He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs; following the life of a bar dancer raised amid poverty and abuse; opening the door into the inner sanctums of Bollywood; and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks.

    He is unhurt, but emotionally scarred. Haunted by the blast for many days, he seeks redemption. One day, while wandering near the blast site, he finds a half-burnt diary, written by someone who died on that fateful day.The burnt diary entrusts Deb with a strange responsibility - the last words of a dead man.Shrey, his best buddy since college, and Avantika, his girlfriend, unknowingly join him on his road trip, as he tries to put together the pieces of the dead guy's intriguing story.

    The usually venerated characters of this ancient Indian epic are here subjected to a rational enquiry that places them in context, unravels their hopes and fears, and imbues them with wholly human motives, thereby making their stories relevant and astonishing to contemporary readers. Irawati Karve, thus, presents a delightful collection of essays, scientific in spirit, yet appreciative of the literary tradition of the Mahabharata. She challenges the familiar and formulates refreshingly new interpretations, all the while refusing to judge harshly or venerate blindly.

    Fourteen well-crafted stories give us a sense of the daily life of a wide cast of characters. Hasan's protagonists are, as always, inward-looking, and whimsical and vulnerable outliers. Where is their place in the new order, where have they come from and where are they going?Quietly devastating, subtly subversive and wonderfully wry, Hasan is a home-grown talent whose stories are increasingly the good address for authentic Indian fiction.

    But when their firstborn son dies in a terrible accident, tragedy transforms their marriage into a bleak landscape. As the pair starts fresh in a heartbroken old villa by the sea, they are joined by Nandini, a dazzling and devious artist with a trace of leopard blood in her veins. While Nandini flamboyantly takes on Bombay’s art scene, the couple attempts to mend their marriage, eventually discovering that real love, mercurial and many-hued, is given and received in silence. Sensuous and electric, achingly moving and wickedly funny, The Last Song of Dusk is a tale of fate that will haunt your heart like an old and beloved song.“A cornucopia of life at full tilt and high color . . . Shanghvi–who’s been compared to Arundhati Roy, Zadie Smith, and Vikram Seth–combines ribald humor with prose poetry.”–Sunday Oregonian“Few first novelists achieve such perfection, such control, in their performance.”–India Today“A gorgeous novel . . . written with a youthful twinkling eye.”–Los Angeles Times Book Review“Lush, witty . . . sassy prose . . . moves like a carnival ride.”–San Francisco Chronicle

    Bhyrappa. Aavarana means enveloping or covering something. This novel deals with the historical period in Indian history when the Mogul Emperor Aurangzeb ruled most part of India. Aavarana was sold out even before its release in February 2007. The novel went on to create a record in the Indian literary world by witnessing 10 reprints within five months of its release. S.L.Bhyrappa says that 'Aavarana' is the result of his search for truth about history.

    This novel tells the story of the atmosphere in the small house where they live. Chaudhuri writes precisely and carefully trying to capture in the rhythms of his prose the faded happiness of things, the strange, pure remembered moments

    In this captivating work of fantasy from the author of Midnight’s Children and The Enchantress of Florence, Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way, he encounters many foes, all intent on draining the sea of all its storytelling powers.

    Over the summer, Nehru wrote her a series of letters in which he told her the story of how and when the earth was made, how human and animal life began, and how civilizations and societiesevolved all over the world.Written in 1928, these letters remain fresh and vibrant, and capture Nehru's love for people and for nature, whose story was for him 'more interesting than any other story or novel that you may have read'.

    The story reflects the social, political and religious scene in Bengal at the turn of the century. The forces that were operating in Bengal at that time were one of the intense nationalism and revival of ancient spiritual values and also that of liberal western thought. What makes Gora a great prose epic is not only its social content but also its brilliant story of self-searching, of resolution, of conflicts and of self discovery.

    It is written around 200BC by the great Hindu Scholar Pandit Vishnu Sharma. Panchatantra means "the five books". It is a "Nitishastra" which means book of wise conduct in life. The book is written in the form of simple stories and each story has a moral and philosophical theme which has stood the test of time in modern age of atomic fear and madness. It guides us to attain success in life by understanding human nature. Panchatantra is commonly available in an abridged form written for children. Here is the complete translation of the book as written by Vishnu Sharma.

    What is it that we as a nation are missing? At the heart of the book is the belief that the people of a nation have the power, by dint od hard work, to realize their dream of a truly good life. Lalam takes up different issues and themes that struck him on his pilgrimage around the country as he met thousands of schoolchildren, teachers, scientists saints and seers in the course of two years. The result is a book that motivates usto get back on the winning track and unleash the energy within a nation that has not allowed itself full rein. Ignited minds will fire the minds of the young to whom it is promarly addressed Khuswant Singh in Outlook.

    Here, lives intertwine and unravel. A widower struggles with his love for an unmarried cousin. Bakul, a motherless daughter, runs wild with Mukunda, an orphan of unknown caste adopted by the family. Confined in a room at the top of the house, a matriarch goes slowly mad; her husband searches for its cause as he shapes and reshapes his garden. As Mukunda and Bakul grow, their intense closeness matures into something else, and Mukunda is banished to Calcutta. He prospers in the turbulent years after Partition, but his thoughts stay with his home, with Bakul, with all that he has lost—and he knows that he must return.

    As the action spirals up through the floors of the building, the dramas of the residents' lives unfold: Mr. Jalal's obsessive search for higher meaning; Vinod Taneja's longing for the wife he has lost; the comic elopement of Kavita Asrani, who fancies herself the heroine of a Hindi movie.Suffused with Hindu mythology, this story of one apartment building becomes a metaphor for the social and religious division of contemporary India, and Vishnu's ascent of the staircase parallels the sours progress through the various stages of existence. As Vishnu closes in on the riddle of his own mortality, he begins to wonder whether he might not be the god Vishnu, guardian not only of the fate of the building and its occupants, but of the entire universe.

    Until her bossy grandmother shows up and announces that it is Jinni’s 'duty' to drop everything and come and contest the upcoming Lok Sabha elections from their sleepy hometown, Bittora.Of course Jinni swears she won't. But she soon ends up swathed in cotton saris and frumpy blouses, battling prickly heat, corruption and accusations of nymphomania as candidate Sarojini Pande, a daughter of the illustrious Pande dynasty of Pavit Pradesh. And if life isn’t fun enough already, her main opposition turns out to be Bittora ex-royal,Zain Altaf Khan – an irritatingly idealistic though undeniably lustworthy individual with whom Jinni shares a complicated history…Enlivened by Chauhan’s characteristic brand of wicked humour and sexy romanticism, this is a rollicking new tale of young India.