That Wagner is in love with the world and its transactions--perceptions, superficial and otherwise; childbearing, painful and otherwise; gains, financial and otherwise--allows for a poetry that is full of song yet brazenly topical.

    Why? Because the willingness to be offensive sets free the ruthless observer in all of us, the spiteful perceptive angel who sees and tells, unimpeded by nicety or second thoughts. There is truth-telling, and more, in meanness. —from "Negative Capability: How to Talk Mean and Influence People"Tony Hoagland has won The Poetry Foundation's Mark Twain Award, recognizing a poet's contribution to humor in American poetry, and also the Folger Shakespeare Library's O. B. Hardison Jr. Poetry Prize, the only major award that honors a poet's excellence in teaching. Real Sofistikashun, from the title onward, uses Hoagland's signature abilities to entertain and instruct as he forages through central questions about how poems behave and how they are made.In these taut, illuminating essays, Hoagland explores aspects of poetic craft—metaphor, tone, rhetorical and compositional strategies—with the vigorous, conversational style less of the scholar than of the serious enthusiast and practitioner. Real Sofistikashun is an exciting, humorous, and provocative collection of essays, as pleasurable a book as it is useful.

    In a world beset by critical problems and ambiguous boundaries, Fred Ritchin argues that it is time to begin energetically exploring the possibilities created by digital innovations and to use them to better understand our rapidly changing world.Ritchin—one of our most influential commentators on photography—investigates the future of visual media as the digital revolution transforms images into a hypertextual medium, fundamentally changing the way we conceptualize the world. Simultaneously, the increased manipulation of photographs makes photography suspect as reliable documentation, raising questions about its role in recounting personal and public histories. In the tradition of John Berger and Susan Sontag, Ritchin analyzes photography's failings and reveals untapped potentials for the medium.

    The Foot Soldier brings you to the hell of jungle combat. Close your eyes and this novella takes you there. It conveys the terror and brutality of jungle warfare and their effect on the American riflemen--those who bore the greatest burden. It's every bit as compelling as The Things They Carried.

    Carmine Sarracino and Kevin Scott argue that porn has seeped into and been absorbed by every defining aspect of our culture: language, entertainment, fashion, advertising, sexual behavior, even politics. Cultural absorption is so complete that we no longer have to purchase pornography to get porn because we increasingly live porn on a daily basis.In tracing porn's transformation-from the Civil War to the golden age of comic books in the 1940s and 1950s to the adult film industry's golden decade of the 1970s and up to today-the authors illustrate that what began in the dark alleys of American life has now emerged as an unapologetic multibillion-dollar industry. In this astonishingly comprehensive book, Sarracino and Scott profile such "porn exemplars"-those who have been pivotal to the mainstreaming of porn-as Russ Meyer, Snoop Dogg, Jenna Jameson, and Paris Hilton; they document how mainstream advertising uses porn culture to sell commercial goods now to an even younger, "tween" audience; and they pose crucial questions: How has porn shaped the way we view our own and others' bodies? Sarracino and Scott examine porned advertising of everything from Clinique to Orbit gum to Old Spice. How has porn influenced our relationships and how do current sexual behaviors, such as the "hookup," mimic porn? The authors look to MySpace and Craigslist for answers. And how does porn shape our identity, as individuals and as a nation? Sarracino and Scott argue that the mistreatment of prisoners at Abu Ghraib exposed our porned sensibilities.Not an anti-porn diatribe, The Porning of America is resolutely pro-sex. Sarracino and Scott contend that, to make the most of our hard-won sexual freedom, we must thoughtfully-and honestly-evaluate what might be liberating about porn as well as what might be damaging. Nuanced, timely, and urgent, The Porning of America will change how you see the world around you.

