(He died on July 31st, 2012 at the age of 86.) The triumphant arc of Vidal’s literary career wasn’t solely a mastery of language, though that never hurts. Handsome, poised, slim, charismatic, able to hold his own in verbal fisticuffs without losing his imperious cool, Vidal was the premiere star author of his generation, the one who elevated the role of talk-show guest to a command performance--a theatrical event. He brought the electronic crackle of the TV screen to his prose and the tactical precision of his prose to combat debate on TV. His near-violent altercations on camera with William F. Buckley, Jr. and Norman Mailer are the stuff of YouTube legend and the secret to The Gore Supremacy. A contributing writer to Vanity Fair, a partisan observer of pop culture, and the author of the New York-in-the-70s memoir Lucking Out (which comes out in paperback this fall), James Wolcott has been a closeup observer of Vidal on-camera and off for more years than seems respectable. This, his first Kindle Single, is his way of paying homage--and saying goodbye.

    A weak king, Ethelred II, rules the Anglo-Saxons. He tries to pay off each Viking attack with a steep tax called the “Danegald,” but again and again the pagans return. A masked vigilante called the Golden Cross tries to aid the people of Engla-lond and rally them to warfare, but this rebel is constantly way-laid by the king’s most trusted advisor, Eadric Streona. Eadric Streona, Ealdorman of Mercia, is a charming master of the king’s court who always manages to get what he wants; but what he wants remains a mystery to all. Ten short stories explore this setting through the eyes of ten different characters, from a blushing maid and bold mother to a daring soldier, an unready king, and many others. Some characters are fictional, but most are real figures of history. Altogether, the Lost Tales introduce the people who will fight, love, and betray each other until the rightful king claims the throne of Engla-lond in the complementary novel, "Eadric the Grasper." While interconnected by the novel and each other, each story stands independently as a snapshot into this ancient world. This is a collection of all ten tales, previously released as individual ebooks.

    What is less known until now is that Jonathan Biss writes about music in a most compelling and engaging way. For anyone who has ever enjoyed a Beethoven concert or a Beethoven recording or one of the many films about Beethoven, this Kindle Single is an inspiring reading experience. For those of you who have heard Beethoven in concert or listened to a Beethoven recording, Jonathan Biss takes you behind the scenes of those performances. If your musical interests are much broader than Beethoven or if your interests focus on the creative process , this Single will fully engage you.“On April 24th, 2007, Beethoven’s Sonata Opus 109 made me lose my mind.”

    Their unorthodox childhood, first as evacuee babies in Cornwall, then at boarding school, then living with their Aunt Maggie, made them grow up uniquely self-sufficient. They didn't need anyone else. They had each other. Miranda was the vibrant, flamboyant one, determined to be an actress, determined never to conform or be dull and conventional. Meg was quieter, more self-effacing. But it was Meg who always knew when anything bad was happening to Miranda. As they grew up, the bond between them held - until Meg went back to Cornwall to buy a house, to paint, to fall in love. And for the first time events conspired to drive a rift through their special relationship. Their lives shifted - for Miranda found herself trapped into domesticity, and Meg - feeling herself betrayed - had to seek a new path that ultimately took her to unexpected success. But the link was still there, in spite of all that was to happen, in spite of violence and tragedy, and finally it led to happiness that came when they had ceased to expect it.

    King Ethelred lies dying and the England he knew dies with him; the warring kingdoms of Mercia, Wessex and Northymbria tremble on the brink of great change. One man lives to bear witness to the upheaval: Godwin, barely out of boyhood and destined to become one of his country’s great warriors.When Ethelred’s son Edmund takes the throne, determined to succeed where his father failed, he plucks Godwin from domestic peace to be right-hand man in his loyal shield wall. Godwin must traverse the meadows, wintry forests and fogbound marshes of Saxon England, raising armies of monks, ploughmen and shepherds against the Viking invader. With epic courage and ferocity, Godwin and Edmund repel the butchering Danes in three great battles. But an old enemy, the treacherous Earl Eadric, dogs Godwin’s footsteps, and as the final battle approaches, around the valiant English the trap begins to close.

    Warring kings rule over the British Isles, but the Church rules over the kings, threatening all who oppose them with damnation. Only the dreaded Vikings of Scandinavia do not fear the priests.Shef, the bastard son of a Norse raider and a captive English lady, is torn by divided loyalties and driven by strange visions that seem to come from Odin himself. A smith and warrior, he alone dares to imagine new weapons and tactics with which to carve out a kingdom--and launch an all-out war between....The Hammer and the Cross.

    Extensively researched and compellingly told, it introduces us to the passionate drama and violent upheaval of eleventh-century Europe. The world as we know it, and the English language, would have been vastly different were it not for the driving ambition of one man: William the Conqueror. But conquerors are made, not born, and William was made in fire and blood. How does a boy become a man, surviving a tumultuous and terrifying childhood? And how does that man become a legend? William Rising plunges us into this world of danger and betrayal, of choosing sides and dying for absolutes. It follows the creation of a conqueror, as he grows up abandoned, learns to fight at an early age for anything he hopes to keep, and is sculpted into a remorseless, far-sighted, ruthlessly efficient soldier and statesman. From his origins as an orphaned, penniless bastard boy, to his personal and political trials by fire, to the climactic battle with his rebellious barons where he finally comes of age, the young duke increasingly establishes himself as a force to be reckoned with. But as the shadowy intrigues of English politics, and the all-consuming question of an heir for a childless king, begin to draw him into their web, it may just be that William of Normandy has a destiny far greater than even he has ever dreamed.

