Over ten years, Alzheimer’s had steadily eroded this erudite man into a paranoid lunatic. Surely one’s own father passing should never come as such a relief.Both medical professionals, Kay and her husband Cyril have seen too many elderly patients in similar states of decay. Although healthy and vital in their early fifties, the couple fears what may lie ahead. Determined to die with dignity, Cyril makes a modest proposal. To spare themselves and their loved ones such a humiliating and protracted decline, they should agree to commit suicide together once they’ve both turned eighty. When their deal is sealed, the spouses are blithely looking forward to another three decades together.But then they turn eighty.By turns hilarious and touching, playful and grave, Should We Stay or Should We Go portrays twelve parallel universes, each exploring a possible future for Kay and Cyril. Were they to cut life artificially short, what would they miss out on? Something terrific? Or something terrible? Might they end up in a home? A fabulous luxury retirement village, or a Cuckoo’s Nest sort of home? Might being demented end up being rather fun? What future for humanity awaits—the end of civilization, or a Valhalla of peace and prosperity? What if cryogenics were really to work? What if scientists finally cure aging?Both timely and timeless, Lionel Shriver addresses serious themes—the compromises of longevity, the challenge of living a long life and still going out in style—with an uncannily light touch. Weaving in a host of contemporary issues, from Brexit and mass migration to the coronavirus, Shriver has pulled off a rollicking page-turner in which we never have to mourn perished characters, because they’ll be alive and kicking in the very next chapter.

    A former NYPD cop, she now lives in London making million-dollar book deals while trying to make partner at her firm . . . all the while sleeping with the boss man. Lily Wright is an author who believes in karma, and is waiting for the sky to fall after stealing her former best friend's man. Though her first book failed to sell, her life turns upside down when her most recent book becomes a huge bestseller. Gemma Hogan is an event designer extraordinaire, but her personal life is nonexistent after losing the love of her life and her best friend in one fell swoop. To make matters worse, her father has just left her mother. While taking care of her mother, she e-mails a close colleague about her frustrations, who in turn forwards the hilarious e-mails to a famous literary agent named Jojo Harvey, who just happens to represent her former friend, now enemy, Lily Wright. . . . Written in the charming and chatty voice that has become Marian Keyes's signature style, this hilarious and heartwarming novel proves there are three sides to every story . . . especially in the world of publishing!

    When Alden’s holiday-weekend sparklers and firecrackers set off what over the next few years comes to be known as the Fourth of July Arms Race, he learns how far he and the Massimos will go to win an annual neighborly rivalry—one that lands Alden in the Castle County jail.Read by beloved Down East storyteller Tim Sample—praised by Stephen King for his “wit and talent and good-heartedness”—Drunken Fireworks makes for explosive audio listening.

    But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s most subtlest and effective achievement to date.

    . .Nombeko Mayeki was never meant to be a hero. Born in a Soweto shack, she seemed destined for a short, hard life. But now she is on the run from the world ‘s most ruthless secret service, with three Chinese sisters, twins who are officially one person and an elderly potato farmer. Oh, and the fate of the King of Sweden - and the world - rests on her shoulders.As uproariously funny as Jonas Jonasson’s bestselling debut, this is an entrancing tale of luck, love and international relations.

    He’s going to enjoy the day… For hyper-particular publishing heir Jonathan Grief, the day starts like any other—with a strict morning fitness regimen that’ll keep his divorced, easily irritated, cynical, forty-two-year-old self in absolutely flawless physical condition. But all it takes to put a crimp in his routine is one small annoyance. Someone has left a leather-bound day planner with the handwritten title Your Perfect Year in his spot on his mountain bike at his fitness course!Determined to discover its owner, Jonathan opens the calendar to find that someone known only as “H.” has filled it in with suggestions, tasks, and affirmative actions for each day. The more he devotes himself to locating the elusive H., the deeper Jonathan is drawn into someone else’s rich and generous narrative—and into an attitude adjustment he desperately needs.He may have ended up with a perfect year by accident, but it seems fate has set Jonathan on a path toward healing, feeling, and maybe even loving again…if only he can meet the stranger who’s changing his life one day at a time.

    A moving and hilarious account of a spring day in a small Welsh coastal town, Under Milk Wood is "lyrical, impassioned and funny, an Our Town given universality" (The New Statesman and Nation).

    Not only has he heartlessly tricked his young ex-wife, Jenny, out of her art gallery inheritance, but he has also abandoned his son, Kevin, to die in the middle of the Kenyan savanna.It doesn’t occur to Victor that Kevin might be rescued and adopted by a Maasai medicine man, or that he might be expected to undergo the rituals expected of all new Maasai warriors – which have him running back to Stockholm as fast as you can say circumcision without anaesthetic.Back in Stockholm, Kevin’s path crosses with Jenny’s – and they have an awful lot to talk about, not least a shared desire to get even with Victor. So it’s convenient when they run into a man selling revenge services, who has an ingenious idea involving Victor’s cellar, a goat, some forged paintings, four large boxes of sex toys, and a kilo of flour …

    A Hollywood icon, Ringwald defined the teenage experience in the eighties in such classic films as Pretty in Pink, The Breakfast Club, and Sixteen Candles. Ringwald brings that same compelling candour she displayed in her film roles to the unforgettable characters she has created in this series of intertwined and linked stories about the particular challenges, joys and disappointments of adult relationships. Her characters grapple with infertility and infidelity, fame and familial discord, in a magnificent debut that will resonate broadly with readers - from fans of Melissa Banks to Meg Wolitzer to Lorrie Moore.