    . . It's what Marcus calls 'the old, weird America.'" This odd terrain, this strange yet familiar backdrop to our common cultural history--which Luc Sante (in New York magazine) termed the "playground of God, Satan, tricksters, Puritans, confidence men, illuminati, braggarts, preachers, anonymous poets of all stripes"--is the territory that Marcus has discovered in Dylan's most mysterious music. And his analysis of that territory "reads like a thriller" (Ken Tucker, Entertainment Weekly) and exhibits "a mad, sparkling brilliance" (David Remnick, The New Yorker) throughout. This new edition of The Old, Weird America includes an updated discography.

    . . not for the obliquities and tenuosities of fiction.” Still, the novelist’s shaping hand, his gift for telling detail, can be detected in many of these literary considerations. Books by Edith Wharton, Dawn Powell, John Cheever, and Vladimir Nabokov are incisively treated, as are biographies of Isaac Newton, Abraham Lincoln, Queen Elizabeth II, and Helen Keller. As George Steiner observed, Updike writes with a “solicitous, almost tender intelligence. The critic and the poet in him . . . are at no odds with the novelist; the same sharpness of apprehension bears on the object in each of Updike’s modes.”

    Under the headline: “Experts in authoritarianism advise to keep a list of things subtly changing around you, so you'll remember,” Siskind's “Weekly List” began as a project she shared with friends, but it soon went viral and now has more than half a million viewers every week.Compiled in one volume for the first time, The List is a first draft history and a comprehensive accounting of Donald Trump's first year. Beginning with Trump's acceptance of white supremacists the week after the election and concluding a year to the day later, we watch as Trump and his regime chips away at the rights and protections of marginalized communities, of women, of us all, via Twitter storms, unchecked executive action, and shifting rules and standards. The List chronicles not only the scandals that made headlines but just as important, the myriad smaller but still consequential unprecedented acts that otherwise fall through cracks. It is this granular detail that makes The List such a powerful and important book.For everyone hoping to #resistTrump, The List is a must-have guide to what we as a country have lost in the wake of Trump's election. #Thisisnotnormal

    In these highly individual, penetrating essays he has exposed 'the American whole soul' within some of that continent's major works of literature. In seeking to establish the status of writings by such authors as Poe, Melville, Fenimore Cooper and Whitman, Lawrence himself has created a classic work. Studies in Classic American Literature is valuable not only for the light it sheds on eighteenth- and nineteenth-century American consciousness, telling 'the truth of the day', but also as a prime example of Lawrence's learning, passion and integrity of judgement.

    One of America's leading essayists, Sontag's writings are commentaries on the relation between moral and aesthetic ideas, discussing the works of Antonin Artaud, Leni Riefenstahl, Elias Canetti, Walter Benjamin, and others. The collection includes a variety of her well-known essays. In "Fascinating Fascism", Sontag eviscerates Leni Riefenstahl's attempts to rehabilitate her image after working for Adolf Hitler on propaganda films during World War II. "Approaching Artaud" reflects on the work and influence of French actor, director, and writer Antonin Artaud. The title essay is a study of the life and temperament of Walter Benjamin, who Sontag describes as a sad and lonesome man. The book also includes the essays "On Paul Goodman", "Syberberg's Hitler", "Remembering Barthes", and "Mind as Passion". Susan Sontag's writings are famously full of intellectual range and depth, and are at turns exhilarating, ominous, disturbing, and beautiful. Under the Sign of Saturn manages to touch on all of these notes and more.

    This full-length collection includes individual lyric poems as well as a previously published chapbook Sea Lyrics and a new collaborative piece "Dumb Duke Death" with illustrations by Jennifer Jarnot.

    As only she can, Jefferson reads between the lines of Jackson’s 1998 autobiography as well as published accounts of his childhood, his family, and Motown—where Michael and his brothers first made the Jackson 5 a household name—leaving us with provocative and perhaps unanswerable questions about Jackson, child stardom, and fame itself.

