterly compelling behind-the-scenes oral history of the show's creation. Here is the exclusive and absolutely complete companion to Rent, told in the voices of the extraordinary talent behind its success: the actors, the director, the producers, and the librettist and composer himself, Jonathan Larson, whose sudden death, on the eve of the first performance, has made Rent's life-affirming message all the more poignant.

    Martin Sherman's worldwide hit play Bent took London by storm in 1979 when it was first performed by the Royal Court Theatre, with Ian McKellen as Max (a character written with the actor in mind). The play itself caused an uproar. "It educated the world," Sherman explains. "People knew about how the Third Reich treated Jews and, to some extent, gypsies and political prisoners. But very little had come out about their treatment of homosexuals." Gays were arrested and interned at work camps prior to the genocide of Jews, gypsies, and handicapped, and continued to be imprisoned even after the fall of the Third Reich and liberation of the camps. The play Bent highlights the reason why - a largely ignored German law, Paragraph 175, making homosexuality a criminal offense, which Hitler reactivated and strengthened during his rise to power.

    As an imperious, acerbic old woman lies dying, she is tended by two other women and visited by a young man. Albee's frank dialogue about everything from incontinence to infidelity portrays aging without sentimentality. His scenes are charged with wit, pain, and laughter, and his observations tell us about forgiveness, reconciliation, and our own fates. But it is his probing portrait of the three women that reveals Albee's genius. Separate characters on stage in the first act, yet actually the same "everywoman" at different ages in the second act, these "tall women" lay bare the truths of our lives—how we live, how we love, what we settle for, and how we die. Edward Albee has given theatergoers, critics, and students of drama reason to rejoice.

    Evan is shy, lonely, and bullied for it―teeming with the irrepressible emotions all too familiar with anyone who's ever been a teenager. After a tragedy strikes, Evan's life suddenly gets turned around, but is it ultimately for the better?

    Now, after a half-century separation, the filming of a TV documentary forces them to relive the past. Woven into their 50 years of separation are a shoe-horn and the threads of loyalty and love which form their 'uncommon bond'.

    Sloane and the farce hit Loot, and was completing What the Butler Saw; but less than three months later, his longtime companion, Kenneth Halliwell, smashed in Orton’s skull with a hammer before killing himself. The Orton Diaries, written during his last eight months, chronicle in a remarkably candid style his outrageously unfettered life: his literary success, capped by an Evening Standard Award and overtures from the Beatles; his sexual escapades—at his mother's funeral, with a dwarf in Brighton, and, extensively, in Tangiers; and the breakdown of his sixteen-year "marriage" to Halliwell, the relationship that transformed and destroyed him. Edited with a superb introduction by John Lahr, The Orton Diaries is his crowning achievement.

     Josie Smith, a hardworking waitress at the Highland Grill, doesn't believe her friend's prediction that Josie's life is about to change. So what if her horoscope says she's about to meet one, maybe two, mysterious strangers? They'd probably just be bill collectors. Mysterious men she could do without. The last guy she dated was mysterious, all right—he was a pathological liar. And the one before that did nothing but take jabs at her plus-size, curvy figure. But when her friend points out Lucas and Dan, the two hotties who've become regulars at the Highland Grill, Josie can only laugh. Sure, they're sexy as sin with their black leather jackets and big, shiny motorcycles. But sadly, she isn't exactly their type. She'd caught them in a scorching-hot embrace in the parking lot one night, and even Josie isn't foolish enough to pine away over two gay guys. Lucas Pearce has more money than he can spend in several lifetimes. He's a powerful, respected, old-money billionaire, and has a man he loves and trusts—tech mogul Dan Jackson. Both of them are bisexual, and both agree their hearts are big enough for one more. When they discover the Highland Grill, they immediately fall for the beautiful, Rubenesque Josie Smith. Josie believes they're just city boys who ride in every Friday on their motorcycles for the great food. But the boys are hungry for more than just the Friday night special. They want the curvy waitress with the kind smile and the warm eyes—and they intend to do whatever it takes to get her. So when things go south at the Highland Grill, Lucas and Dan think they've got it all under control. But it isn't long before they realize they might not be as all-powerful as they'd thought, and Josie might not be as easy to win as they'd imagined... Reader note:Due to delicious adult content, this love story is intended for 18+ readers only. Contains MMF ménage and hot romance elements, BBW and billionaires, and MM love. A complete, stand-alone story with a happily ever after

    Which sends George into even more depression after a series of bad matches. Then Leo comes up with Jennie Malone and she's a keeper. Still, it's a bumpy trip on the road to Dreamland for these not-so-young lovers. George and Jennie stumble on, overcoming both their hesitation on the rebound and

    When one of them sets out to expose the truth, secrets become currency, the stakes get higher, and the trio s connection grows deeper in this searching, fiercely funny dark comedy with music.

    is a series of women's monologues tackling many different aspects of the complex female psyche.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    From the publisher's synopsis: "Jeffrey, a gay actor/waiter, has sworn off sex after too many bouts with his partners about what is "safe" and what is not. In gay New York, though, sex is not something you can avoid. Whether catering a ditzy socialite's "how-down for AIDS" or cruising at a funeral; at the gym or in the back rooms of an anonymous sex club; at the annual Gay Pride Parade, or in the libidinous hands of a father-confessor, Jeffrey finds the pursuit of love and just plain old physical gratification to be the number one preoccupation of his times - and the source of plenty of hilarity."

    Arghh, I wanted to scream, run away and tell every well-meaning person to go and do one!Whilst this book doesn’t advocate throwing all advice down the kitchen sink, it will empower you to do things your way as you navigate the big C roller coaster. Deborah James, campaigner and co-presenter of the top-charting podcast You, Me and the Big C, will take you through every twist and turn, reminding you that it’s okay to feel one hundred different things in the space of a minute and showing you how you can still live your life and BE YOURSELF with cancer. Taking you from diagnosis (welcome to the club you never wanted to join), to coping with family and friends (can everyone just fuck off sometimes?!), looking good and feeling better (drink the wine), and celebrating milestones along the way (drink more wine!), this inspiring cancer coach in a book will transform your outlook and encourage you to shout #FUCKYOUCANCER as loudly as you can!

    I don't see what the big deal is about what happened. But apparently someone does think it's a big deal because here I am. I bet it was my mother. She always overreacts.Fifteen-year-old Jeff wakes up on New Year's Day to find himself in the hospital. Make that the psychiatric ward. With the nutjobs. Clearly, this is all a huge mistake. Forget about the bandages on his wrists and the notes on his chart. Forget about his problems with his best friend, Allie, and her boyfriend, Burke. Jeff's perfectly fine, perfectly normal, not like the other kids in the hospital with him. Now they've got problems. But a funny thing happens as his forty-five-day sentence drags on: the crazies start to seem less crazy.Compelling, witty, and refreshingly real, Suicide Notes is a darkly humorous novel from award-winning author Michael Thomas Ford that examines that fuzzy line between "normal" and the rest of us.

    Traumatized and bitter, Ken struggles to find meaning in his life. As he contemplates selling the farmhouse, old friends and family members descend for a vacation. A bittersweet portrait of the rock n roll generation at the precise moment they realize the fireworks ended yesterday.