It offers fascinating descriptions of the geography, climate and peoples of the country, and a succinct account of the early stages of the Roman occupation, nearly fatally undermined by Boudicca's revolt in AD 61 but consolidated by campaigns that took Agricola as far as Anglesey and northern Scotland. The warlike German tribes are the focus of Tacitus' attention in the Germania, which, like the Agricola, often compares the behaviour of 'barbarian' peoples favourably with the decadence and corruption of Imperial Rome.

    Contenders Elias Tarsis and Marc Amary take their places at the board. The judges' implacable clock begins to tick, and a hush falls over the capacity crowd in Paris's Beaubourg Center Theater.But before the players can make their first moves, they are distracted by news of the kidnapping of a high-ranking Soviet diplomat. Tarsis—an artist and an intuitive genius—is convinced that his despised opponent—a world-renowned physicist—is behind the kidnapping. So begins the game, and so begins this darkly comic, metaphysical mystery novel—a European best-seller—by renowned avant-garde playwright Fernando Arrabal.As the players make their moves (diagrams of which are provided), and we learn how their lives have led them to this climactic moment, the chess match becomes a fierce, seriocomic contest of egos and ideologies. It is a struggle between a man of God and an anarchist, between art and science, between sex and spirit, between two powerful men and two brilliant chess players. It is also an opportunity for the irrepressible Arrabal to lead us on a hundred hilarious riffs—on leftist politics, Freudian psychology, religious philosophy, modern European history, and, of course, the game of chess. In the end, the players' lives, the hostage crisis, and the World Chess Championship climax in a series of twists and surprises that challenge our sympathies and our intellects.

    (Abridged from The Psychology of Art), will be forthcoming.

    In this timely and revealing book, Zachary Karabell traces the legacy of tolerance and cooperation from the advent of Islam to the present day.In an extraordinary narrative spanning fourteen centuries, Karabell introduces us to the court of the caliphs in Baghdad, where scholars of various faiths engaged in spirited debate. He evokes the wonders of medieval Spain, where Jewish sages, Muslim philosophers, and Christian monks together deciphered the meaning of God and the universe. He offers a portrait of the Crusades that goes beyond the rivalry of Saladin and Richard the Lionheart, and shows how Christians and Muslims lived side by side. And he paints a vivid picture of religious autonomy in the Ottoman Empire. As he explores the growing tensions of the modern era, Karabell traces the rise of Arab nationalism, the redrawing of the Middle East map in the wake of World War I, and the increased hostilities following the creation of the state of Israel. Through it all, he reminds us that dialogue and friendship have always punctuated times of war and discord. Today, while some Muslims, Christians, and Jews engage in confrontation, others—in Dubai, in Turkey, and around the globe—find common ground. Remembering the legacy of coexistence and recognizing its prevalence even today is a vital ingredient to a more stable, secure world.

    Mann's literary art."—Saturday Review of Literature"Thomas Mann wrote this engaging novella in a few weeks in 1943. (The new translation by Marion Faber and Stephen Lehmann, which is brisk and direct, is a welcome replacement of the fussier and less accurate English version done by Helen Lowe-Porter for the original publication.)…What is especially noteworthy about The Tables of the Law among Mann's fictions is its playfulness." —Robert Alter, London Review of Books"His senses were hot, and so he yearned for spirituality, purity, and holiness—the invisible, which seemed to him spiritual, holy, and pure."Thus Thomas Mann introduces Moses in The Tables of the Law, the Nobel Prize winner's retelling of the prophet's life. Invited in 1943 to write this story as a defense of the Decalogue, Mann reveals how strange and forbidding Moses' task was. As "the Lawgiver"—endowed with the wrists and hands of a stonemason—engraves the tablets, so he hews the souls of his people:"Into the stone of the mountain I carved the ABC of human behavior,but it shall also be carved into your flesh and blood, Israel…"Mann's tale of the ethical founding and molding of a people sharply rebukes the Nazis for their intended destruction of the moral code set down in the Ten Commandments. But does his famous irony and authorial license mock or enhance the Biblical account of the shaping of the Jewish people? You know the Bible story. Now read Mann's version—it will grip you anew.Newly translated from the German by Marion Faber and Stephen Lehmann."To present the foundation of law for half the world is no simple task. The Tables of the Law is a historical title following Moses as he is tasked by God to present the ten commandments, providing a human and much different insight on the role of Moses as the Prophet of God. Expertly translated, The Tables of the Law is a solid addition to any literary fiction collection."—Midwest Book ReviewThomas Mann (1875–1955) won the Nobel Prize for Literature in 1929. His many works include Buddenbrooks, The Magic Mountain, and Confessions of Felix Krull.Marion Faber and Stephen Lehmann co-authored a biography of the pianist Rudolf Serkin and have together translated Nietzsche's Human, All Too Human.Michael Wood is the Charles Barnwell Straut Class of 1923 Professor of English and Comparative Literature at Princeton University.