    As a book critic for The Washington Post, Carlos Lozada has read some 150 volumes claiming to diagnose why Trump was elected and what his presidency reveals about our nation. Many of these, he’s found, are more defensive than incisive, more righteous than right. In What Were We Thinking, Lozada uses these books to tell the story of how we understand ourselves in the Trump era, using as his main characters the political ideas and debates at play in America today. He dissects works on the white working class like Hillbilly Elegy; manifestos from the anti-Trump resistance like On Tyranny and No Is Not Enough; books on race, gender, and identity like How to Be an Antiracist and Good and Mad; polemics on the future of the conservative movement like The Corrosion of Conservatism; and of course plenty of books about Trump himself. Lozada’s argument is provocative: that many of these books—whether written by liberals or conservatives, activists or academics, Trump’s true believers or his harshest critics—are vulnerable to the same blind spots, resentments, and failures that gave us his presidency. But Lozada also highlights the books that succeed in illuminating how America is changing in the 21st century. What Were We Thinking is an intellectual history of the Trump era in real time, helping us transcend the battles of the moment and see ourselves for who we really are.

    P. Lovecraft's stories includes 52 short stories and novellas all in one Kindle book. This edition has a fully linked active Table of Contents, with date written for each story and novella on the title pages. Table of ContentsThe Alchemist (1916)The Beast in the Cave (1918)Beyond the Wall of Sleep (1919)Dagon (1919)Memory (1919)The Picture in the House (1919)The White Ship (1919)The Cats of Ulthar (1920)The Doom That Came to Sarnath (1920)Nyarlathotep (1920)Polaris (1920)The Statement of Randolph Carter (1920)The Street (1920)Ex Oblivione (1921)Facts Concerning the Late Arthur Jermyn and His Family (1921)The Nameless City (1921)The Terrible Old Man (1921)The Tree (1921)Celephais (1922)The Music of Erich Zann (1922)The Tomb (1922)Hypnos (1923)The Lurking Fear (1923)I. The Shadow On The ChimneyII. A Passer In The StormIII. What The Red Glare MeantIV. The Horror In The EyesWhat the Moon Brings (1923)In the Vault (1925)He (Weird Tales, 1926)The Moon-Bog (Weird Tales, 1926)The Colour Out of Space (1927)The Horror at Red Hook (Weird Tales, 1927)Pickman's Model (Weird Tales, 1927)Cool Air (1928)The Call of Cthulhu (Weird Tales, 1928)I. The Horror In ClayII. The Tale of Inspector LegrasseIII. The Madness from the SeaThe Dunwich Horror (Weird Tales 1929)The Silver Key (Weird Tales, 1929)The Strange High House in the Mist (Weird Tales, 1931)The Whisperer in the Darkness (Weird Tales, 1931)The Other Gods (1933)The Dreams in the Witch House (Weird Tales, 1933)From Beyond (1934)The Quest of Iranon (1935)The Haunter of the Dark (Weird Tales, 1936)The Shadow out of Time (Astonishing Stories, 1936)The Shunned House (Weird Tales, 1937)The Thing on the Doorstep (Weird Tales, 1937)Azathoth (1938)The Book (1938)The Descendant (1938)The Evil Clergyman (Weird Tales, 1939)The Case of Charles Dexter Ward (Weird Tales, 1941)I. A Result and a PrologueII. An Antecedent and a HorrorIII. A Search and an EvocationIV. A Mutation and a MadnessV. A Nightmare and a CataclysmThe Shadow over Innsmouth (Weird Tales, 1942)The Dream-Quest of Unknown Kadath (The Arkham Sampler, 1948)

    Frank Stanford was called by Pulitzer Prize-winning writer Alan Dugan a brilliant poet, ample in his work, like Whitman. He was the founder of Lost Roads Publishers and the author of a number of important works, among them the epic THE BATTLEFIELD WHERE THE MOON SAYS I LOVE YOU, reprinted by Lost Roads under the editorship of Forrest Gander and C.D. Wright. Frank Stanford said his purpose in his writing and with his press was to 'reclaim the landscape of American poetry' - The Arkansas Times. Stanford ended his own life in 1978 when he was 29. The reprinting of this major book is a truly important, much anticipated literary event.