    A little distant, perhaps, a little cautious, not at quite at ease with the emotional demands of fatherhood, or manly bonhomie. He does not understand the modern obsession with talking about everything. “The secret of contentment, George felt, lay in ignoring many things completely.” Some things in life, however, cannot be ignored.At 61, George is settling down to a comfortable retirement, building a shed in his garden, reading historical novels and listening to a bit of light jazz. Then his tempestuous daughter, Katie, announces that she is getting re-married, to the deeply inappropriate Ray. Her family is not pleased – as her brother Jamie observes, Ray has “strangler’s hands.” Katie can’t decide if she loves Ray, or loves the wonderful way he has with her son Jacob, and her mother Jean is a bit put out by all the planning and arguing the wedding has occasioned, which get in the way of her quite fulfilling late-life affair with one of her husband’s ex-colleagues. And the tidy and pleasant life Jamie has created crumbles when he fails to invite his lover, Tony, to the dreaded nuptials. Unnoticed in the uproar, George discovers a sinister lesion on his hip, and quietly begins to lose his mind. The way these damaged people fall apart – and come together – as a family is the true subject of Haddon’s disturbing yet amusing portrait of a dignified man trying to go insane politely.A SPOT OF BOTHER is Mark Haddon’s unforgettable follow-up to the internationally beloved bestseller THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME. Here the madness – literally – of family life proves rich comic fodder for Haddon’s crackling prose and bittersweet insights into misdirected love.

    Whether David Rakoff's contrasting the elegance of one of the last flights of the supersonic Concorde with the good-times-and-chicken-wings populism of Hooters Air; working as a cabana boy at a South Beach hotel; or traveling to a private island off the coast of Belize to watch a soft-core video shoot where he is provided with his very own personal manservant rarely have greed, vanity, selfishness, and vapidity been so mercilessly skewered. Somewhere along the line, our healthy self-regard has exploded into obliterating narcissism; our manic getting and spending have now become celebrated as moral virtues. Simultaneously a Wildean satire and a plea for a little human decency, Don t Get Too Comfortable shows that far from being bobos in paradise, we are in a special circle of gilded-age hell.

    Oblivious to the mayhem unfolding, Matthews highly strung wife frets over giving birth to twins and Katy's much younger boyfriend refuses to take fatherhood seriously.Love and life are messy but Katy and Matthew take things to a whole new level as deep emotions begin to resurface and hormones run riot.How will they navigate their way through this almighty pick-up?

    The detailed mass e-mail to Mike’s family, friends, and clients blows up in her face, and before one can say "instant urban legend," Lacey has become the pariah of her small Kentucky town, a media punch line, and the defendant in Mike’s defamation lawsuit. Her seemingly perfect life up in flames, Lacey retreats to her family’s lakeside cabin, only to encounter an aggravating neighbor named Monroe. A hunky crime novelist with a low tolerance for drama, Monroe is not thrilled about a newly divorced woman moving in next door. But with time, beer, and a screen door to the nose, a cautious friendship develops into something infinitely more satisfying. Lacey has to make a decision about her long-term living arrangements, though. Should she take a job writing caustic divorce newsletters for paying clients, or move on with her own life, pursuing more literary aspirations? Can she find happiness with a man who tells her what he thinks and not what she wants to hear? And will she ever be able to resist saying one . . . last . . . thing?

    Is this what’s in store?June 12, 2030 started out like any other day in memory—and by then, memories were long.  Since cancer had been cured fifteen years before, America’s population was aging rapidly.  That sounds like good news, but consider this: millions of baby boomers, with a big natural predator picked off, were sucking dry benefits and resources that were never meant to hold them into their eighties and beyond.  Young people around the country simmered with resentment toward “the olds” and anger at the treadmill they could never get off of just to maintain their parents’ entitlement programs.But on that June 12th, everything changed: a massive earthquake devastated Los Angeles, and the government, always teetering on the edge of bankruptcy, was unable to respond. The fallout from the earthquake sets in motion a sweeping novel of ideas that pits national hope for the future against assurances from the past and is peopled by a memorable cast of refugees and billionaires, presidents and revolutionaries, all struggling to find their way.  In 2030, the author’s all-too-believable imagining of where today’s challenges could lead us tomorrow makes gripping and thought-provoking reading.

    But the reality is she's drowning in debt, has no prospects, and is forced to move back to Queens, where her parents remind her daily that they are very interested in grandchildren.Then, one morning, she is kidnapped, interviewed, and hired as an administrative assistant by the Corporation for UltraHuman Protection. Superheroes for hire, using their powers for good. What could possibly go wrong?Lots.Her coworkers may be able to shoot lightning out of their hands or have skin made of diamonds, but they refuse to learn how to use the company's database. She has a swell hook-up buddy relationship with The Big Axe, but he's pushing to go exclusive. Then there's the small matter of a giant alien space egg hovering over Yankee Stadium, threatening civilization as we know it.Will Andrea find contentment in office drudgery? Can she make a life together with a guy who's eight feet tall and never puts down his axe? And will she ever figure out how her boss likes her coffee?Listening Length: 8 hours and 49 minutes