    But by whom? And out of what?Max Adams scrutinizes the narrative handed down to us by later historians and chronicles, stripping away the most lurid nonsense about Arthur and synthesizing the research of the last forty years to tease out strands of reality from myth. His central theme evolves from an apparently simple question: how, after the end of the Roman state, were people taxed? Rejecting ethnic and nationalist explanations for the emergence of the Early Medieval kingdoms, Adams shows how careful use of a wide range of perspectives from anthropology to geography can deliver a picture of the emergence of distinct polities in the sixth century that survive long enough to be embedded in the medieval landscape, recorded in the lines of river, road and watershed and in place names.

    Now you can come out of that closet and proudly sing whatever you think you hear. Don't deny it! You know you've sung totally absurd lyrics in place of the real-and usually less interesting-ones. (It's nothing to ashamed of-most rock stars never took elocution classes.) Breeze through some of the world's most widely misinterpreted lyrics, including:"The ants are my friends/They're blowin' in the wind" ("The answer my friend/Is blowing' in the wind"-Bob Dylan)"Sweet dreams are made of cheese" ("Sweet dreams are made of this"-Eurythmics)"The girl with colitis goes by" ("The girl with kaleidoscope eyes"-The Beatles)Whether it's Eddie Vedder singing about "forty-five versions of a pelican" or Bruce Springsteen proclaiming "everybody's got a hungry horse," 'Scuse Me While I Kiss This Guy is sure to make you want to get your hearing checked.

    With the Norsemen murdering one king with arrows and torturing another to death by ripping out his lungs, the prospects that faced the kingdom of Wessex were bleak. Worse still, the Saxons were now led by a young man barely out of his teens who was more interested in God than fighting. Yet within a decade Alfred—the only English king known as the Great—had driven the Vikings out of half of England, and his children and grandchildren would unite the country a few years later. This period, popular with fans of television shows such as Vikings and The Last Kingdom, saw the creation of England as a nation-state, with Alfred laying down the first national law code, establishing an education system and building cities.Saxons vs. Vikings also covers the period before Alfred, including ancient Britain, the Roman occupation, and the Dark Ages, explaining important historical episodes such as Boudicca, King Arthur, and Beowulf.Perfect for newcomers to the subject, this is the second title in the new A Very, Very Short History of England series. If you’re trying to understand England and its history in the most informative and entertaining way possible, this is the place to start.

    Then his body is discovered. Her cousin Michael is found guilty of his murder and incarcerated in a secure psychiatric unit.Four years later, now divorced and back in the police force, Rachel discovers that Michael is being released to a less secure step-down unit, with his freedom a likely eventuality. Unable to cope with this, she decides upon revenge, assuming a new identity to hunt him down and kill him. However, as she closes in on her target, her friend Jonathan, a journalist, uncovers some unnerving information about her mother and others in her family and begins to suspect that Rachel’s perception of the truth might not be as accurate as she thinks – that she might be about to murder the wrong man…

    Magnus Magnusson’s indispensable study of this great people presents a rounded and fascinating picture of a nation who, in modern eyes, would seem to embody striking contradictions. They were undoubtedly pillagers, raiders, and terrifying warriors, but they were also great pioneers, artists, and traders—a dynamic people, whose skill and daring in their exploration of the world has left an indelible impression a thousand years on.

    She had to leave the comfortable home she had shared with Edward and their three children, now all grown-up, and move into a small flat in the middle of Bath. The dramatic change in her lifestyle threatened to overwhelm her. But gradually Naomi began to appreciate the changes, and even to enjoy them. For the first time in her life she could do what she liked, and make her own friends. If these included men friends - well, why not? Unfortunately her children could think of many reasons why not, and Naomi began a battle to establish her own independence, and to persuade her family that she had moved into the springtime of a whole new life. In this warm and inspiring new novel, Elvi Rhodes's wonderful storytelling skills are used to explore a dilemma faced by many women today.

    It is essential to understanding Hegel's philosophical system and why he remains a major figure in Western Philosophy.This GuideBook introduces and assesses: * Hegel's life and the background to the Phenomenology of Spirit* the ideas and the text of the Phenomenology of Spirit* the continuing importance of Hegel's work to philosophy.

    King Edward has no heir and promises never to produce one. There are no obvious successors available to replace him, but quite a few claimants are eager to take the crown. While power struggles break out between the various factions at court, enemies abroad plot to make England their own. There are raids across the borders with Wales and Scotland. Harold Godwinson, Earl of Wessex, is seen by many as the one man who can bring stability to the kingdom. He has powerful friends and two women who love him, but he has enemies who will stop at nothing to gain power. As 1066 begins, England heads for an uncertain future. It seems even the heavens are against Harold. Intelligent and courageous, can Harold forge his own destiny - or does he have to bow to what fates impose?