This book has been designed for people who don't know how to pray yet or those who aren't sure whether they learned correctly or not. In this book you will learn the prayers by reading clear and simple descriptions of what to do along with pictures to make sure you understood correctly. One of the unique features of this book is that it doesn't limit itself to teaching the rituals behind the prayer only. Rather, there is an entire chapter dedicated to learning the meanings behind each statement and action in the prayer.

    Originally written 30 years ago to correct abuses he saw occurring in covens, Buckland offered Wiccan seekers an introductory text on Saxon witchcraft or SeaxWicca, which can be practiced alone. Buckland presents meticulously researched information on the time-honored tradition of Saxon witchcraft. He writes cogently and informatively about the history, mythology, spiritual practices, and witchcraft of Saxon England.Buckland's Book of Saxon Witchcraft includes everything the solitary witch needs to practice SeaxWicca, including:Descriptions of the Saxon deities and explanations of their primary beliefsAn introduction to the magical runic Saxon alphabetA selection of original Pagan songsA selection of Seax-Wiccan recipes for intoxicantsInstructions for initiation ceremonies, the eight Sabbats, marriage, birth, and death ritesAn explanation of the art and practice of Saxon Galdra or magic and the divination and herbal lore used for protection, love potions, and healingThe Seax-Wicca Rite of Self-Dedication, which allows individuals to form their own covens and initiate themselves into the Craft.An indispensable handbook for solitary witches or for witches in covens who want to explore Saxon witchcraft. Originally published as The Tree: The Complete Book of Saxon Witchcraft, this edition offers a new introduction by the author to guide a new generation of witches into the art and practice of Seax-Wicca.

    Random violence, mass migration, disease, and starvation were the only way of life. This is the picture of the Dark Ages that most historians promote. But archaeology tells a different story. Peter S. Wells, one of the world's leading archaeologists, surveys the archaeological record to demonstrate that the Dark Ages were not dark at all. The kingdoms of Christendom that emerged starting in the ninth century sprang from a robust, previously little-known, European culture, albeit one that left behind few written texts. This recently recognized culture achieved heights in artistry, technology, craft production, commerce, and learning. Future assessments of the period between Rome and Charlemagne will need to incorporate this fresh new picture.

    I had the urge to poison a monk.' Along the way, it touches on bad books, ideal readers, historical form, and the metaphysics of the detective story.

    This book is a brief introduction to the political, social, religious, and cultural history of Anglo-Saxon England and it is the mostcomprehensive and authoritative short guide to the Anglo-Saxon age available.

    Kiberd explains that Joyce's book offers a democratic model for living well under the pressures of the modern world.

    This updated and expanded second edition includes a new preface and an appendix containing new translations of six tales, along with commentary by Maria Tatar. Throughout the book, Tatar skillfully employs the tools not only of a psychoanalyst but also of a folklorist, literary critic, and historian to examine the harsher aspects of these stories. She presents new interpretations of the powerful stories in this worldwide best-selling book. Few studies have been written in English on these tales, and none has probed their allegedly happy endings so thoroughly.

    This first English edition has taken its place as a core text of contemporary sociology alongside earlier typifications of society as postindustrial and current debates about the social dimensions of the postmodern.Underpinning the analysis is the notion of the `risk society′. The changing nature of society′s relation to production and distribution is related to the environmental impact as a totalizing, globalizing economy based on scientific and technical knowledge becomes more central to social organization and social conflict.

    The sheer number of false rumors and downright lies disseminated about the man and his films is truly astonishing. Yet Herzog's body of work is one of the most important in postwar European cinema. His international breakthrough came in 1973 with Aguirre, The Wrath of God, in which Klaus Kinski played a crazed Conquistador. For The Enigma of Kaspar Hauser, Herzog cast in the lead a man who had spent most of his life institutionalized, and two years later he hypnotized his entire cast to make Heart of Glass. He rushed to an explosive volcanic Caribbean island to film La Soufrière, paid homage to F. W. Murnau in a terrifying remake of Nosferatu, and in 1982 dragged a boat over a mountain in the Amazon jungle for Fitzcarraldo. More recently, Herzog has made extraordinary "documentary" films such as Little Dieter Needs to Fly. His place in cinema history is assured, and Paul Cronin's volume of dialogues provides a forum for Herzog's fascinating views on the things, ideas, and people that have preoccupied him for so many years.

    The greatly esteemed essayist, novelist, and philosopher reflects on the art of translation and on Rainer Maria Rilke's Duino Elegies and gives us his own translation of Rilke's masterwork.

    Perfect for fans of A Streetcat Named Bob and Alfie the Doorstep Cat.But what could I do? I was just a little cat and nobody ever listened to me. I made a promise to myself that I’d do everything I possibly could to save her, whatever the danger to me, and no matter how many lives I lost in the process...Charlie the kitten would do anything for his human. Having just recovered from a debilitating illness, eleven-year-old Caroline isn’t feeling her best, and the arrival of a new baby only makes her feel even more left out.So when Caroline decides to run away, Charlie follows, vowing to protect her at all costs. But for such a little kitten, it’s a big and scary world outside the comfort of the cottage – how far will he go to save his greatest friend?

    

    Bly's thesis is that great works of art contain leaps within themselves: 'A poet who is leaping makes a jump from an object soaked in unconscious substance to an object or idea soaked in conscious psychic substance.' The greatest works of art carry the richest associations between the conscious and unconscious, and Bly notes with pleasure the resurgence of abundant leaping in modern poetry.

    Quintus Tullius, a young standard bearer for the Ninth Roman legion, vows to properly bury his grandfather who had been killed by the Druids. In the strange foreign country of the Britons, Quintus meets lovely Regan, the mysterious foster daughter of the Warrior Queen of the Iceanians. Once, he saves her, and then in a daring scene, she rescues him. They are at once bound into history in a time of magic and mystery.

    Illuminations includes Benjamin's views on Kafka, with whom he felt the closest personal affinity, his studies on Baudelaire and Proust (both of whom he translated), his essays on Leskov and on Brecht's Epic Theater. Also included are his penetrating study on "The Work of Art in the Age of Mechanical Reproduction," an illuminating discussion of translation as a literary mode, and his thesis on the philosophy of history. Hannah Arendt selected the essays for this volume and prefaces them with a substantial, admirably informed introduction that presents Benjamin's personality and intellectual development, as well as his work and his life in dark times. Reflections the companion volume to this book, is also available as a Schocken paperback.Unpacking My Library, 1931The Task of the Translator, 1913The Storyteller, 1936Franz Kafka, 1934Some Reflections on Kafka, 1938What Is Epic Theater?, 1939On Some Motifs in Baudelaire, 1939The Image of Proust, 1929The Work of Art in the Age of Mechanical Reproduction, 1936Theses on the Philosophy of History, written 1940, pub. 1950