Slower this time, taking in the details of everyone's faces. I began to play the game I'd played my whole life: spot the black person. Of course, I wish it didn't matter what I looked like or where I came from, but it was obvious that no one there looked like me.'Alexandra is 25, mixed-race and from Essex. As a trainee criminal barrister, she finds herself navigating a world and a set of rules designed by a privileged few. This is her story.We follow Alexandra through a criminal justice system still divided by race and class. We hear about the life-changing events that motivated her to practice criminal law, beginning with the murder of a close family friend and her own experiences of knife crime. She shows us how it feels to defend someone who hates the colour of your skin or someone you suspect is guilty, and the heart-breaking cases of youth justice she has worked on. We see what it's like for the teenagers coerced into county line drug deals and the damage that can be caused when we criminalise teenagers.Her story is unique in a profession still dominated by a privileged section of society with little first-hand experience of the devastating impact of violent crime.

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    Too sensitive, or not sensitive enough. Too dowdy or too made-up. Too big or too thin. Sluts or prudes. We are harassed, told we are asking for it, and asked if it would kill us to smile. Yes, yes it would.Contrary to the rhetoric of popular “self-help” and an entire lifetime of being told otherwise, our rage is one of the most important resources we have, our sharpest tool against both personal and political oppression. We’ve been told for so long to bottle up our anger, letting it corrode our bodies and minds in ways we don’t even realize. Yet our anger is a vital instrument, our radar for injustice and a catalyst for change. On the flip side, the societal and cultural belittlement of our anger is a cunning way of limiting and controlling our power.We are so often told to resist our rage or punished for justifiably expressing it, yet how many remarkable achievements in this world would never have gotten off the ground without the kernel of anger that fueled them? Rage Becomes Her makes the case that anger is not what gets in our way, it is our way, sparking a new understanding of one of our core emotions that will give women a liberating sense of why their anger matters and connect them to an entire universe of women no longer interested in making nice at all costs.Following in the footsteps of classic feminist manifestos like The Feminine Mystique and Our Bodies, Ourselves, Rage Becomes Her is an eye-opening book for the twenty-first century woman: an engaging, accessible credo offering us the tools to re-understand our anger and harness its power to create lasting positive change.

    Once a dirty word brushed away with a grimace, "feminist" has been rebranded as a shiny label sported by movie and pop stars, fashion designers, and multi-hyphenate powerhouses like Beyoncé It drives advertising and marketing campaigns for everything from wireless plans to underwear to perfume, presenting what's long been a movement for social justice as just another consumer choice in a vast market. Individual self-actualization is the goal, shopping more often than not the means, and celebrities the mouthpieces. But what does it mean when social change becomes a brand identity? Feminism's splashy arrival at the center of today's media and pop-culture marketplace, after all, hasn't offered solutions to the movement's unfinished business. Planned Parenthood is under sustained attack, women are still paid 77 percent -- or less -- of the man's dollar, and vicious attacks on women, both on- and offline, are utterly routine. Andi Zeisler, a founding editor of Bitch Media, draws on more than twenty years' experience interpreting popular culture in this biting history of how feminism has been co-opted, watered down, and turned into a gyratory media trend. Surveying movies, television, advertising, fashion, and more, Zeisler reveals a media landscape brimming with the language of empowerment, but offering little in the way of transformational change. Witty, fearless, and unflinching, We Were Feminists Once is the story of how we let this happen, and how we can amplify feminism's real purpose and power.

    It presents a multidisciplinary collection of academic essays and analyses, personal narratives, and fiction and poetry about women's lives. The selections illustrate the variety of women's experiences, primarily in the United States, considering both commonalities and differences among women and appreciating women's diverse approaches to living and fostering change.

    Somewhere between the exhilarating rise of Girl Power in the 1990s and today, the pursuit of physical perfection has been recast as the source of female empowerment. And commercialization has spread the message faster and farther, reaching girls at ever-younger ages. But how dangerous is pink and pretty, anyway? Being a princess is just make-believe; eventually they grow out of it . . . or do they?In search of answers, Peggy Orenstein visited Disneyland, trolled American Girl Place, and met parents of beauty-pageant preschoolers tricked out like Vegas showgirls. The stakes turn out to be higher than she ever imagined. From premature sexualization to the risk of depression to rising rates of narcissism, the potential negative impact of this new girlie-girl culture is undeniable—yet armed with awareness and recognition, parents can effectively counterbalance its influence in their daughters' lives.