    He relates the arts to society instead of penning them in the study. As a judge, he is tolerant and undogmatic, but never slack in his standards. He is fair to all and gushes over none...This justice of approach is coupled with a mastery of phrase, which makes the writing lively without being exhibitionistic. Since its first appearance in 1940, A Short History of English Literature has served countless readers as a perceptive, reliable, and readable guide. This fourth edition < revised and extended to include major poets, dramatists, and novelists of the present day < provides an invaluable map to the vast field of English literature.

    Always controversial and hotly debated, national obsession and blonde bombshell Bardot led France to a new vision of femininity both on and off screen.

    Now available in English, this translation provides in striking and original language Fichte's exploration of the transcendental foundations of experience and knowing in ways that go beyond Kant and Reinhold and charts a promising, novel pathway for German Idealism. Through a close examination of this work one can see that Fichte's thought is much more than a way station between Kant and Hegel, thus making the case for Fichte's independent philosophical importance.The text is divided into two parts: a doctrine of truth or reason, and a doctrine of appearance. A central feature of the text is its performative dimension. Philosophy, for Fichte, is something we enact rather than any discursively expressible object of awareness; a philosophical truth is not expressible as a set of propositions but is a spontaneous inwardly occurring realization. Therefore, he always regards the expression of philosophy in words as strategic, aiming to ignite philosophy's essentially inward process and to arouse the event of philosophical insight.

    Professor James Holt presents evidence of crucial importance in identifying the original Robin Hood, as well as showing how the exploits of other outlaws contributed to the legend and giving an entirely new interpretation of Robin Hood's most famous characteristic--that he robbed the rich in order to give to the poor.

    At first it was suppressed by one of the Plantagenet kings of England. Later it was forgotten. I happened to dig it up by accident. The accident being the relationship of my wife's cousin to a certain Father Superior in a very ancient monastery in Europe. He let me pry about among a quantity of mildewed and musty manuscripts and I came across this. It is very interesting—partially since it is a bit of hitherto unrecorded history, but principally from the fact that it records the story of a most remarkable revenge and the adventurous life of its innocent victim—Richard, the lost prince of England.In the retelling of it, I have left out most of the history. What interested me was the unique character about whom the tale revolves—the visored horseman who—but let us wait until we get to him. It all happened in the thirteenth century, and while it was happening, it shook England from north to south and from east to west; and reached across the channel and shook France. It started, directly, in the London palace of Henry III, and was the result of a quarrel between the King and his powerful brother-in-law, Simon de Montfort, Earl of Leicester.Never mind the quarrel, that's history, and you can read all about it at your leisure

    In this illuminating Very Short Introduction, Roger Scruton--a well-known and controversial philosopher in his own right--tackles his exceptionally complex subject with a strong hand, exploring the background to Kant's work and showing why Critique of Pure Reason has proved so enduring.About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    In this pagan guidebook, Alaric Albertsson presents a complete introduction to Anglo-Saxon cosmology, deities, spirits, and rituals.Travels Through Middle Earth offers practical information about the Saxon Pagan path, including many ways to incorporate Saxon rituals into contemporary spiritual life. Discover the husel, a basic ritual for honoring personal ancestors, the Gods, and dwarves and elves. Learn how to set up a weofod, the Saxon altar, to connect with the Gods. Also covered in this handbook: the concept of wyrd and how it shapes your destiny, the holy tides and how to celebrate them, rites of passage, worship, magic, and even instructions for making mead.

    Now nearly fifty years after that re-edition, the book continues to occupy an important place in the literature of film. Arnheim’s method, provocative in this age of technological wizardry, was to focus on the way art in film was derived from that medium’s early limitations: no sound, no color, no three-dimensional depth.

    He was a Jew living in a Muslim world, a rationalist living in a time of superstition. Eight hundred years after his death, his notions about God, faith, the afterlife, and the Messiah still stir debate; his life as a physician still inspires; and the enigmas of his character still fascinate.Sherwin B. Nuland—best-selling author of How We Die—focuses his surgeon’s eye and writer’s pen on this greatest of rabbis, most intriguing of Jewish philosophers, and most honored of Jewish doctors. He gives us a portrait of Maimonides that makes his life, his times, and his thought accessible to the general reader as they have never been before.