    The man and woman in these poems are husband and wife, custodians of ordinary, aging human love. They are not figures in a love poem. Time is their essential witness, and not their destroyer. A New York Times Notable Book and a Newsday Favorite Book of 2001.

    When Sudha Murthy went to perform the shraddha for her father, she was turned away, because she was a woman. "No woman has ever performed this ritual," the pandit said. Sudha Murty questions the importance of meaningless ritual while still being devoted to tradition - what does it mean to be a religious woman in the 21st century? A searching and powerful piece on reaching a balance between old and the new as a woman.

    Although the word suggests companionship and commitment, it’s weighted with the knowledge that marriage is a male-dominated institution in which women have been subservient for centuries. In this provocative collection of essays, writers in their twenties and thirties discuss how they’re navigating the waters of sanctified long-term relationships. Juhu Thukral speaks of marrying to please her traditional Indian parents; Rachel Fudge wonders whether alternative ceremonies can lead to greater equality in marriage; Kate Epstein tries to balance motherhood with a career; Kristy Harcourt, a lesbian, discusses her ambivalence about marriage ceremonies; and Leslie Miller struggles with being identified as half of a couple.

    Biographer Marlene Wagman Geller gathers them all in this enchanting look at the lives and the gilded lives of wealthy women.

    It distills the wisdom and insight of the New York Times bestselling See Jane Win, based on a three-year survey of a thousand women of achievement who reflect on their upbringing. Noted child psychologist and NBC Today correspondent Dr. Sylvia Rimm, who conducted the research with the help of her own daughters, emphasizes self-esteem, education, and healthy competition to help young women achieve fulfillment and success.

    Although long neglected, the four plays collected in this critical edition reveal the thoroughly modern nature of her concerns. Trifles (1916) develops a feminist critique of social role, while The Outside (1917) stages a debate between the life force and a perverse celebration of death. In The Verge (1921), Glaspell presented an experimental work of considerable proportions, more daring in many ways than anything attempted by O'Neill. And though Inheritors (1921) is far more conventional, it nonetheless questions the nature and reality of American pieties. Long known for a single play, Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative innovation.

    Kathy Kinney (best known as Mimi on The Drew Carey Show) and Cindy Ratzlaff (marketing genius behind the launch of The South Beach Diet) have been best friends for more than thirty years, and have helped each other navigate the ups and downs of their lives with humor and grace.In this entertaining and inspiring book, they share the tried-and-true techniques they call "the seven best gifts a woman can give herself." They reveal how they learned to value themselves just the way they are—women in full bloom, sensual, vibrant, wise and more beautiful than ever—and they'll show you how you can, too.With these seven gifts you'll discover how to:• Claim your beauty and feel your power• Clean your mental closet and find your queen voice • Admire yourself for who you've become• Build deep, fulfilling friendships with other women• Establish firm boundaries that will strengthen all your relationships• Learn the simple trick to finally being happy • Place the crown firmly on your headWith humor, comfort and inspiration, Queen of Your Own Life offers easy step-by-step actions to blast away at the societal tall tale that young is beautiful and old is just old. If you've been feeling that the best part of your life may be behind you, then this book will prove to you just how untrue that is, and that the door to being happy is not only never closed, but just waiting for you to fling it open. Remember, you don't have to be twenty to have your whole life ahead of you. Now is the time to become Queen of Your Own Life!

    She was flirting. She was drinking. She was wearing a revealing dress. She was too confident. She walked home alone. She stayed in that relationship. She was naïve. She didn’t report soon enough. She didn’t fight back. She wanted it. She lied about it. She comes from a bad area. She was vulnerable. She should have known. She should have seen it coming. She should have protected herself.Victim blaming of women is prevalent and normalised in society.What causes us to blame women who have been abused, raped, trafficked, assaulted or harassed by men? Why are we uncomfortable with placing all of the blame on perpetrators for their crimes against women?Based on three years of doctoral research and ten years of practice with women and girls, Dr Jessica Taylor explores the many reasons we blame women for male violence committed against them. Written in her unique style and backed up by decades of evidence, this book exposes the powerful forces in society and individual psychology which compel us to blame women subjected to male violence.

    Described by The New York Times as "the voice that has for three decades provided a lyrical narrative of the changing position of women in American society", Alix Kates Shulman takes a wry look in this sardonic, funny novel at a world of experience long considered taboo or trivial. As relevant and delicious as ever, this frank story of one woman's intellectual and sexual awakening is so superbly written and devastatingly -- sometimes frighteningly -- on target that readers will treasure this beauty for many years to come.